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Short note on reform act 1832
Queen Victoria's influence on Great Britain
Queen Victoria's influence on Great Britain
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When you hear of the Victorian Era, what crosses your mind? One of your first thoughts is probably of Queen Victoria herself, one of the longest ruling monarchs in the history of England. You might also think of the architecture and houses that became popular in that era. You might believe, like many, that the Victorian Era was one of progress and improvements. This is true. Many advances were made during the Victorian Era. For example, between 1809 and 1839, exports grew from £25.4 to £76 million . Great Britain also made advances in communication, using the steamship, railway, and electric telegraph. James Watt and Matthew Boulton improved Britain’s core industries by using steam power in coal mining. The First and Second Reform Acts enabled all men in the country to vote, and this eventually led to women voting in 1918. The first illustrated weekly newspaper was founded in 1842, allowing the working class to stay informed on the news . The list of the improvements that came about during the Victorian era goes on and on.
Despite the advances in Britain’s economy, the souls of the people were not similarly enhanced. While the Victorian Era was one of progress, there was much evil and cruelty as well. The Victorian weaknesses were especially noted by Joseph Conrad, who lived during this era. He knew from first-hand experience the evils of colonialism and racism. He was able to see the hollowness of civilization in the world, and he viewed that hollowness as a great evil. This became the theme of his book, Heart of Darkness. Conrad demonstrated the hollowness of man in the descriptions, actions, and thoughts of his characters.
Character descriptions are important to readers. A reader must understand what characters like and disli...
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...pearances and on gaining as much wealth as possible. Meanwhile, they are hiding a dark, hollow soul. But, “what shall it profit a man, if he shall gain the whole world, and lose his own soul”? Conrad was right in drawing attention to this hollowness, but he was unable to provide a remedy to the problem. In Christ, we are given that remedy. The only way to fill the hollowness within us is to let Christ fill us with Him. Only then can a hollow soul live a fulfilled life.
Works Cited
1. LitCharts Editors. "LitChart on Heart of Darkness." LitCharts.com. LitCharts LLC. 2014. Web. 9 Mar. 2014.
2. Conrad, Joseph. “Heart of Darkness.” Oxford University Press, New York. 2008.
3. “King James Study Bible.” Thomas Nelson, Inc. Liberty University. 1988.
4. http://www.bbc.co.uk/history/british/victorians/victorian_technology_01.shtml
5. http://listsoplenty.com/blog/?p=12243
Joseph Conrad's novel Heart of Darkness uses character development and character analysis to really tell the story of European colonization. Within Conrad's characters one can find both racist and colonialist views, and it is the opinion, and the interpretation of the reader which decides what Conrad is really trying to say in his work.
Watts, Cedric. 'Heart of Darkness.' The Cambridge Companion to Joseph Conrad. Ed. J.H. Stape. Cambridge: Cambridge University Press, 1996. 45-62.
The Victorian Era started when Queen Victorian inherited the throne in 1837 and lasted till 1901. Over those years, England underwent “technological, commercial, and social developments that fundamentally changed English life, replacing the world into which Victoria was born with one that looks much more familiar to the twenty-first-century eye.” (Nelson 1). According to Houghton “never before had men thought of their own time as an era of change from the past to the future.”(1). England was in the period of transition, the change from the Middle Ages to the modern period. The old doctrines and institutions were attacked and modified and a new order was proposed. The Victorians had to live between two words,
“The mind of the man is cable of anything.” These are the words Joseph Conrad uses to describe the potential of each human being, a potential that can be limited based on a person’s ideal of what is right and what is wrong. Conrad makes this ideal visible in his piece of literature “Heart of Darkness,” in which he describes Marlow’s, the novel’s protagonist, journey to the center of imperialism, Africa, where he encounters the dehumanizing treatment of white Europeans towards the African civilization. During his expedition, Marlow learns that morals are individual perceptions of what is right and what is wrong.
Joseph Conrad's Heart of Darkness shows the disparity between the European ideal of civilization and the reality of it, displayed by the domination, torture, exploitation and dehumanization of the African people. Conrad often emphasizes the idea of what is civilized versus what is primitive or savage. While reading the novel, the reader can picture how savage the Europeans seem. They are cruel and devious towards the very people they are supposed to be helping.
