On a cold Halloween night in 1963, in the film Halloween, a six-year-old boy named Michael Myers was seen stabbing his older sister to death with a gigantic kitchen knife then leaving to stand outside the house with a blank expression on his face. As a result he was sent to Smith Grove’s Mental Hospital which he escapes from 15 years later to go after 17 year old Laurie Strode and her friends Lynda and Annie. Warshow’s essay, The Gangster as Tragic Hero, depicts American society’s need to show public cheerfulness and maintain a positive morale as well as its desire for something more sinister, something more brutal. This desire to indulge in the forbidden fruit of sadism and cruelty is what makes the gangster persona so appealing to the nation. He is the man of the city. He emerges from the crowd as a successful outlaw and his only aspiration is success through brutality. Like a gangster, Michael Myers’ main focus throughout the film is brutality; “The practice of brutality – the quality of unmixed criminality – becomes the totality of his career” (3). This brutality is clearly illustrated in the scene where Bob is assailed by Michael Myers. After Bob finished sleeping with Lynda, he headed downstairs to fetch the beers Lynda requested. As he did so he heard a strange noise coming from the door. Curious, he made his way over to the door to find that there was nothing there. Figuring it was just Lynda messing with him, he opens up the cabin doors and calls Lynda an “asshole”. Failing to find Lynda, he decided to check another but little did he know that Myers happened to be hiding amongst those doors. The moment he opened them, Myers flew through the door and caught him by the throat. Bob attempted to struggle but failed to overpower him. As he drew his final breathes, Myers stabs him through the chest and watches the light slowly fade from his eyes. Myers
In 2013, just shy of my 17th birthday, I planned a day trip with two of my friends to see The Phantom of the Opera in New York. At this point in my life, I was entirely unaccustomed to large cities, such as New York City, and felt excited to experience the bustle I expected. While in the city, a woman informed me about methods to avoid the crime so intertwined with life in the city and introduced me to the concept that, just as New York City held many attractions for tourists, it also held some dangers as well. This idea takes pride of place in Edward Jones’ short story, “Young Lions” and its discussion of Caesar Matthews. As I learned a few years ago, the city truly contains amazement for those experiencing it, but, like all things in life,
The criminal underworld has been an essential aspect of crime fiction since the concept emerged in the mid-eighteenth century. While many authors have constructed their own idealistic conceptualizations of the criminal underworld, they have implemented distinct boundaries between the “good” and “evil” features of society. These opposing “worlds” often intertwine when the protagonist, a crusader for good, is thrust into the hellscape of society’s underworld. The novels A Rage in Harlem by Chester Himes, and The Girl with the Dragon Tattoo by Stieg Larsson feature protagonists from differing backgrounds who embark on treacherous journeys through the criminal underworld.
Vronsky, Peter. Serial Killers: The Method and Madness of Monsters. New York: Berkley, 2004. Print.
Gangs of New York is a war-packed film directed by Martin Scorsese that takes place in New York during the Civil War. This 2002 film is about a young Irish immigrant, named Amsterdam, who returns to the Five Points to get revenge on William Cutting, a powerful gang leader who murdered his father. One scene that really sticks out within the film occurs during the draft riots that took place in New York. Although this particular scene is historically accurate, there are some parts of the scene itself that seem to have a bigger impact overall. The parts that create this impact show how important this dark period was and how violently this event played out in the real world.
Every morning on my way to school I often pick up the Red Eye newspaper and read the latest news happening in Chicago. As I skim the pages I often see a section that shows the homicide tracker in the city of Chicago. This section of the newspaper shows numerous of deaths occurred in a month in a specific area. Consequently, similar to this homicide tracker on the newspaper the following articles have about the same homicide stories that have occurred in the city of Chicago years ago. In the book The Devil in the White City by Eric Larson illustrates the dreadful events about crime, violence, and illness all leading to death; The Coldest Case: The St. Valentine’s Day Massacre by Jonathan Eig describes a tragic murder of six men by the mob making Chicago seen as a gangland murder capital; The Untouchables by Eliot Ness tells the conflict Eliot Ness experienced trying to put the gangster Al Capone out of business, and For the Thrill of It: Leopold, Loeb, and the Murder That Shocked Jazz Age Chicago by Simon Baatz retells the case of judge Clarence Darrow which was to defend two boys of receiving the death penalty. The combination of these three stories shows serious issues such as crime, corruption and violence that are plaguing Chicago.
American Psycho is a savage account of a wealthy investment banker in the late 80s that commits heinous acts of murder, rape, and torture. Although on the surface, American Psycho seems as though it is just another horror story, it actually has a much deeper message. This story is a harsh critique of a superficial Wall Street society in the late 80s that was rampant with materialism and greed. This is the society in which the main character Patrick Bateman lives–where appearance, material possessions, and status define a person. This superficial existence leaves him hollow and dead inside and turns him into a psychopathic killer. A society such as this, devoid of any morality, inevitably creates psychopaths such as Bateman. The film shows an excellent portrayal of a vacant, nihilistic killer with no feelings or emotions. However, there is something more to the story that the film did not quite capture. The book seems to not only be a satirical take on this society, but a tragedy as well. Recreating the dinner scene with his secretary Jean shows that underneath the surface Patrick Bateman is, indeed, a human being with real feelings and emotions, and that it is a great tragedy that this superficial society has turned him into a monster.
The town of Halifax in West Yorkshire had never experienced such a manhunt in it’s history (Glover 3). During a short, but long lasting in feeling, time period in late November through early December in the year 1938, the town of Halifax underwent a period of mass hysteria. A mysterious “slasher” hid in the shadows and lunged out with a razor blade at people who passed by (Halifax Slasher).
