The Crow Reviewed
Throughout the history of movies, movie companies have tried to do it bigger better and more exciting. They bring in bigger stars, better special effects and more convincing stories, which causes the masses to flock to the theatres in eager anticipation of each movie. The audience usually gets what the audience wants—more violence and more action the world over. “The Crow” has elements of different types of movie genres the horror, adventure, film noir and the western. In this movie there is no difference as is about to be shown in the following paper. They mix the genres together quite well in this movie to make it a true hybrid genre. From the mean streets, the use of shadows and surprise like the horror movie, to the adventure of the over all story. They also mix in a bit of western with the black cowboy that is in the comic, but doesn’t even appear in the movie itself. Now this paper shows how the movie appeals to the different genres using characters, settings, lighting and other effects to make the movie more interesting.
In “The Crow,” it starts out with a legend of the crow showing the horror aspect of the movie. It says that “when a person dies, a crow carries there soul to the land of the dead and sometimes a soul dies with such anguish that the soul cant rest, and sometimes, just sometimes the crow can bring that spirit back to put the wrong things right.” Which was in the case of Eric Draven, is what happened. Him and his fiancé (Shelly) both are killed while fighting tenant eviction eviction in there building. Eric Draven being the way that he was before he was killed, a rock singer and guitarist, truly makes him the unlikely hero of this story. The way that he paints his face in a mimes face with a smile is quite different then was in the comic, he was suppose to paint his face like the face of tragedy. Instead they do it like a mime, and this is quite ironic as to what he is supposed to stand for. This creates a sense of dramatic horror to an effect throughout the movie. The street gang that killed him for the tenant eviction made him quite the man made demon, having only one thing that was on his mind, the revenge of his and Shelly’s death to put his soul to rest.
“Plenty-Coups Chief of the Crows” was authored by Frank Linderman in 1930. This book interested me because it was Plenty-Coups account of his life. Plenty-Coups couldn’t write English. So when Mr. Linderman came by asking for his account of his life, Plenty-Coups couldn’t deny. Also why this book interested me was because we were learning about the Native American’s when I picked this book. Final reason why I picked this book is because I have never read a Native’s auto biography.
Film Noir, as Paul Schrader integrates in his essay ‘Notes on Film Noir,’ reflects a marked phase in the history of films denoting a peculiar style observed during that period. More specifically, Film Noir is defined by intricate qualities like tone and mood, rather than generic compositions, settings and presentation. Just as ‘genre’ categorizes films on the basis of common occurrences of iconographic elements in a certain way, ‘style’ acts as the paradox that exemplifies the generality and singularity at the same time, in Film Noir, through the notion of morality. In other words, Film Noir is a genre that exquisitely entwines theme and style, and henceforth sheds light on individual difference in perception of a common phenomenon. Pertaining
Inman strongly identifies with a crow, looking to it with envy as a creature of independance, freedom from the worldly constraints that are placed upon us. The crow is a shifting and ambiguous symbol, the crow can suggest doom and destruction but it can change to demonstrates the dark instincts troubling man’s soul. Ruby ( a friend and a role model to Ada) points out in the book that crows show resilience and tremendous capacity for survival. All of these characters that we can identify with a crow can also bee seen time and time again in Inman. The war was very traumatic to Inman, the memories of war troubled him. Again the theme of loneliness can be seen. Inman seeing his war friends die, and never seeing them again as he deserts from the army. In the beginning of the book it opens to him sitting alone, in a hospital. He was there for a very long time alone. Both of the soldiers by him were badly injured to the point where they were not continuous. Thus symbolising the doom and destruction that would inevitably lead to Inman getting injured or even
Horror genre conventions are evident in both films and the way they are directed has given me obvious indications on the effect the horror conventions can have on a film when used well, and the adverse effect when not used well. Both Japanese and American society are evident in these films, and the style of the films are similar to the nationality of the two directors. Horror conventions are used in both films, but the way they are used are quite different, and these contrasting styles are key in how effective the two films are to their audience.
In Fools Crow', Fools Crow is the central character. He is at a period in his life where he questions himself in a wistful daze about what he is; he wants to find out what his place is in this world and what is meaningful to him. He explores among his dedications to his people and among the potentials of breaking free and living a complete life without being interrogated by any one.
