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Portrayal of women in movies
Relating feminism to film production
Feminism in the movies industry
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Recommended: Portrayal of women in movies
What exactly is the Female Gaze? The Female Gaze can easily be defined by three statements. Firstly, women have control of the viewpoint (in other words “Do the looking”). Secondly, the women control and enjoy their bodies and sexuality. Thirdly, the female body emphasizes maternal function, strength, and power. However, while discussing Real Women Have Curves (for the selected scene) I would only like to use the first two. Throughout the movie, only women possessed the gaze. However, in this particular scene, Anna’s possession was very prevalent. This can be derived by the focus that the camera had on both her and Jimmy instead of just her. Also, when she looked in the mirror, you could tell she had control over what was seen because the view wasn’t focused on her breasts or any other sexual part of her. It was just her. She was what mattered at that moment. …show more content…
Since Anna grew up in a Latino home, her mother based self-worth on being appealing to men. However, Anna just wanted to appeal herself. So when her mother finds her exploring her new body, and realized that she lost her virginity, things spiral out of control really fast. However, Anna’s words will always have amazing strength. “There’s more to me than what’s between my legs!” By that she means she doesn’t need a husband to feel empowered, her virginity to still be virtuous, or her mother’s approval on who she should or shouldn’t be. She changes the entire dynamic on women-men relationships.
In taking control of the gaze, she does two things. Firstly, she removes most of the power that comes with “male privilege.” This negation, if it was felt strongly enough throughout the world may cause an international power shift from men to women. If the message behind this movie was strong enough, women could be in the same position men are now. They could lead the majority of countries in this world, and own almost every
The three women in Their Eyes Were Watching God, Daisy, Mrs. Bogle, and Mrs. Robbins, are depicted as caricatures of black women who were disrespected in Eatonville, Florida. The main character Janie, has difficulty understanding the ways the men judged the women. Daisy was described as being a young, beautiful dark-skinned woman. Mrs. Bogle, on the other hand, was an elderly grandmother. Finally, Mrs. Robbins,seemed to be a flirtatious, married, spoiled woman. All three women were viewed differently by Janie when it came to the men, and how the men disrespected the women.
Society often views individuals that do not conform to its expectations as separate from the societal group. The Story of the Marquise-Marquis de Banneville, by Charles Perrault, François-Timoléon de Choisy, and Marie-Jeanne L’Héritier follows two main characters, one of which does not fully conform to binary gender presentation. The Girl with the Golden Eyes, authored by Honoré de Balzac, portrays an “oriental” woman as an object to be purchased and used. In Le Roman de Parthenay Ou Le Roman de Melusine, written by Coudrette, the heroine is a half human, half fairy who holds great power. In this paper, I argue that the majority of biologically female protagonists in these novels exist in-between the expectations society has for them, which
By focusing on the production of Absent through the lens of a feminist spectator it is possible to clarify the effect of immersive spectatorship on the male gaze. Feminist spectatorship entails readership of a performance against the dominant ideology to exhibit how a performance address the ideal white, straight male spectator. Typically, performances will “employ culturally determined gender codes that reinforce cultural conditioning.” These representations encourage the male spectator to identify with a male hero, while both women in the production and as spectators are passive. For example, the Duchess has no agency in her story. Every news articles refers to her not as her own person, but as an ex-wife. Every aspect of her narrative is
Their Eyes Were Watching God is a feminist novel that consist of a love genre, gleaming with charm and sincere wisdom.
