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The story of frozen in an essay
The story of frozen in an essay
Oppression of women in fairytales
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The original tale titled “The Frog King” or “Iron Heinrich” has no written origin. It was passed down orally through the Wild family, of Kassel, and was recorded by the Grimm brothers after Wilhelm Grimm married Dortchen Wild. The mortal of the original fairy tale is keep a promise once it is made. Centuries later Walt Disney’s Animation Studios retold the story under the name The Princess and the Frog in a more modern and embellished the story greatly. They completely changed the moral and most of the storyline. In the reimagined version the moral of the story is changed to represent the fact that one can work hard for their dreams but they won’t get very far if they are not working towards what they need verses what they want. The movie makes …show more content…
The story states that the princess has a golden ball, implying that she is still young enough to have and play with toys. “In the heat of the day the princess would go out into the forest and sit on the edge of the cool well. To pass the time she would take a golden ball, throw it into the air, and then catch it. It was her favorite plaything” (Grimm). This must mean that the princess is fairly young for most older girls would not play with toys. The princess is clearly in a place of high social standing and the fact that her plaything is made of gold says something out her wealth and luxury. The princess and her royal siblings even eat from golden plates. While in the Disney rendition the main lady of the story is young like the princess from the Grimm tale but grows into an adult before the story officially starts. She is quite the opposite of the princess. From the clothing and clues in the movie it is made clear that the lady of the story, Tiana, is a poor woman in the musical city of New Orleans. In a scene when talking with the prince Tiana says, “Stick in the mud. Listen here, mister. This stick in the mud has had to work two jobs her whole life while you 've been sucking on a silver spoon chasing chamber maids around …show more content…
In the original story after she see meets the frog and denies him, the day passes and the princess is eating with her father and the rest of the royal court when she hears something outside. The frog calls out for her from the door and the princess opens the door to see the frog waiting. Out of fear the princess slams the door and returns to her seat at the table. The frog knocks a few more times and calls out to the princess, before her father makes her retrieve the frog and keep her word. She does not like it but her father forces
Once upon a time there was a young maiden named Cinderella who lived with her wicked stepmother and two ugly stepsisters. There was a ball where the Prince danced with a beautiful maiden. However, at the stroke of midnight, the young woman fled the ball, dropping one of her glass slippers along the way. The next day, the King proclaimed that the Grand Duke visit every house in the kingdom to find the girl who fit into the glass slipper, so that she can be married to the Prince. When the Grand Duke arrives at Cinderella’s house, her stepsisters try on the slipper, but it does not fit them. Then, Cinderella appears, tries on the slipper, and it fits. Soon after, Cinderella is happily married to the Prince (Cinderella). This is Disney’s 1950’s account of the classic fairy tale Cinderella, which greatly differs from the Brothers Grimm retelling. The Brothers Grimm story is filled with violence and misfortune, not with fairy godmothers and singing mice, as in Disney’s version. In the Brother’s Grimm account of Cinderella, when the first stepsister’s toe is too big for the slipper she cuts it off. Similarly, when the second stepsister tries on the slipper she cuts off her heel to make her foot fit. However, the Prince realizes each of the stepsisters has deceived him and does not take them to be his wife. Then, Cinderella tries on the slipper, it fits, and the Prince takes her as his bride. At the wedding, pigeons peck out one eye of each of the stepsisters for their wickedness and falsehood (“Cinderella”).
In the German version the subject matter is much more raw because it was written for more of the lower-class. Pagan magic, spell casting, and self-mutilation are much more violent and aggressive than the fairy dust and glitter found in Cinderella. Peasants would also never go to a ball, but would be able to identify more with a wedding feast. In Ashenputal the slippers are also made of gold because that was a precious metal to its audience, who would not even be able to imagine a glass slipper. Also because it is German, there is no “happily ever after.” It was considered just for the stepsisters’ heels and toes to be cut off and their eyes to be plucked out by birds.
