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Analysis of novel of heart of darkness
The heart of darkness philosophy
The heart of darkness philosophy
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Recommended: Analysis of novel of heart of darkness
It seems that from the very beginning of the conundrum of life rules are ingrained into human mental system. Humans beings are taught by their parents to listen, their teachers to raise their hands, and their governments to maintain order. Human beings have an innate need for structure and order within their lives, which is something that vanishes with the increase of age. To fill the void of structureless societies and to find the truth about themselves; humans look to omniscient deities.
Throughout Chapter II of Joseph Conrad’s Heart of Darkness, Marlow goes on a long voyage to gain the guidance of the all-knowing, enlightened ivory trader named Kurtz. Marlow, in the tumultuous environment of the African jungle, challenges the human condition.
Why not? Anything-- anything can be done in this country”(10). The men have no regard for the African Congo. The men see this place as a primitive society that for any of their wrongdoings bear no consequences. Marlow sees this and wants more than just hollow men whom he describes as “less valuable animals” (11). This is when Marlow starts to become obsessed with finding the powerful ivory trader Kurtz—the only man with morals—to be his own voice of reason and to show him guidance. Marlow wants to know more about Kurtz, more than just him being “that man” (9) and decides to travel to reveal Kurtz’s ambiguous identity. Marlow takes the perilous voyage through the jungle, a place that reminded him of “traveling back to the earliest beginnings of the world” (11). Marlow and the crew of his steamer “crawl like a sluggish beetle crawling on the floor of a lofty portico… toward Kurtz” (12). As Marlow travels he observes and comments on the untamed nature of the surrounding landscape. The area is a place where “vegetation rioted” (11).Although the English thought of it as a conquered area, it was still wild similar to the inhabitants. As Marlow studies the “ savage” inhabitants of the wilderness,
He misses his helmsman because unlike the other whites he worked hard. The helmsman was a sailor and Marlow starts to realize that sailors have an unexplainable brotherhood. With the helmsman 's death, Marlow wonders if Kurtz too might be dead. The thought disturbs Marlow, who realizes that he has been longing to speak with Kurtz. More specifically, he has been longing to "hear" what Kurtz has to say. He recounts his obsession and lust to hear Kurtz as “Absurd!”. Marlow after Kurtz’s death starts to feel no sense of purpose in life anymore. He feels that “..he had been robbed of a belief or had missed a destiny in life”(23) which shows that Kurtz held so much value to Marlow that now in his absence he has essentially lost his belief or “faith”. This is a direct parallel to the lost of “faith” that Goodman Brown experiences when he loses whose wife named Faith and after her death loses his faith in the Christian religion and mankind. Marlow, upon discovery of the book starts to see that within the midst of the African jungle lies a bit of the civilized world. The discovery of the book was “unreal” (14) and Marlow’s inability to recount “some such name”(14), the
Marlow tells of a vision that he has on his way into seeing the intended. He says that he saw Kurtz on the stretcher opening his mouth voraciously as if to devour all of the earth with all its mankind2 and that he had seen. Kurtz as 3a shadow insatiable of splendid appearances, of frightful. realities, a shadow darker than the shadow of night,(72). This is a a real and vivid description of his feelings for Kurtz.
Marlow’s journey into the Congo River is treacherous and unpredictable. Therefore, in a desperate need for civilization and escape from savagery, the boat serves as a sanctum from the natives, and becomes the link to moral civility. Throughout Marlow's voyage, he and his crew encounter mass amounts of fog. The fog symbolizes ambiguity in its most primal form, not only obscuring but it also distorts. The fog impares not just physical visibility, but which often ends up being wrong, which suggests that the fog has both literally and figuratively clouded Kurtz’s judgement. Marlow’s need to be on the boat, reflects the boat as a safe haven, a place where he can examine his own moral conscious more clearly. When his is not on the boat, he is less decisive and his judgement and moral compass are
Throughout Heart of Darkness, Joseph Conrad points to the hypocrisy and horrors associated with colonialism. The half-English, half-French Kurtz is the main vehicle used to convey his theme of European colonialism, as “all [of] Europe contributed to the making of Kurtz” (Conrad 164). It was Kurtz who goes to Africa for the "sake of loot, and thus becomes a great literary symbol for the decadence of colonialism" (Zins 63). With his help, Marlow dissects the reasoning behind colonialism, eventually seeing its evil nature.