Before she knew it, Anna quickly got overtaken by this passion, and it ultimately led to her own demise, as the love that Vronsky had to offer quickly diminished. This became a problematic force since Anna practically gave up everything she owned to chase the life that this man offered her. She did it in such a manner that she could no longer return back to her family or normal lifestyle. In a way, she was victim to a lifeless marriage by which she found herself to pretend to be happy. When Anna finally gets a shot at love, she realizes all that she has missed, and it is easy to see how she falls victim to such an enamored opportunity. Anna simply wanted to know that she mattered, to have been appreciated and admired. Unfortunately, being a
She tells the girl to “walk like a lady” (320), “hem a dress when you see the hem coming down”, and “behave in front of boys you don’t know very well” (321), so as not to “become the slut you are so bent on becoming” (320). The repetition of the word “slut” and the multitude of rules that must be obeyed so as not to be perceived as such, indicates that the suppression of sexual desire is a particularly important aspect of being a proper woman in a patriarchal society. The young girl in this poem must deny her sexual desires, a quality intrinsic to human nature, or she will be reprimanded for being a loose woman. These restrictions do not allow her to experience the freedom that her male counterparts
In her novel Their Eyes Were Watching God, Hurston introduces the theme of gender roles through the use of characterization. Gender roles were very important in the African American culture during the 1930’s. Hurston highlights the importance males place on feeling superior to their wives and forcing them in a role of subservience. Men in the South viewed women as property. Men were the masters of the household and women were the slaves in the marriage. The novel is the story of Janie’s awakening from this oppression into her own self-awareness and personal identity. Janie’s journey to awakening was filled with oppression before she entered the pear tree garden of her self-actualized dreams of love.
...the tribe, to give her input and change that idea of women not having a say. The film formed the idea that women can move up in power based on whom they were raised by and what traits they learn upon as children.
People use art to display the beauty found in the world and, because of this, women have been subject to objection through paintings and photography all throughout history. Whether it is a commissioned oil painting from the 17th century or an advertisement from the 20th century, there will always be some type of image that objectifies women. In the book Ways of Seeing John Berger states that a woman “comes to consider the surveyor and surveyed within her as the two constituent yet always distinct elements of her identity as a woman,” (Ways of Seeing 46). Berger is saying that women know they are seen as an object purely because they are women. Women in paintings and photography are objectified for the pleasure of the viewer, they are illustrated for the surveyor’s specifications, so in essence the picture is a better representation of the owner than the subject.
...es, in the eyes of the modern moviegoers, this position is no longer reasonable due to the strides already made by women in quest for equality. It is a reflection of how the past American society treated its women and draws to the traditional inclination of the Americans to achieve financial independence as seen in this post war film.
They were held to lower standards and believed to be nothing but an object for men. The women were treated very poorly and were treated differently than the men. In many ways the women were shown to be little compared to the men. Since they didn 't have anything important in society the actions that were towards them were as if they 're peasants Woman had no possibility of ever been treated differently since they were ever going to have a better role in society. This movie portrayed how women weren’t held to higher standards but men
Anna plays the role of the classic submissive female married to David's classic chauvinist male. "Wanting to remain attractive to her husband, Anna attempts to conform to the eroticized and commodified images of women promulgated in the mass culture" (Bouson 44). Although the novel is set during the 1970"s, the decade of one of the great feminist movements in our history, Anna remains a woman who maintains herself for her husbands benefit. In a critical scene in the novel, the narrator sees Anna applying makeup. When she (the narrator) tells her that it is unnecessary where they are Anna says "He doesn't like to see me without it," and then quickly adds, "He doesn't know I wear it" (41).
The films message to viewers about gender and power is that women are meant to take care of the home and play the supportive role, while men go out to their jobs and provide. Men are strong and burly and women are naïve and domesticated. Women need men and men always come to the rescue to save women and give them a happy ending. Power is portrayed in the film both visually and through the film’s script and dialogue. The common idea that women are inferior to men is placed subtly in this movie throughout the plot and how these charac...
I feel that being a woman in leadership people expect that you should be submissive and stay in your place wherever that is. By taking on nontraditional leadership styles to be effective is what is needed to succeed then I am willing to learn how to act like a woman and think like a man. I viewed in the movie how I can get a more thorough understanding of how gender relates to leadership in the workplace and how leadership is actually practiced by people in the real business world.