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Disney movies feminist perspective
Feminism in disney movies
The world history of animation
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The Disney Design of Mirror Face Condition Disney has been a household name for a number of generations since its humble start in a cartoon studio in the 1920s. Since then they have brought forward the animation classics of childhood for the majority of the world. In recent years however, new social movements such and feminism and others searching for equality have led to Disney being under scrutiny for what it has been producing. Animation student Jessica Kendrick noticed there was something up with the Disney heroine figure that we’ve been seeing in recent years. “It was an issue presented to me early on in my degree by my lecturer. When I asked him how to improve my character designs he told me that ‘they all have the same face’. I hadn’t noticed until he pointed it out, now it sticks out like a sore thumb to me.” A few months after Kendrick’s realisation, the official character designs for Disney’s ‘Frozen’ were leaked. At first she believed it was a hoax, as the concept art seen so far was so far removed from the final designs of the main characters Anna and Elsa. Admittedly, she thought someone with a lot of time photoshopped Tangled’s Rapunzel’s face and body shape into a slightly different character. “Of course there are some differences between Rapunzel and the Frozen girls. But there is practically no difference between Elsa and Anna in facial structure and body shape, besides surface details such as freckles or a difference in height. They’re practically mirror images with the same eyes, nose and mouth.” So how is Disney getting away with something that any beginner in animation would get called out on? Kendrick argues that it wasn’t down to limited time, lazy design or the fact that it’s in CG, but rather an unsettling... ... middle of paper ... ...signed to be attractive, and yet still have various differences between them whereas the attractive females have little to none. This brings us back to the stereotype that princesses are and can only be beautiful. Kendrick reflected more on this herself. “Do I think that Disney’s a horrible animation studio for giving the women too small to be real waists? No, it’s just a point of exaggeration in their animation along with the big head and eyes. What I do find disturbing is that the beautiful characters are now recycling the exact same design with little to no difference. There’s a subliminal message that there’s only one way to be attractive, which is one of the worst messages to present in this day and age.” Disney’s next major animation ‘Moana’ is due to be released in 2017. It will be interesting to see if Disney’s case of Mirror Face Condition in a chronic one.
Media is a powerful agent in entertaining children. It also influences and teaches the youth of society the suitable and appropriate gender roles that they inevitably try to make sense of. The power of media is very influential especially in the minds of the youth. Disney movies target the youth and plant certain ideas and concepts about social culture into the vulnerable minds of children. Media uses gender to its advantage, just like Disney productions. Humorous caricatures reveal some harsh realities about the portrayal of Disney Princesses in many movies made by the Walt Disney Company. Disney mixes innocence with the ultimate form of fantasy to capture an audience. Predominantly, Disney helps highlight the gender roles by showing the audience simply what they want to see. In the attempt to stick to the norm and portray stereotypical female characters, Disney created Princesses. Presented as damsels in distress and inferior beings to men, Disney Princesses give children an inaccurate portrayal of gender roles at a young age. Through Disney’s social success and intriguing films, such as The Little Mermaid, Snow White, Aladdin, Sleeping Beauty, Cinderella, and Beauty and the Beast, Disney Princess movies portray stereotypical representation of gender roles through the denigration of the female image, targeting and ruining the perception of youth today.
Since Disney’s Snow White appeared in 1937, Disney princesses have been a present in pop culture. With the release of new movies frequent and re-release of decades old movies inevitable, a continuous stream keeps Disney princesses in the foreground of adolescent society. It is with the value of entertainment they have been created and as entertainment they should be viewed.
In validating her argument that little girls are growing up to fast she uses logos by stating that she believes $4 billion Disney Empire is just a step closer to a path that is becoming a concern to parent toward their young daughters. She states that that Disney has created new and scarier challenges for mothers by self-objectifying, and cyber bullying and their body image. TV shows like “Hannah Montana and “High School Musical” have created a new idea of a female childhood. Other than just Disney she looks deeper into what else is making young girls grow up to fast. ...
For starters, Disney princess movies display the image of extraordinary beautiful sexy girls as princesses. They have long hair, small waist, flawless skin, nice cloths and beautiful voices (England, Descartes, Collier-Meek, 2). Unsurprisingly, young Girls want to have the qualities of these fictitious characters. They define beauty as having the perfect body image, just as Disney princess movies have taught them. Moreover, the bad people or witches in these movies always seem to be ugly, fat, or basically unattractive. This changes young girls’ view of the society, leading them to develop low self-esteem if they don’t meet the princesses’ standard (Dundes, 8). Since, Disney features the male character (prince) to be romantically linked to the female character (princess), young girls who do not think that they have the image of a princess will get the impression that they cannot be loved by handsome wealthy men (England, Descartes, Collier-Meek, 3). Also, they will consider themselves to b...
In line with Towbin and her colleagues’ statement, looking thoroughly at the princesses, their physical appearances have the standardized beauty which applies to most if not all of the princesses. While it cannot be denied that Disney princess’ movies are pictured to please the eyes of the audience, this portrayal of woman is unrealistic and very idealistic. These distinct features as the cachet of beauty create the fallacy that people must own these distinct features to be called beautiful. The definition of beauty becomes monogamous and it fails to embrace the fact that women come from difference size and appearances. Furthermore, this standardized beauty of the princesses can represent the basic ideas in the society that women are expected to be alluring with sensual features and thin be worthy. As the effect, this representation of beauty will create a disorientation of body-image in the
The Disney princesses’ unrealistic level of beauty can be seen in the artist portrayal of each princess. In the article, "The Mixed Blessings Of Disney's Classic Fairy Tales" Asma Ayob talks about how the princesses’ are created, “Snow White and Cinderella are presented as beautiful archetypal princesses who are ideally perfect. With the advent of the film, and the animators’ ability to create flawless bodies, this type of female attractiveness, which can be compared to “air-brushing” models on the covers of popular magazines, is a hard act to follow” (Ayob). The ‘hard act to follow’, has been t...
