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Thesis statement on symbolism in ALice in Wonderland
Alice in wonderland character analysis
Alice in wonderland character analysis
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The inventive world of Wonderland and Alice’s journey in to her own imagination is more then merely a children s story. Looking deep at the symbols and structure of the story one can see that it becomes more complex and abstract as Alice gets deeper and deeper in her journey in Wonderland. Lewis Carol wrote the book in 1876 and Disney produced its own animated version of Alice in Wonderland no more then twenty years ago. The Disney production aimed at a younger audience, shows Wonderland as a very colorful and vibrant place, full of flowers, trees and a majestic garden of wonder and glory. Although Disney is successful at doing that, it fails in showing the hidden aspects of the story, the aspects of the novel that need to be dug into to comprehend. This is most likely because it was made a younger audience. Alice encounters many strange characters in Wonderland, most of which are characters such as the White Rabbit, or the Caterpillar, and some who are deranged humans such as the Mad Hatter. The film was able to capture the characteristics of most characters like the White Rabbit and Caterpillar, but it didn’t well describe the Mad Hatter. It is true that the novel shows the Mad Hatter to be a very silly and illogical character. He talks about having a happy non-birthday instead of a happy birthday and reversing the meaning of many things like words and such. At one point during the tea party the Mad Hatter presents to her an illogical argument stating: “Take some more tea,” said the Mad Hatter to Alice very earnestly. “I’ve had nothing yet, so I can’t take more.” “You mean you can’t take less, it’s very easy to take more then nothing.” That part, which was not in the film, showed how the Mad Hatter is able to turn almos... ... middle of paper ... ...ing, including many ideas and concepts that need to be read into to understand. The film left out these ideas in order to focus it more to children, and by doing that it missed out on the whole other side of Alice of Wonderland. The film and novel, both which deal with the mind of a young and curious girl, bring out different aspects of youth and imagination. The novel deals more with abstract concepts such as evolution, reality, and dreams, where the film deals more with Alice’s quest to return home and adventure into the paranormal world of her own imagination. Both of those issues when combined are what Alice and Wonderland is meant to be about. Because the novel deals more with abstract ideas, it would appeal more to an older audience although many younger readers can still enjoy it, whereas the film dealing with adventure appeals mainly to a younger audience.
"'Curiouser and curiouser!'cried Alice" (Carroll, Alice's Adventures in Wonderland 9). At the time she was speaking of the fact that her body seemed to be growing to immense proportions before her very eyes; however, she could instead have been speaking about the entire nature of Lewis Carroll's classic works Alice's Adventures in Wonderland and Through the Looking Glass and What Alice Found There. At first glance, the novels seem easy enough to understand. They are simple children's stories filled with fantastical language and wonderful worlds. They follow the basic genre of nearly all children's work, they are written in simple and clear language, feature a young hero and an amazing, unbelievable cast of characters, are set in places of mystery and illusion, and seem far too nonsensical and unusual for adults to enjoy. Even their author, Lewis Carroll, believed them to be children's stories. Yet Carroll and generations of parents and children have been wrong. While these stories may seem typical children's fare, they are distinctly different. Their symbolism, content, and message make the Alice books uniquely intended for adults.
Alice in Wonderland starts when Alice “sees” a rabbit exclaiming it was going to be late. When Alice starts dreaming about the Wonderland it may have been a little strange, but she ends up realizing that it helps with her problems in the real world.
Alice’s Adventures in Wonderland is a story about a little girl who comes into contact with unpredictable, illogical, basically mad world of Wonderland by following the White Rabbit into a huge rabbit – hole. Everything she experiences there challenges her perception and questions common sense. This extraordinary world is inhabited with peculiar, mystical and anthropomorphic creatures that constantly assault Alice which makes her to question her fundamental beliefs and suffer an identity crisis. Nevertheless, as she woke up from “such a curious dream” she could not help but think “as well she might, what a wonderful dream it had been ”.
I didn’t want to read a book about a girl sitting in a field with her cat, that’s just boring. But sure enough my mother convinced me to read it.by of course bribing me with more chocolate chips. Alice in Wonderland, by Lewis Carroll, is a story about a young girl, Alice, who follows a rabbit into his hole, and finds herself in Wonderland. This is shown when he leads Alice down the rabbit hole into Wonderland and by Alice trying to find him throughout the story, just as we try to find truth throughout our lives.
Thus, Alice in Wonderland is a good illustration of a Hero’s Journey. This story allows us to see how Alice overcomes the three main phases, and most of the stages identified by Campbell in her journey-transformation from an undisciplined child to a wise young adult. Throughout the story, Alice overcomes the nonsense of the young and the old before she truly understands what adulthood is all about. All through her adventures in Wonderland, she encounters numerous new situations and meets different archetypes that are necessary for her to be considered a Hero.