This shows how Willard is focused only on completing his mission and that he is willing to sacrifice the safety of the crew. Another important factor in the leading up to the death of the helmsman is the cries of the native people, which are heard by the crew and serves to unsettle them even further. In Heart of Darkness, the cries of the natives make the crew question if they will be attacked or not. Marlow makes the mistake of thinking that the “anguished” cries of the natives are a signal that they will not attack. This causes Marlow to drop his guard and when the attack does come, he slowly realizes this.
Heart of Darkness is Joseph Conrad's tale of one man's journey, both mental and physical, into the depths of the wild African jungle and the human soul. The seaman, Marlow, tells his crew a startling tale of a man named Kurtz and his expedition that culminates in his encounter with the "voice" of Kurtz and ultimately, Kurtz's demise. The passage from Part I of the novel consists of Marlow's initial encounter with the natives of this place of immense darkness, directly relating to Conrad's use of imagery and metaphor to illustrate to the reader the contrast between light and dark. The passage, although occurring earlier on in the novel, is interspersed with Marlow's two opposing points of view: one of naïveté, which comes before Marlow's eventual epiphany after having met Kurtz, and the matured perspective he takes on after all of the events leading up to his and Kurtz's encounter.
The moment in which Marlow experiences his epiphany is right after the helmsman gets killed by natives, which are associated with Kurtz. The thing that Marlow realizes is the savagery of man and the corruption of the ivory trade. The actual change takes place when Marlow sees the helmsman die. Marlow sees the death take place and is shocked. "The side of his head hit the wheel twice, and the end of what appeared a long cane clattered round and knocked over a little campstool. ... my feet felt so very warm and wet that I had to look down. ... It was the shaft of a spear that...had caught him in the side just below the ribs. I had to make and effort to free my eyes from his gaze and attend to the steering. ... I declare it looked as though he would presently put to us some question in an understandable language; but he died without uttering a sound, without moving a limb, without twitching a muscle. ... 'He is dead,' murmured the fellow, immensely impressed. 'No doubt about it,' said I." When this happened, Marlow realized the savagery of man, horror of death, and the corruption of the ivory trade. He realizes that in the ivory trade, that the ivory is more valuable than human life and that traders will do almost anything to get it. Marlow also realizes man's savagery in the event that man puts greater value on riches than on human life. This is the epiphany of Marlow in "The Heart of Darkness."
This situation of waiting for Kurtz allows Marlow to fantasize about Kurtz and create a larger than life figure out of a man who he’s never met before. Soon Finding Kurtz becomes an all-out obsession for Marlow; even the night before they meet Kurtz, he wishes to press on despite the danger. Here the reader can see that Marlow is willing to get to Kurtz at all costs. When Marlow does finally make contact with Kurtz, his fantasy carries over into the person who he sees Kurtz as. Marlow is willing to overlook some of Kurtz’s shortcomings and is very willing to see his greatness. Marlow is obviously fond of Kurtz, as it can be seen in the passage when he speaks of Kurtz’s “unextinguishable gift of noble and lofty expression.” Here the reader can observe that Marlow is truly fond of Kurtz’s. The narrator even chooses to side with Kurtz against the manager; even though he hardly knows the man. Kurtz has also managed to get the native people to worship him as a god, and has mastered their language. This makes Marlow respect him even more. Marlow’s point of view allows him to foster both the reality and the fantasy of Kurtz, and though he is very fond of Kurtz, he is still able to see the truth in him as
Marlow’s thoughts are so consumed by Kurtz, that he is built up to be much more of a man than he truly is. In turn, Marlow is setting himself up for a let down. He says at one point, “I seemed to see Kurtz for the first time...the lone white man turning his back suddenly on the headquarters, on relief, on thoughts of home...towards his empty and desolate station”(P.32). When Marlow reaches Kurtz’s station, he begins to become disillusioned. He begins to hear about, and even see, the acts that Kurtz is committing, and becomes afraid of him. He sees in Kurtz, what he could become, and wants nothing to do with it. He does not want people to know he has any type of relationship with him, and says in response to the Russian, “I suppose that it had not occurred to him that Mr. Kurtz was no idol of mine.” (P.59). It is at this point that he begins to discover the darkness in his heart.