This can give girls the impression that only skinny is beautiful and that anything outside of Ariel’s beauty is considered “ugly”. Other Disney films like Cinderella, Sleeping Beauty, and Snow White are also movies where the princess finds love at first sight. The Princes fall in love with their beauty, and no other factors, such as personality, are referred too, instead their beauty is the main reason they love the princesses. All princesses also have similar body structure and facial features, while also being very symmetrical. These perfect ideals of beauty can cause girls to develop eating disorders, so that they can also be as thin and beautiful as the princesses they look up
Of course, this could be justified by the target audience, as it is a Disney princess film after all. However, this relationship between two sisters is special enough to be analysed. Indeed, female friendship is often depicted as conflictive, in films such as Bride Wars for instance, whereas male friendship is made more valuable, as seen in most Seth Rodgen films. Here, the feminine solidarity is the core of the plot in Frozen, which motivates each protagonist’s designs and solves central issues of the
Anyone who hasn’t been living under a rock for the past four years knows that Frozen took the world by storm in 2013 with its powerful anthem, “Let it Go” and its unconventional ending. The Frozen obsession which has swept our culture quickly and entirely left me curious about its roots. In the quiet halls of the McCain Library & Archives, I sat down and began to read The Snow Queen. In the beginning, the differences seemed minimal. Rather than a set of royal sisters, Elsa and Anna,
“If children or adults think of the great classical fairy tales today, be it Snow White, Sleeping Beauty, or Cinderella, they will think Walt Disney,” Jack Zipes, a publisher and lecturer on the topic of fairy tales, claims. From the beginning of his rollercoaster career, the name of Walt Disney became one to remember. His spell over the world of fairy tales has made him a household name. The classic Disney princess film motif displays stereotypes of women by portraying them negatively. The three prominent stereotypes of women depicted in Disney princess movies include portraying women as domesticated, creating an unattainable body image, and teaching girls that they need saving from a man are amongst these. In a recently conducted survey, I learned that 79% of people watched Disney princess movies often or frequently as a child. This amount of exposure can have great consequences. Although most respondents claimed that Disney movies convey appropriate messages to children, many of them also agreed that they can see the recurring theme of stereotyping women negatively. This
In the Disney movie Life-Size, actress Tyra Banks plays the role of Eve, a Barbie-like doll, who is "perfect in every way," come to life. Later in the movie, the once-very popular Eve doll's sales decrease dramatically, and the company stops the production of the Eve doll not realizing what they are doing wrong. Distressed, Banks, the "life-size" Eve doll, turns to her owner Casey and learns two valuable lessons—that perfection is boring and unrealistic, and it is okay to make mistakes. Casey tells the life-size Eve that the Eve doll is too "goody-goody" to be real, and girls need more realistic role models—heroes—with personality, inner struggles, and mistakes. Almost everyone likes heroes from Spiderman to firefighters to Dad who inspire the young and keep them motivated; however when the heroes' lives and beliefs are fabricated to fit a stereotype, these humans regress into nothing more than a boring ideal. Heroification with cognitive dissonance blind students to the reality of this world and limit their ability to view controversies objectively.
Looking at all the princesses in Disney movies, all have the perfect hourglass figure. Disney has come a little further from all the stereotyping. Some movies have a story line of the princess not wanting to be a princess. James Poniewozik explained, “It’s not the girl who must prove herself worthy of princesshood; princesshood must prove itself worthy of the girl,” (Plattsburgh). Like in the movie, Shrek, Fiona had a choice to become the idealistic princess, but she chose to become an ogre, living out her own fairy tale. Escaping princess culture is inevitable. Marketers have come out with a line of princess theme décor, furniture, toys, you name it, being “princess.” This theme is all the Disney princesses plaster on every item to sell for the young girls who dream of this fairy tale life. Peggy Orenstein tries to keep her daughter from the Disney culture. She held her tongue for three years, until her daughter had a dentist appointment. The nurse asked the little girl to sit on the princess thrown. Orenstein has many concerns for her daughter, mainly the negative effects the Disney culture has on its
When one thinks of animation, Disney is probably one of the first animation studios to come to mind. They are in fact one of the first and most well known animation companies. Little girls say that they want to be princesses when they grow up, but is wanting to be a pretty little princess really as innocent as it seems? The young daughters have these girly expectations pushed onto them at a very young age; they need to keep their little dresses clean, but God forbid if a young boy picks up a doll or does not feel the need to get his new shirt dirty. Disney in particular really enforces the “be perfect, act perfect” stereotype onto girls with their character models all looking nearly the same. The characters do not necessarily have to look the same; there is much diversity in the men and villains, but all of the princesses look almost exactly alike. This imprints the notion that to be likeable, you must fit these certain standards, which can be damaging to young and impressionable minds.
Since the introduction of Disney films into our society, there has been a sea change
After Anna is accidentally hit in the heart with ice by Elsa, her whole body begins to freeze and the only way to break the curse is by an act of “true love”. Immediately she assumes that she must kiss Prince Hans to break the spell, but when he revels his evil nature, Olaf explains to her that she is really in love with Kristoff and that she can kiss him to break the curse. In search for him, on one side of the ice she finds Elsa in danger with Prince Hans, and on the other she sees Kristoff. Instead of saving herself and having a “true loves kiss,” Anna decides to sacrifice herself to save Elsa from Hans’ sword. When she jumps in front of the weapon he whole body turns to ice but since she risked her life to save her sister because of the love she has for her, she unfroze. This scene showed young girls that they do not need to focus on just romantic true love, but to remember and cherish the love that can be expressed to