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During the time period of the “flappers,” premartial
Did flappers have a positive or negative effect
During the time period of the “flappers,” premartial
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Stevenson proves many of her points by cleverly including rhetorical devices such as pathos, diction, and logos. The points that are being proven throughout her paper are the importance of the flapper girl, and how they changed the 1920’s society. However, it did not only change the way the 1920’s people lived, it affected us living in our time period now. Without the help of the flapper, women might still be seen as unequals. They started a revolution of change that is now seen as normalcy. This was made more apparent by the way Stevenson used diction. She had many examples of diction that strengthened her resolve greatly. Take for example when she says, “She and her boy friend, after a short season of gaiety, a year or two or more, vanished …show more content…
However, these following two examples also show pathos. They incorporate emotion to show how the flappers affected the people of that time. The first example says “...there existed an erroneous but cheering belief that there was change ahead. (Stevenson 1)” Stevenson could have said, there existed an untrue belief that there was positive change ahead. Instead she used words like “erroneous” and “cheering to say the sentence in a more interesting, and emphasized way. This makes the audience feel that hopeful feeling she describes so well. The second example is found on the second page. While she is describing the different types of flappers she uses phrases such as, “Skating gaily over thin ice”, “heartless little ignoramuses, gum-chewing, vulgar”, and “overdecorated, costly, gangsters’ girls friends (Stevenson 2)”. By using phrases like this she creates a type of image in peoples’ minds. If she had just mentioned the type of flappers where some were fast, some were repelling, and some were costly, then you would not see these three types so clearly. While reading these types of girls you start to judge a little subconsciously, especially when she uses the phrase “heartless little ignoramuses, gum-chewing, vulgar”. People find themselves instantly feeling repulsed. This is showing how the people of the 1920’s viewed this new type of girl that seemed to spring up from
In the book, Stevenson talks about the moment he realized that his life and the work he does, was full of brokenness. IT occurred after he talked with Jimmy Dill, right before Dill was to be executed. Despite the fact that he had intellectual disabilities, and could not afford a decent lawyer, Jimmy Dill was convicted of capital murder and sentenced to die. After fighting to get stay requests, the requests were ultimately denied and Dill was executed. After being denied and talking to Dill, it was then that Stevenson realized how broken the criminal justice system was. In the book he recognizes that “his clients were broken by mental illness, poverty, and racism.” (Stevenson 288) At that moment, he wanted to given up.
A Flapper is “a young woman in the 1920s who dressed and behaved in a way that was considered very modern” (Merriam-Webster). There was many opinions on how young women should act in the 1920s, but the ladies listened to the voices in their head. They set an example for the future women to dress and act the way they want, men could no longer tell women how to dress and act. The new era of young women opened many doors for all females.
...mer. I believe that both articles shed a positive light on the emergence of the New Woman in all areas of society; including socially, economically and publicly. Though Scott’s chapter, readers can see how women were influenced by publicities and how they took those messages and brought them into their own daily lives. Through Sklar’s article, readers can see how women, even as early as 1890 could play a pivotal role in the community and having their choice of their role in society.
Stevenson uses many literary techniques to create suspense and amuses the readers. He uses the literary symbolisms such as paradox and symbolism. However the most important technique is point of view and the changing of narrators throughout the book. Many critics such as Alice D. Snyder, Peter K. Garett, and Vladimir Nabokov wrote literary criticisms about Stevenson’s use of language. Lots of the evidences come from the book The Strange Case of Dr. Jekyll and Mr. Hyde in order to support the critics’ claim. Peter K. Garett’s claim of Stevenson’s use of language is that the relation between Jekyll and Hyde is played out in terms of grammatical and narrative positions. Vladimir Nabokov’s claim was that Stevenson creates suspense and mystery by
Flappers in the 1920s where the girls and women that dressed less modestly. They also disobeyed the rules that most women and girls followed. They did what others would not ever think of doing in this time period.
... fewer children was stressed to the patriarchal, consumerist society. The roaring twenties were a consumerist and capitalist age for America, and the liberalization of women occurred naturally as the younger generation was born into the new age of Freudian sexuality, however the flapper as a symbol for young women is incorrect. Out of proportion, and unfounded the flapper was a consumerist to exploit a rising cultural market. Women gained the right to their bodies, as America gained the right to its profit.