"I don't want to bother you much with what happened to me personally,' [Conrad] began, showing in this remark the weakness of many tellers of tales who seem so often unaware of what their audience would most like to hear" (Conrad, 9). Heart of Darkness, Joseph Conrad's best-known work, has been examined on many bases more than I can possibly list here, but including imperialism, colonialism, and racism. I would reason that all bases of analysis are perfectly acceptable through which to critique Conrad's novella, or any piece of writing. I would reason this, were some of these bases mainly, racism not taken to an extreme level. In arguing racism, many critics seem to take Heart of Darkness as Conrad's unwavering view on Africa, Africans, life, or whatever else one may please to take it as. I, therefore, propose that Heart of Darkness be taken for what it truly is: a work of fiction set in late 19th century Europe and Africa.
Conrad, Joseph. "Heart of Darkness." The Norton Anthology of English Literature. Ed. M.H. Abrams et al. 6th ed. vol. 2. New York: Norton, 1993. 1759-1817.
The mind is a wonderful thing. It allows us to think on three very different levels. One we choose to express, one we don’t choose to express, and one we do not even know exists. All these stages of thinking are clouded over in Joseph Conrad’s The Heart of Darkness. Three menacing forces occur that completely take over the white man to act inappropriately. They accuse others of acting savage, when they violently act against people of other cultures. They conform to specific beliefs, and push aside their subconscious thoughts. These men also have an abundance of ignorance that makes them feel false superiority. The Heart of Darkness reaches into the minds of readers, to prove that all of civilization is surrounded by an abundance of forces that can fog our mind, and darken our hearts.
The Heart of Darkness, a complex text was written by Joseph Conrad around the 19th century, when Europeans were colonizing Africa for wealth and power and were attempting to spread their culture and religion in Africa. It was also a period in which women were not allowed to participate in worldly affairs. Therefore, the text deals with issues such as racism, European imperialism, and misogyny. This essay will look at the different themes in the novel and argue whether or not The Heart of Darkness is a work of art.
“The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much” (The Norton Anthology, 21). The Heart of Darkness by Joseph Conrad is about Marlow, the protagonist, and his journey through the heart of Africa, up the Congo River, searching for rich and wealthy European businessman Kurtz. Conrad, through the character Marlow, exposes his experiences and nightmares during his journey up the Congo River, as he witnessed the brutal torments and merciless murders of the natives. This time period of the 1900s brought forth improved technologies, weapons and global connections, this sociohistorical era gave rise
"Readers you are doing a great job identifying the inside and outside traits of the characters in your stories. You are also inferring what characters are feeling, thinking, and acting, by not only paying attention to what is going on in the stories,
Heart of Darkness describes a voyage to Africa, common for the British still, despite the horrific treatment which was apparent of colonization. The chaotic, stream-of-consciousness style Conrad took on helped to display the confusion, and made the reader have to interpret for themselves what they thought the writer meant. Conrad experiments with this style, leaving some sentences without ending: "not a sentimental pretense but an idea;…something you can set up…and offer a sacrifice to…." (Conrad, Longman p. 2195), a very choppy form of literature and causes the reader to fill in the holes and interpret themselves, alone. Conrad skips about from talking of the "two women knitted black wool feverishly" at the gate of the city (of hell), to his aunt which he feels women are "out of touch with truth," to how the British are as "weak-eyed devil(s) of a rapacious and pitiless folly" (Conrad, Longman pp. 2198, 2199, & 2202). Conrad's mind moves about as ours do along a large duration of literary monologue to convey to the reader the author's ideas, as interpreted by the reader.
Heart of Darkness by Joseph Conrad may be a narrative about colonisation, revealing its drawbacks and corruption, but it may also be understood as a journey into the depths of one’s psyche, if taken at a symbolic level.
Anyone can read Heart Of Darkness and easily sense the attitude of Conrad toward English politics. Many times throughout Heart Of Darkness Conrad points out the pointlessness and savagery of English colonization. Conrad also comments a bit on society as a whole. With these two ideas added to the book, there is no wonder of why Heart of Darkness is such a touching novel.
Joseph Conrad’s Heart of Darkness is a great example of a Modernist novel because of its general obscurity. The language is thick and opaque. The novel is littered with words such as: inconceivable, inscrutable, gloom. Rather than defining characters in black and white terms, like good and bad, they entire novel is in different shades of gray. The unfolding of events takes the reader between many a foggy bank; the action in the book and not just the language echoes tones of gray.