Daniel Duane addresses a pressing modern anxiety surrounding technology’s destruction of the natural world. Duane is an author of seven books and many articles featured in The New York Times and Food & Wine. Also an editor for Men’s Journal, Duane’s experiences in rock climbing, science, and the beauty of the outdoors make his writings seem more passionate and credible. He recently wrote the article “The Unnatural Kingdom” in The New York Times explaining his ideas towards technological advancements and their effects on wildlife. In his article, Duane offers insights to the question, “If technology helps save the wilderness, will the wilderness still be wild?” (Duane 1). He utilizes kairos, pathos, ethos, logos, and other rhetorical devices,
The King's daughter, obviously releasing the unnatural and cynical intentions of her father, refused to let him have his way. The princess makes a decision based on her moral values and determines on her own that her father is wrong. Interestingly here, the Brothers Grimm play on a common theme that Perrault used in the development of his heroes and heroines. All Fur gives her father three tasks that must be accomplished in order for her hand in marriage. The princess, not yet at her highest level of development, which is necessary to become a heroine, tries to out smart her father by giving him seemingly impossible tasks. The King somehow manages to come up with her gifts, but in her development into a heroine she realizes that the gifts actually will help her achieve her journey to the highest level of development (Jewett 20).
In Walt Disney’s 1950 film, Cinderella explains, “A dream is a wish your heart makes.” During childhood, countless girls dream of becoming Disney princesses in response to their exposure to animated films like Cinderella. This fascination with the princess lifestyle is commonly viewed as a phase that young girls pass through and is encouraged by Walt Disney’s 4.4 billon dollar line of princess merchandise, which includes toys, clothes, and even pink house paint (Smith). Although the princess merchandise, featuring primarily the original princesses of Belle, Jasmine, Ariel, Snow White, and Sleeping Beauty, is often perceived positively as being an essential part of a girl’s childhood, the commercialization of the Disney Princesses is in fact a detriment to the American society’s movement towards gender and racial equality.
Walt Disney needed to change his version and many of his other fairy tales and in doing so started a change in the way we see fairy tales. Ask someone today to define a fairy tale and they will tell you along the lines of a beautiful woman put threw hardships that in the end of the story gets the man and becomes a queen of her own castle.
Parents play an important role in a child’s life so it is only natural that these roles are portrayed in fairytales meant for children. This is evident in the tale Donkeyskin by Charles Perrault and Cinderella by the Grim Brothers. The differing roles of the fathers in these tales, along with the similar roles of mothers, establish two different beliefs to impart on a child. Donkeyskin reminds a child that his/her parents love is undying and wants what is best for them; while Cinderella stresses the importance of becoming independent. Both of these beliefs recognize and address a child’s simple desires and fears.
In "Cinderella';, Cinderella doesn't meet the prince before the ball, she doesn't even really expect to be going to the ball. In "Ever After';, Danielle meets the prince in a confrontation where the prince was actually stealing one of their horses. Danielle starts pegging him with apples, but just as she realizes that he is the prince, she kneels down before him. She apologizes, but the prince is lenient and says he will not punish her. He also gives her money to keep quiet about the whole situation.
Even though fairy tales don’t always end the way we want them to, we usually expect them to end with prince charming saving a princess. However, according to the Grimms Brothers version, “The Frog King,” the princess actually saves the prince. An innocent naive princess comes across a frog that once was a prince. Therefore, the only way he can overcome this curse is to ask a princess to fully have her assurance into becoming his companion. The moral of this fairy tale is express how appearances are deceiving. We don’t fully have an understanding what true beauty looks like until it is standing in front of us. The three main symbols that emphasize the true beauty in this fairytale is the frog, the fountain, and the golden ball.
Walt Disney’s Cinderella is adapted from the original fairy tale written in 1697 by Charles Perrault. There are some key differences between Walt Disney’s Cinderella and Charles Perrault’s Cinderella. In Charles Perrault’s tale, Cinderella’s father is not dead, but the father is controlled by the stepmother. Cinderella’s younger stepsister is much more polite than the older stepsister, who calls Cinderella Cinderwench. The king in Perrault’s tale hosts a two day Ball, which Cinderella attends with the help of the fairy godmother. During Cinderella’s preparation for the first night of the Ball, Cinderella helps the fairy godmother find a coachman when the fairy godmother could not find one. Cinderella’s glass slipper comes off on the second night of the ball. Similar to Walt Disney’s Cinderella, the prince in Perrault’s story announces to marry a woman whose foot will fit in the glass slipper. Unlike the Walt Disney’s tale, Cinderella is not locked up in the attic and the stepmother does not physically attempt to stop Cinderella from trying the slipper. Instead, the step sisters ridicule Cinderella when Cinderella suggests trying on the glass slipper. Cinderella wears the slipper and takes out the other slipper from a pocket which Cinderella puts on the other foot. Suddenly, the fairy godmother appears and transforms Cinderella’s ragged outfit to a magnificent gown. After the transformation, the step sisters recognize Cinderella as the unknown beautiful princess who attended the Ball and beg for forgiveness. Cinderella forgives the step sisters and marries the step sisters to the great lords of the castle. The prince marries Cinderella, however, Perrault does not mention about the prince and Cinderella living happily ever after.