Barry, , Keith, and Grant, ed. Film Genre Reader III. Austin, TX: University of Texas Press,
Statement of intent: This formal report was written with the intent of discussing the mise-en-scene element of film which is used in two of Wes Anderson’s most popular films. Both films The Grand Budapest Hotel (2014) and Moonrise Kingdom (2012) showcase the limited colour palette and costume aspects of mise-en-scene.
How the Opening Sequence of Halloween Captures the Attention of the Audience ' 'Halloween' was made in 1978 and is a good example of the 'Slasher' movies from that time and this is an interesting piece of cinema as it can be related to the German expressionism of the late 1920's which used jerky camera shots and high contrast lighting to enthrall the viewer .In this essay I will discuss how the opening to Halloween captures the audiences attention and how codes and conventions create suspense and tension for the audience.
The story of "The Crow" (a graphic novel turned movie) is the story of Eric Draven, a handsome young musician living in the dark gloom of a gothic-industrialized city plagued by continual rain. He is set to wed a beautiful girl when she is raped and left to die by a gang of criminals. Upon arriving to witness it in progress (taking place at his own home), Draven is killed as well; pushed out of a window as high as a skyscraper. The story then chronicles his resurrection from the dead in order to avenge their murders. His only lifeline (or shall we say deathline) is through a black crow. The crow is the connection between the dead and the living, providing Draven with the means to be immortal for one night only. If the crow is harmed then Draven will lose his immortality and assume mortality, putting an end to his plans for revenge. The conflict of the story comes as Draven attempts to execute the criminals one by one, but is cut short by the harming of the crow. He fights to overcome this and prove successful in his journey.
Many time in our lives, we have seen the transformation of novels into movies. Some of them are equal to the novel, few are superior, and most are inferior. Why is this? Why is it that a story that was surely to be one of the best written stories ever, could turn out to be Hollywood flops? One reason is that in many transformations, the main characters are changed, some the way they look, others the way they act. On top of this, scenes are cut out and plot is even changed. In this essay, I will discuss some of the changes made to the characters of the Maltese Falcon as they make their transformation to the ?big screen.?
American Crows (Corvus brachyrhynchos) are a species of bird found in the family Corvidae, a family that also includes magpies, nutcrackers, and jays (Eastman, 1997). According Eastman’s book Birds of Forest, Yard, and Thicket, there are around forty-two Corvus species, and most of them live in the Northern Hemisphere (1997). American Crows in the United States usually do not migrate, but they do migrate in Canada. Not all American Crows migrate, but they are social birds who form wintertime flocks that sometimes reach over 200,000 birds (Burton et al., 2010).
Think about your favorite movie. When watching that movie, was there anything about the style of the movie that makes it your favorite? Have you ever thought about why that movie is just so darn good? The answer is because of the the Auteur. An Auteur is the artists behind the movie. They have and individual style and control over all elements of production, which make their movies exclusively unique. If you could put a finger on who the director of a movie is without even seeing the whole film, then the person that made the movie is most likely an auteur director. They have a unique stamp on each of their movies. This essay will be covering Martin Scorsese, you will soon find out that he is one of the best auteur directors in the film industry. This paper will include, but is not limited to two of his movies, Good Fellas, and The Wolf of Wall Street. We will also cover the details on what makes Martin Scorsese's movies unique, such as the common themes, recurring motifs, and filming practices found in their work. Then on
Horror movies force us to confront our many fears and phobias, chief among them, our fear of the dark. Even their titles reflect this: Night of the Living Dead, Fright Night, Dracula, Prince of Darkness, Dark Waters. Because movies, by their very nature, must be viewed in the dark, this is an element that is highly exploited and capitalized upon by movie-maker...
Since the release of George Melies’s The Haunted Castle in 1896, over 90,000 horror films have been made. However, none have been more frightening and influential than that of Stanley Kubrick’s The Shining and Steven Spielberg’s Jaws. Each a product of horror’s 1970’s and 80’s golden era, the films have a reputation of engulfing viewers in fear, without the use of masked killers, vampires, or other clichés. Instead, Kubrick and Spielberg take a different approach and scare audiences on a psychological level. The Shining and Jaws evoke fear through the use of three different film aspects: the use of a “danger” color, daunting soundtracks, and suspenseful cinematography.
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.