The Yellow Wallpaper does nothing but confuse me. It seems to be about
a high strung, mentally ill woman who is obsessed with rotting wallpaper. This
yellow wallpaper obsesses her so much that she begins to distrust everyone, even
her husband. She is terrified that someone will take her wallpaper or find out
more about it than she knows.
One point I found interesting is that she sees a woman behind bars
trying to get out in the pattern of the wallpaper. This might be the only thing
in this story that made sense to me. The pattern with the woman seems to be
related to the way she is being treated by her husband, John. John is very
protective of her wife because she is in all reality a very sick woman. She
feels trapped because of this and the way she sees the paper must be an
indication. She stays up late at night and hours on end during the day to stare
at worthless, tattered, yellow wallpaper.
This story really bored me to death. All I could think of was, "when is
this story going to be over?" I remember having a highly active imagination as
a child but this is ridiculous. She sees mushrooms sprouting and women shaking
bars and she's a middle aged woman. The last time I ever saw anything close to
that was when I was 10 years old and I saw G.I.Joe's crawling up and down my
walls at night. I don't understand this woman behavior nor have I ever
experienced anyone in real life who acted this way.
John's wife is not an abused woman. She is actually well taken care of and
...s motivation to reach into Daisy’s heart is the downfall that lead to Gatsby’s persistent nature which concentrate solely the past, Also, emptiness of existence with realization to taint ideal, Gatsby’s heart fill with illusions. As a great man his death overflows with generosity and kindness that people did not notice. The good man Gatsby’s death is a tragic, but in the end it’s another meaningless loss that buried as a lonely hero.
Until she sees a woman creeping behind the pattern one night tempting her to go see if the wallpaper is actually moving which is when her husband catches her. He always seems to talk down to her treating her like a child in this particular instance calling her “little girl”. In spite of this she sees this as an opportunity to talk to let him know her concerns informing him that she is not getting better as he so adamantly believes. Nevertheless, her attempts are futile for he dismisses her once more putting his supposed medical opinion above his wife’s feelings. The story takes a shocking turn as she finally discerns what that figure is: a woman. As the story progress she believes the sole reason for her recovery is the wallpaper. She tells no one of this because she foresees they may be incredulous so she again feels the need to repress her thoughts and feelings. On the last night of their stay, she is determined to free the woman trapped behind bars. She begins to tear strips of the wallpaper and continues to all night by morning yards of the paper are stripped off. Her sister in law Jennie offers to help but at this point the narrator is territorially protective of the wallpaper. She locks herself in the room and is determined to strip the wall bare. As she is tearing the wallpaper apart she sees strangled heads in the pattern shrieking as the wallpaper is being torn off. At this point, she is furious and even
This is when he also used intimation she always made it seem that john was controlling her life she seemed to be really scared of his opinions and how he would think and see her. in many domestic situations things like this happen he may have not been beating her but he had an emotional effect on her which he was he never wanted to take her opinion unto concertation and when she asked him for help when she was at the hospital he ignored her which lead her to committing
In Gatsby's death Fitzgerald suggest that the American dream is a false attraction, "[Gatsby] paid a high price for living to long with a single dream" (169, Fitzgerald). Corruption of the dream is especially apparent when Nick discusses the origins of the American dream, "Dutch sailors eyes-a fresh, green breast of the new world. Its vanished trees, the trees that had made way for Gatsby's house, had once pandered in whispers to the last and greatest of human dreams…his capacity to wonder" (189, Fitzgerald). Fitzgerald illustrates that the dream has vanished and Gatsby's "capacity to wonder" is all that is left of the original dream.
All through the story, the yellow wallpaper acts as an antagonist, causing her to become very annoyed and disturbed. There is nothing to do in the secluded room but stare at the wallpaper. The narrator tells of the haphazard pattern having no organization or symmetrical plot. Her constant examination of and reflection on the wallpaper caused her much distress.... ...
When reflecting on his memories of the man he knew as Jay Gatsby, Nick Carraway recalls the unique individual’s finest quality: “It was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again” (Fitzgerald 2). Although Gatsby occasionally stepped off the straight and narrow, he never lost sight of his ultimate goal: Daisy’s love. Even when it seemed as though everything was working against him and that he would never regain his lost love, Gatsby kept going, knowing that the strength of his hope would see him through. His childlike determination, while ultimately his downfall, was what made Gatsby truly “great.”