The Chicago World Fair brought about through the 400th anniversary of Christopher Columbus landing in America has posed significant value and worth to the city of Chicago. Over a six-month period, more than 26 million visitors from all over the world would flock to the fairgrounds to experience the rebuilt and vibrant city of Chicago. The 600-acre fairground would have housed 200 buildings that showcased new food, art, technology, and entertainment. Chicago became known as the White City, a place of freedom, grandeur, and security. But unbeknownst to fairgoers, there was a serial killer among them. While Dr. H.H. Holmes lured his innocent victims to his “Castle”, just blocks away architect Daniel Burnham built up the dream city of Chicago. Both these men operated at the same time in history, simply blocks apart, both creating legacies that carry to this day. Burnham and Holmes are two side of the coin of human nature. In “The Devil in White City” Erik Larson’s juxtaposition of Burnham and Holmes, and the Black City and the White City, contributes to the understanding of human nature, that one cannot be good without having done evil, and that good and evil are viewed as complementary in their mutual dependence.
July 20, 2012, marks a day of mourning and injustice. Across the country, teary-eyed Americans, overwhelmed with shock and despair, read the headlines that covered every media outlet. The mere mention of the name “James Holmes” caused people to shudder in horror. How could one man be so incredibly malicious and destructive? Detailed plans of his mass murder were written down, and they revealed his malevolent heart. It is impossible to comprehend the amount of malice and hostility Holmes contained in his sinister soul.
In gangster movies, the tragic hero falls from his position because of a flaw in his character. This tragic flaw was called "hamartia" by Aristotle. In the movie Gangs of New York, Bill Cutting “The Butcher” have a lot of flaws on the surface, namely his poor temperament towards people around him, hubris, ego, jealousy and fault sense of
Menace II Society, a film about a young Black man who has lived the “hustler” lifestyle and is struggling to leave it, is a perfect example of deviance as the main character, Caine Lawson, and the characters around him violate many of society’s norms. Throughout the film, the characters swear incessantly, carry around guns and drugs as most people would carry around cell phones, commit street crimes, especially burglary and mugging, on a regular basis, and beat and kill people unscrupulously. The following quote captures just how deviant Caine and the other characters in this film were, “[Caine] went into the store just to get a beer. Came out an accessory to murder and armed robbery. It's funny like that in the hood sometimes. You never knew what was gonna happen, or when” (Albert Hughes). Why would Caine consider these crimes “funny”, or rather, so insignificant? What caused Caine to become so deviant? The answers to such questions were woven into the plot of the film and will be discussed in the following paragraphs.
The main character of Mr. Brooks is nothing short of a self-made man with a loving family and a productive business. However, not everything is what it seems. Mr. Brooks has a constant urge to kill. Like most real life serial killers, Mr. Brooks has a charming personality on the outside but a twisted brain on the inside. Every single action he took was thoughtfully played out, as if he were acting in a stage play with no chances of failure. Many psychopaths portray a high IQ and intelligence just like Mr. Brooks had. However, Mr. Brooks was not a psychopath. Deep down inside, he still harvested a strong familial love for his wife and daughter, and understood the mental and physical consequences of his actions. Instead, Mr. Brooks is the type of character that cannot be explained with just one theoretic analysis. The story illustrates that Mr. Brooks was a psychotic suffering from schizophrenia and that somehow his urge to kill could be passed down by generations. With this outline the
When we hear the words gangster or mobster, the first picture that comes to mind is bloodshed and violence. But Warshow shows us in his writings that this is not necessarily the case by giving us examples from the movie The Godfather of how the family is very similar to a normal everyday household yet very different at the same time. The family has this unique kind of courage that allows them to do what they want without having to care about what they can lawfully do. The family does not openly talk abou...
The dark, ominous alleyways of London’s East End divulge a very gruesome history of women “ripped up like [pigs] in a market” (Grose). The area, once littered with the torn up remains of brutally murdered prostitutes, looms over the city as symbol for the story of one of the most notorious serial killers: Jack the Ripper. The case enthralls and captivates people’s minds even today, over 100 years later (BBC). This begs the question of how serial killers become part of history, an answer found in extensive media coverage. Time Magazine describes the phenomena Jack the Ripper left behind as a “rich legacy” and a “multi-million dollar industry,” eerily analogous to today’s coverage of serial killings (Grose). Jack the Ripper’s case provides an early example of the issues that arose with the advent of the serial killer—issues that still exist. The press has a unique role to play in serial killer investigations, but the line between helping and hurting society is often blurred. While the press has a responsibility to inform society of such serial killings in order to keep them informed and safe, publishing killer communiqués crosses ethical boundaries concerning the investigations and society.
When attempting to explain the conditions Myers' lives in, straightforward, realistic statements are usually the most effective way to do so. "Near my house in the 1990s we had drive-by killings, run-by killings, sneak-up killings, gunfights and battles, car chases. We had drug killings, vengeance killings, the killing of witnesses to other crimes, accidental killings, and killings that enforce values we can only vaguely fathom" (73). Myers' illustrates the violence he sees on a daily basis, which allows someone like myself, who comes from a small suburban town and is not familiar with killings of any sort, to better understand the nature of the violence he is describing. It is a very bold statement that sets the tone of the essay, for this type of violence is common to Myers and is something he has become accustomed to. For those of us who are lucky enough to live in areas sheltered from violence and death, there is a need for outside sources to make us aware of the condition of the world around us.