Once given birth to a beautiful baby girl, often parents refer to her as their little princess; when having a newborn girl, that baby girl will often get all the attention from her surroundings, she will be showered in the most adorable dresses; cute shoes , baby clothes that say “princess” on it and either a bow or a bedazzled head band, perhaps a room that is nothing but pink, letters on her wall over looking her crib saying “Mommy’s little Princess”. There is nothing wrong with spoiling your baby girl. But as time goes her idea of her gender role begins to develop. Buying her princess toys, surrounding her with pink, and watching the Disney movies about how princesses are beautiful, always gets her prince charming, and lives an enchanted life for ever after, is a dangerous “reality” to create for young girls. Eventually, while growing up from child years to young adults, girls in this type of environment can develop a gender constructed identity that, they are superior and deserve an enchanted life. It’s a dangerous reality for these young girls because they will grow up to believe that, they’re entitled to the fairy tale life, having pure beauty , marry her dream man, conceive beautiful children and live happily ever after, but sometimes life is not a fairy tale and you don’t always end up getting what you want.
The Grimm brothers were motivated to change the stories up a bit as their tales captivated more people. They incorporated a softer side with a primary moral of the story for the readers (GrimmFairytales.com). It is from these original Grimm versions that modern fairytales, such as Cinderella, originated from. The original version, published in 1812 portrays Cinderella as a poor child who lost her beloved mother; she lived a life of misery as a result of this death. Her father remarried and took on a new life, letting the evil stepsister torment Cinderella.
The tone of The Little Prince is often lonely and fragile-sounding, much like the little prince himself, when he ventures into the world of adults in an attempt to understand them. The writer emphasizes, throughout the story, that loneliness is what isolates the adults rather than children because they are unable to see things with their minds, hearts, and imagination. Both the protagonist (the little prince) and secondary protagonist (the narrator) lead lonely lives because of this isolation due to the differences between the minds of children and adults. "So I lived my life alone, without anyone that I could really talk to," writes the narrator, before his plane crashes in the middle of the Sahara. He explains this in the first few chapters - living his life alone - because this 'world of grownups' does not understand him and wishes for him to talk of their idea of 'sensible' and 'practical' things. This made him very lonely, not so much in a physical sense, but so that he could never really find anyone to relate to. The narrator explains that after flat responses to his imaginative observations to things, "'Then I would never talk to that person about boa constrictors, or primeval forests, or stars. I would bring myself down to his level. I would talk to him about bridge, and gold, and politics, and neckties. And the grown-up would be greatly pleased to have met such a sensible man.'" In one of my magazines is an article called, "Popularity Truths & Lies," where popular girls talk about their social status. In large, red print, it says, "Lie: Popular girls are never left out or lonely." The girls then go on to explain how sometimes, they feel as if they are making so many friends only because of their popularity. They say that it's great to be popular, but difficult to find someone that really wants to befriend them for true qualities rather than social status. The situations between the narrator of The Little Prince and these popular students is that it seems that they would never be isolated (popular students from their admiring peers and the supposedly sensible-minded narrator from the adult world) - physically, at least - but inside the kind of friend they are really longing for is someone to understand and honestly talk to in order to end the abstract barriers between these worlds of people.
The story teaches us that society expects women to be passive. Cinderella’s abuse by her stepsisters and stepmother cause her to live in grief silently without expressing her emotions. She does nothing to fight for her freedom except sing about all the dreams of happiness that she hopes will come true someday. She only wishes for things to change rather than attempt to do anything to change it for herself. Cinderella waits to be rescued by Prince Charming instead of fighting for her own freedom. This teaches women that they should suffer in silence without doing anything for themselves.
...oited by the royalty, those concepts did not exist yet. By the time Disney got around to it the tide of morals meant that girls must be presented as lady’s none of the sexual desire stuff of the more ancient versions. The story had to revolve around the selfless prince rescuing his bride to be all good Christian values. However even with those changes the story maintained things that survived the course of history. The damsel who needs to be saved and the role of Man saving the women.