Gatsby is quintessentially presented to us as a paradoxical enigma. As the novel progresses this sense of mystery shrouding him is heightened. We see Gatsby through the looking glass, we catch frequent glimpses of him, yet only through Nick’s trained eye. We are, to a certain extent, unable to judge him for ourselves. Even so Nick is eager to depict Gatsby as a multi-faceted character, one who hides behind his own self concocted images of himself. Is this the ‘indiscernible barbed wire’? Is Gatsby himself the ‘foul dust that floated in the wake of’ his own ‘dreams’?
When looking at two nineteenth century works of change for two females in an American society, Charlotte Perkins Gilman and Stephen Crane come to mind. A feminist socialist and a realist novelist capture moments that make their readers rethink life and the world surrounding. Gilman’s “The Yellow Wallpaper” was first published in 1892, about a white middle-class woman who was confined to an upstairs room by her husband and doctor, the room’s wallpaper imprisons her and as well as liberates herself when she tears the wallpaper off at the end of the story. On the other hand, Crane’s 1893 Maggie: A Girl of the Streets is the realist account of a New York girl and her trials of growing up with an alcoholic mother and slum life world. The imagery in Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Stephen Crane’s Maggie: A Girl of the Streets uses color in unconventional ways by embedding color in their narratives to symbolize the opposite of their common meanings, allowing these colors to represent unique associations; to support their thematic concerns of emotional, mental and societal challenges throughout their stories; offering their reader's the opportunity to question the conventionality of both gender and social systems.
...ssion and intrusiveness. John’s lack of having an open mind to his wife’s thoughts and opinions and his constant childish like treatment of his wife somehow emphasizes this point, although, this may not have been his intention. The narrator felt strongly that her thoughts and feelings were being disregarded and ignored as stated by the narrator “John does not know how much I really suffer. He knows there is no reason to suffer, and that satisfies him” (Gilman 115), and she shows her despise of her husband giving extra care to what he considers more important cases over his wife’s case with a sarcastic notion “I am glad my case is not serious!” (Gilman 115). It is very doubtful that John is the villain of the story, his good intentions towards doing everything practical and possible to help his wife gain her strength and wellbeing is clear throughout the story.
All of Fitzgerald's characters had a Dream, however, Jay Gatsby’s dream stood out above the others. Jay Gatsby was the only character throughout the whole novel that I found to experience both emotional and physical pain. Continuing with the emotional pain, Jay Gatsby exaggerates it. His American Dream is to go after a lost love, a love that he thought would love him and stay with him until death will break them apart, but it didn't end like that. This dream, his love, left him, and ran off with another, her husband. This left Jay Gatsby alone, tormented, miserable, and devastated. His American Dream left him, destroyed him and ruined his life, his whole entire life
In a female oppressive story about a woman driven from postpartum depression to insanity, Charlotte Gilman uses great elements of literature in her short story, The Yellow Wallpaper. Her use of feminism and realism demonstrates how woman's thoughts and opinions were considered in the early 1900?s.
The narrator is trying to get better from her illness but her husband “He laughs at me so about this wallpaper” (515). He puts her down and her insecurities do not make it any better. She is treated like a child. John says to his wife “What is it little girl” (518)? Since he is taking care of her she must obey him “There comes John, and I must put this away, he hates to have me write a word”. The narrator thinks John is the reason why she cannot get better because he wants her to stay in a room instead of communicating with the world and working outside the house.
Being controlled by her husband the woman turns to the only things she can control, her mind. She becomes intrigued with the patterns in the wallpaper in her room, which is more like a cell than a room. She begins to see patterns in the wallpaper; she is obsessed with trying to find what the pattern is about and what meaning it holds.
...nd alarmed to see her behaving that way. She has to keep "creeping" over John, even in the end, and it shows that a woman is not much different from a man, in the aspect of being a self-governing individual. People need to have control over their own lives and the ability to make their own decisions, even women. People cannot always make assumptions for what is best for others. We have learned this from John: John demonstrates that the best way to help someone is to have the patience to really listen and find out what that person truly wants, not simply making assumptions about what is right when its not in the other's best personal interest. But until every woman is treated in this manner, she will be driven into her own world of insanity where she continues "creeping" over all who try to control her.
There are multiple possible causes for the internal conflict the narrator faces. The first being nervous depression and the other is the fact that her life is being controlled by her husband. Her husband is in full control because in the beginning of the story, John, her husband, influences how she should act. He decides the actions that should be taken in regards to her health and sanctity. Although she finds herself disagreeing with his synopsis, she is confined and does not admit how she feels to him. This also brings about another a major conflict that occurred in the 19th century, men being dominant and woman being categorized as inferior. Evidence can be found when the narrator states, “If a physician of high standing, and one’s own husband assures friends and relatives that there is nothing the matter with o...