The Cosmogonic Cycle in Heart of Darkness
The short novel Heart of Darkness tells a story just like any other heroic myth, except better. This novel rewards an educated reader. Many find the work to be extremely confusing, and actually quite dull. Though it is a complicated book, a reader is stimulated by the symbols and linguistics used by Conrad. The most noticeable is the flaw in the Cosmogony Cycle. This cycle is an integral part of every hero’s journey. An important step in the cycle, the second step in fact, is finding a guide, either spiritual or tangible. If one were to look hard enough in most works of canonical literature, he would find all the necessary components of the Cosmogonic Cycle on the protagonist’s journey, the travel into the underworld, confronting the father figure, meeting, and saving, a female prisoner, then the journey back into the conscious. A guide is there to lead the hero. He generally is a man or woman who has been on a similar journey and knows the pitfalls where the hero may fall. Without this figure in Marlow’s journey, he fell into the temptation of staying in the unconscious "evil" domain. Conrad never gave Marlow a guide, in essence, dooming him to fail his mission.
At the beginning of the protagonist’s journey it seemed as though the "two women . . . knitting black wool" (Conrad 13) in the trading center office were there to foreshadow the mortal death of Marlow. One may have drawn this conclusion because this is an obvious reference to the women who knitted while watching aristocrats executed by the guillotine during the French Revolution. I believe it meant something much more deep. A good writer, one of Conrad’s caliber, does not place superfluous scenes, words, or phrases in his or her book. He writes only what he needs to write. With that in mind, because Marlow did not die at the end of his journey, therefore the women then had to represent something else. They foreshadowed the death of Marlow’s soul. They knew he was without a spirit guide because they were aware the Trading Company had not offered him one. They also knew Kurtz hadn’t had a guide either.
There were multiple uses of the word soul in the final chapter, many of which talked of the inability for a man’s soul to escape the forest.
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...o, while the novella’s archetypal structure glorifies Marlow’s domination of Kurtz. These two analyses taken together provide a much fuller and more comprehensive interpretation of the work. Conrad presents the idea that there is some darkness within each person. The darkness is is inherited and instinctual, but because it is natural does not make it right. He celebrates – and thereby almost advises – the turn from instinct. By telling Marlow’s tale, Joseph Conrad stresses to his audience the importance of self-knowledge and the unnecessity of instinct in civilization.
Ironically, we can assume Marlow's listeners and readers have been touched by this account. The story and it's teller seem sincere but yet there is more than that. Marlow in this way has become like Kurtz, a voice that craves to be heard by its listeners. It is in this way that Kurtz and Marlow are both mouth pieces for Conrad's voice. Conrad is questioning society for its flaws but while doing so he must also question himself. After all the crimes he's accusing society for he must prove himself a worthy judge. Society nurtures the recognition of these crimes but it does not encourage the correction of these problems.
As Marlow assists the reader in understanding the story he tells, many inversions and contrasts are utilized in order to increase apperception of the true meaning it holds. One of the most commonly occurring divergences is the un orthodox implications that light and dark embody. Conrad’s Heart of Darkness brims with paradoxes and symbolism throughout its entirety, with the intent of assisting the reader in comprehending the truth of not only human nature, but of the world.
In a complex society, people are forced to make many hard choices. For thousands of years, people have theorized if these choices were truly made by themselves, or predetermined by an omnipotent being. In the late 19th century, Modernist writers became fed up with the Romanticized view of self-determination and the perfection of society in previous works of literature. One such author was Joseph Conrad, who tackled this issue in his novella Heart of Darkness. From the perspective of Marlow, the reader learns about a mythical figure stationed in the center of the Congo whom Marlow is destined to meet. Conrad manipulates Marlow’s journey with his established interest in the Congo, the apparent inevitability of certain events
For decades, Joseph Conrad’s The Heart of Darkness has been appreciated, studied, and speculated upon. Indeed, as a work of literature, the novella can be considered as one of the finest of the modern era not only because of it aesthetic value but also due to its underlying meanings. Many have speculated as to what the whole story means, what the characters, objects, and events represent, and what message the story is conveying. In the tradition of analyzing stories, this paper holds that the Marlow’s voyage to retrieve Kurtz is not a voyage per se but acts as an allegory to three journeys: one journey towards hell, another towards back in time, and lastly as a voyage towards one’s own psyche.
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It’s strange how the thousands of events that made up one man’s life eventually had a role in the fate of almost 200 thousand Japanese people and later the entire world. Here is the life of the one man. The man is J. Robert Oppenheimer. So little had an impact on so much. He was the man who was in charge of the Manhattan Project. It was the U.S. project to make an atomic bomb. A bomb with, at the time, unimaginable power. A bomb so powerful it could single-handedly destroy an entire city.
Without any names recorded in Conrad’s book, women are known only in relationship to man. For example, the semi-important women characters are known as “the intended” and “the mistress”. “The intended”, is so identified because of her relationship to Kurtz’s as his future (or intended) fiancé. “The mistress” is Kurtz’s African lover whom he is cheating on “the intended” with. Marlow doesn’t even grace these women with the simplest of all courtesies: referring to them by name. They are too inferior and insignificant to deserve such respect. The mistress and the i...
Through free-spirited teaching and open-mindedness, Mr. Oppenheimer had an "aura of free-wheeling brilliance that surrounded [him]" (Bird 98). Even though he might have been wrong on a few points according to his teachers, it does not seem to affect him much in his teachings, which is one of the reasons his students are so attracted him. He also constantly changed his interests, from rock collecting, in which he was only "fascinated by the structure of crystals and polarized light" (Bird 14), to chemistry, and then physics, Oppenheimer never really stayed on one specific topic, showing that he is not bound to only one specific idea, even while he was writing and analyzing formulas, he found time to write and read some poetry and books. This also shows how extensive and open-minded he is on the different ideas of people, showing that he can not only understand the thinking of scientist, but of literalists also.
Literature is never interpreted in exactly the same way by two different readers. A prime example of a work of literature that is very ambiguous is Joseph Conrad's, "Heart of Darkness". The Ambiguities that exist in this book are Marlow's relationship to colonialism, Marlow's changing feelings toward Kurtz, and Marlow's lie to the Intended at the end of the story.
Niels Bohr was a Danish physicist who worked in the early to mid-twentieth century. His father was a well-known physiologist. Bohr’s mother came from a family that was well-known in the field of education. In the fall of 1911 Bohr stayed at Cambridge, where he made some money by following the experimental work in the Cavendish Laboratory under Sir J.J. Thomson's guidance. In the early 1900’s Niels Bohr was a valued physicist because he made initial contributions to understanding atomic structure and the quantum theory.
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Conrad uses the character of Marlow to make use of his own thoughts and views about the people in the Congo. He feels pity for them as he sees them falling down carrying heavy packages and Kurtz commanding them like a batallion of troups. This sight angers Marlow and when he gets to Kurtz, it’s too late. Even he has been pulled in by the darkness. Conrad makes an effective distinction between Marlow and Kurtz.