Imagine walking in the streets where all other women and girls are dressed in long dresses, look modest, and have long hair with hats. Then, there is a girl with a short skirt and bobbed hair smoking a cigarette. This girl makes a statement and is critically judged by many people for dressing this way. Women during the 1920s were not to look “boyish” in any way, so when short hair and short skirt were introduced, it was seen as shameful. The girls wearing this new style were known as flappers. Their style was introduced in the early 1910s but did not spark until the 1920s. The style was said to be more comfortable, but was not appealing to the more conservative. Before the change of style, most women were dressed modestly; however, women's
Stevenson uses a combination of: horror, supernatural, moral messages, and mysteries. The use of horror captures us because it’s normally shocking and frightening to think about. When you combine that with mystery you get an effect that makes you feel edgy and nervous to read on but you want to read on because if you don’t you’ll never get the answers to your questions. His uses of moral messages is effective in keeping the reader’s interest because it will make the reader question and doubt themselves on things because they might feel more like Hyde than they would like to.
One of the emotions Stevenson wants the reader to feel is sympathy towards the people about whom he wrote. Stevenson goes about doing this by telling stories of people who are like his readers but who have bad luck or fewer opportunities and more disadvantages. Stevenson writes about women who have been in jail for long prison terms. These women committed small crimes like using drugs and stealing, rather than major crimes like rape and murder.
Some women of the 1920s rebelled against being traditional. These women became known as flappers and impacted the post-war society. People in the 1920’s couldn’t make up their minds about flappers. Some were against them and some were with them. Therefore, some people in the 1920’s loved and idolized flappers, I on the other hand, believed that they were a disgrace to society. These women broke many rules leading young women to rebel against their families.
In the 1920s, a new woman was born. She smoked, drank, danced, and voted. She cut her hair, wore make-up, and went to petting parties. She was giddy and took risks. She was a flapper.
Flapper by Joshua Zeitz is a book that many historians have found so thrilling that they find it difficult to put it away. This is because of the manner in which Joshua presents the themes touching story. He tells a telling the story and growth and development of the American woman. He explores the role of industrialization and the growth and development of urban centres. He uses a romantic story using Zelda and F. Scott. Besides, fashion, which many women strive to achieve, plays an essential role in making the work of Joshua a world class literature. American woman underwent a number of revolutionary stages to come to what is now referred to as modern women. Through the stories of Zelda and Scott, the reader is able to imagine the rough road that women in America have travelled to achieve their current status of modern woman.
Zelda (Sayre) Fitzgerald began life as a wild child, who looked forward to adventure and excitement. She was aptly named the first American Flapper by her husband F. Scott Fitzgerald. Zelda was a multitalented individual who enjoyed writing, art and ballet dancing. Later in life, she realized the way the world can break you down both physically and mentally. Though many things have been blamed as the cause of her mental breakdown, there was no specific root to her problem. Quite possibly wrong fully diagnosed as schizophrenic in 1930, Zelda would spend the rest of her life in and out of mental health facilities. My aim is to take an in-depth look at her life, art inspiration, and the lifestyle of the “Flapper” in the 1920’s.
“Being a sex symbol is a heavy load to carry, especially when one is tired, hurt and bewildered.” embraces Clara Bow (4). Women’s roles as citizens, changed tremendously during this era. As of 1891, women were given the paramount right to vote. From rescuing slaves to nursing the wounded in wars, women have carried some of the the nation’s weight on their backs. Back in the day, they were expected to stay at home, cook, clean, and take care of their kids; not having much entertainment or leisure. They found happiness in their kids and husbands. “This moderation transformed as the flapper era commenced. Exuding a combination of exoticism and eroticism, Josephine Baker catapulted to international fame,” (5). Women started wearing short skirts,
Dubbed by Fitzgerald as “the quintessence of what the term ‘flapper’ signifies,” Clara Bow served as the model for all flappers. A flapper was the new woman; attractive, sassy, “worldly-wise, and briefly clad.” The flapper took on an impish and tomboyish, at lead for their time, attitude. They danced on tables, rendering the recklessness of the new youth. But modern women proved to be a danger for the conventionalism of America. They influenced the change on women’s rights, what was considered moral, and what was considered appropriate for women. These issues had previously been for making a timid woman; upon the coming of the modern woman, these issues made for a modernist female.