Both Marlow and Captain Willard were fully warned and well aware of the evils each would encounter. However he chooses to ignore this aspect in hopes of satisfying his curiosity. His curiosity about the unknown realm drives him to cross the line between civilized human behavior and enters a nightmarish world. In this nightmare world he realizes the horror of human nature as he sees over the edge of sanity and discovers what he could become, Kurtz.
When Marlow finally reaches Kurtz he is in declining health. This same jungle which he loved, embraced and consumed with every ounce of his flesh had also taken its toll on him. Marlow finally meets the man whose name has haunted him on his river journey. Could this frail human be the ever so powerful Kurtz? The man who has journeyed into uncharted territories and has come back with scores of ivory and the respect of the native tribe. Yes, this was the very man and though he is weak and on his way to death his power still exudes from him.
Marlow came to the Congo with an unassailable “spirit of adventure” (Conrad 30). Upon arrival in Africa, Marlow was shocked and disheartened by the actions of his fellow Europeans. He sees his European brethren forcing natives who Marlow says, “they were not enemies,not criminals, they were nothing early now”, but subhuman beings forced into a life of brutal servitude (Conrad 82). Contemptuous of his comrades beliefs and brutal behavior, Marlow becomes so sick of all this and decides to go and find solace in the revered Kurtz. Kurtz has the same mysterious atmosphere that F.Scott Fitzgerald in his story The Great Gatsby portrayed in his eerie character known as Gatsby. Kurtz is adored by most, hated by few, and a wild mystery to most. He is seen as an emissary of production, morality, and his abillity to be so profitable makes him the awe of all Europe. Marlow says in regards to Mr. Kurtz “All Europe contributed to the making of Kurtz” that he was such a prized gem of Europe (Conrad 25). Marlow believed that Kurtz was the only man who wasn’t hollow and wanted Kurtz to give him a sense of purpose in life. Marlow found himself “crawling like a sluggish beetle on the floor of a lofty portico toward Kurtz” (Conrad 11) and embarks on a perilous journey through the African wilderness to hear Kurtz, the voice of reason. The deeper Marlow penetrated into the somber stillness of the wilderness, the heart of darkness (Conrad 42), the more Marlow became surrounded by the “maddening effects” of the African Congo that his doctor had warned him about (Conrad 76). Upon arrival of the great Kurtz station Marlow finds that the eloquent Kurtz, Marlow’s beacon of light and mentor in the dark of African, is nothing more than a hypocrite. Kurtz was nothing more“he was an animated image of death carved out of old ivory” (Conrad 34). Kurtz has been driven mad
Marlow starts out as just as everyman, trying to put some bread on the table. His original plans were setting out to make money, but his journey turns into so much more. His expedition turns into a quest to find and save Kurtz, and to understand the people so many were prejudice against.
On one hand, Marlow is saved by his self-discipline while on the other hand Kurtz is doomed by his lack of it. Before Marlow embarked on his voyage to Africa, he had a different view. Due to propaganda, he believed that the colonization of the Congo was for the greater good. In his head, he judged that the people of Africa were savages and that colonization would bring them the elation and riches of civilization. Despite an apparent uneasiness, he assumed that restraint would function there.
By the time Marlow and Kurtz meet, Marlow is already well aware of the similarities they share. Both are imperialists, and while Marlow detests the treatment of the natives by his employers (Belgian colonists), he also makes apparent his abhorrence toward the Africans. On the other hand, Kurtz abandons the pretense of helping the natives achieve civilization, as displayed by the Europeans. Instead, he adopts their customs and becomes their leader in the never-ending quest for ivory. "He began with the argument that we whites, from the point of development we had arrived at, 'must necessarily appear to them [savages] in the nature of the supernatural beings- we approach them with the might as of a deity' (Longman, 2000, p. 2226). Marlow also admired Kurtz' resourcefulness and survival skills, especially his perseverence through jungle fever. "The wilderness had patted him on the head....it had taken him, loved him, embraced him, got into his veins, consumed his flesh, and sealed his soul to its own by the inconceivable ceremonies of some devilish initiation. He was its spoiled and pampered favorite." (Longman, 2000, p. 2225).
This sight angers Marlow, and when he gets to Kurtz, it’s too late. Even he has been pulled in by the darkness. Conrad makes an effective distinction between Marlow and Kurtz.