Alice in wonderland has compelled many artists and writings to adapt, Lewis Carroll 's book into movies. The original animated movie of Alice in Wonderland came out in 1951; which was produced by Disney. There have been many remakes, but for the purpose of this essay the 2010, live action remake by Tim Burton can reveal the most change. Keeping these two versions in mind, it is possible to get a snapshot of some ways American culture has shifted over the 59 year period. There are five main changes of importance from the original and the remake of Alice in Wonderland. Those changes are: the age of Alice, the dynamic of characters in Wonderland, the Gender roles, the violence, and the agency of Alice throughout the movie. These key changes can be linked to many subliminal messages being conveyed about American
Alice does not like that there are no pictures so she begins dreaming of her own world, which she calls Wonderland. She states that in her world, everything that shouldn’t be possible would be, and that animals would wear waistcoats and trousers. After describing this, she happens to see a rabbit in a waistcoat and decides to follow it. At this point, the movie begins to display her disorder as she follows the rabbit into a hole that she falls through. As falling through the hole takes her to another world, Wonderland, Alice believes that it is real and is not aware that it is all just a
SparkNotes Editors. “SparkNote on Alice’s Adventures in Wonderland.” SparkNotes.com. SparkNotes LLC. 2005. Web. 30 Oct. 2013.
Lewis Carroll’s Alice in Wonderland follows the story of young Alice trapped in the world of Wonderland after falling down through a rabbit-hole. The rabbit-hole which is filled with bookshelves, maps, and other objects foreshadows the set of rules, the ones Alice is normally accustomed to, will be defied in Wonderland. This conflict between her world and Wonderland becomes evident shortly after her arrival as evinced by chaos in “Pool of Tears” and Alice brings up the main theme of the book “was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I am not the same, the next question is who am I?” (Carroll 18). After Alice fails to resolve her identity crisis using her friends, Alice says “Who am I, then? Tell me that first, and then, if I like being that person, I’ll come up: if not, I’ll stay down here til I’m somebody else” (Carroll 19). Hence in the beginning, Alice is showing her dependency on others to define her identity. Nevertheless when her name is called as a witness in chapter 12, Alice replies “HERE!” without any signs of hesitation (Carroll 103). Close examination of the plot in Alice in Wonderland reveals that experiential learning involving sizes leads Alice to think logically and rationally. Alice then attempts to explore Wonderland analytically and becomes more independent as the outcome. With these qualities, Alice resolves her identity crisis by recognizing Wonderland is nothing but a dream created by her mind.
As have other stories, Alice in Wonderland, has been distorted by the Disney filter to many
Although the novel is notorious for its satire and parodies, Alice’s Adventures in Wonderland main theme is the transition between childhood and adulthood. Moreover, Alice’s adventures illustrate the perplexing struggle between child and adult mentalities as she explores the curious world of development know as Wonderland. From the beginning in the hallway of doors, Alice stands at an awkward disposition. The hallway contains dozens of doors that are all locked. Alice’s pre-adolescent stage parallels with her position in the hallway. Alice’s position in the hallway represents that she is at a stage stuck between being a child and a young woman. She posses a small golden key to ...
One of the main purposes for writing Alice in Wonderland was not only to show the difficulties of communication between children and adults. In this story, almost every adult Alice talked to did not understand her. At times she messed up what they were saying completely as well, which many times stick true to real life circumstances. This book shows that kids and adults are on completely separate pages on an everlasting story. Carroll points out that sometimes children, like Alice, have a hard time dealing with the transition from childhood to adulthood, 'growing up.' Alice in Wonderland is just a complicated way of showing this fact. Lewis Carroll's ways with words is confusing, entertaining, serious, and highly unique all at the same time. And it's safe to say that it would be difficult to replicate such and imaginative technique ever again (Long 72).
Alice tries to come to terms with Wonderland as she grows and figures out more about herself than she ever has before. In both the book and 1951 movie Alice is a young girl, possibly a pre teen, who goes on a journey of a lifetime. I would say that this journey is one that many young adults go on in one way or another and when they come to the end they discover what they are really made of and all of the things that they can accomplish if they really put their minds to it. “One day Alice came to a fork in the road and saw a Cheshire cat in a tree. “Which road do I take?”
The characters in Alice in Wonderland and Through the Looking Glass are more than whimsical ideas brought to life by Lewis Carroll. These characters, ranging from silly to rude, portray the adults in Alice Liddell’s life. The parental figures in Alice’s reality, portrayed in Alice in Wonderland, are viewed as unintellectual figures through their behaviors and their interactions with one another. Alice’s interactions with the characters of Wonderland reflect her struggles with adults in real life. Naturally curious as she is, Alice asks questions to learn from the adults.
Alice in Wonderland belongs to the nonsense genre, and even if most of what happens to Alice is quite illogical, the main character is not. “The Alice books are, above all, about growing up” (Kincaid, page 93); indeed, Alice starts her journey as a scared little girl, however, at the end of what we discover to be just a dream, she has entered the adolescence phase with a new way to approach the mentally exhausting and queer Wonderland. It is important to consider the whole story when analyzing the growth of the character, because the meaning of an event or a sentence is more likely to mean what it truly looks like rather than an explanation regarding subconscious and Freudian interpretations. Morton states “that the books should possess any unity of purpose seems on the surface unlikely” (Morton, page 509), but it’s better to consider the disconnected narrative and the main character separately, since the girl doesn’t belong to Wonderland, which is, as Morton says, with no intrinsic unity. Whereas, there are a few key turning points where it is possible to see how Alice is changing, something that is visible throughout her journey. Carroll wants to tell the story of a girl who has to become braver in order to contend with challenges like the pool made by her own tears, or assertive characters, like the Queen.