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Comparing and contrasting characters in shakespeare
Literary analysis of shakespeare
Literary analysis of shakespeare
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What is love? In William Shakespeare’s Twelfth Night love is nothing more than another disguise. It is an illusion that fools everyone. Orsino, Olivia, Sebastian, and Viola do any of them find love in the end? No, they find nothing more than a disguise, an illusion of love. By analyzing each of these characters, their thoughts and feelings of, and their experiences with love throughout this play, we can determine that in the end, none of them have found true, genuine love. Before we can analyze the characters in William Shakespeare’s Twelfth Night we must have a working definition of love. The dictionary defines love as “a profoundly tender, passionate affection for another person.” (Dictionary.com). Synonyms include, tenderness, fondness,passion, …show more content…
The love Olivia has felt isn’t romantic love, it’s the love for her brother “The element itself, till seven years ' heat,/Shall not behold her face at ample view,/But like a cloistress, she will veiled walk/And water once a day her chamber round/With eye-offending brine—all this to season/A brother’s dead love, which she would keep fresh/And lasting in her sad remembrance.”(1.1.25-31). Olivia’s love for Cesario is her attempt to fill a hole left by the death of her brother whom she loved deeply. She was vulnerable and in mourning, and Cesario was there and he was a gentleman “Thy tongue, thy face, thy limbs, actions, and spirit,/Do give thee fivefold blazon. Not too fast! Soft, soft!/Unless the master were the man. How now?/Even so quickly may one catch the plague?/Methinks I feel this youth’s perfections/With an invisible and subtle stealth/To creep in at mine eyes. Well, let it be.—”(1.5.274-280). Her love wasn’t real though, had her love been real she would not have mistakenly married Sebastian. She would have known that Sebastian wasn’t Cesario. Had Olivia’s love been real would it have mattered that Cesario was actually Viola in disguise? They may not have been able to be together because of time and society they lived in, but the feeling would have still been there. In the end Olivia essentially settles for Sebastian, because it wasn’t who she …show more content…
His love for her isn’t real. Like Olivia Viola has also lost her brother (at least she thinks she has) and the midst of silently grieving her brother she finds love in Orsino. “Viola 's status as Orsino 's servant is the condition of possibility and impossibility of her love for him and also of Olivia 's erotic desire for her as Cesario” (Schalkwy “Love and Service”). Viola’s love appears more real than Orsino and Olivia’s love because of her devotion and self sacrifice. Viola although in love with Orsino herself assists him in winning the love of Olivia “I’ll do my best/To woo your lady—(aside) Yet, a barful strife—/Whoe 'er I woo, myself would be his wife.”(1.4.40-42). In act 5 scene one Viola tells Orsino that she is willing to die for him “And I, most jocund, apt, and willingly,/To do you rest, a thousand deaths would die.” (5.1.126-127). When Viola is finally able to come clean to Orsino about her true identity she reiterates her feelings for him, and now that Orsino knows she’s a woman it holds more meaning “Orsino: Boy, thou hast said to me a thousand times/Thou never shouldst love woman like to me. Viola: And all those sayings will I overswear;/And those swearings keep as true in soul/As doth that orbèd continent the fire/That severs day from night.”(5.1.258-264). It appears as though Viola has found true love, but as
Viola quickly falls in love with Duke Orsino after meeting him, but she is not able to express her true feelings of love for two different reasons. First, Orsino is lusting after Olivia, so he is not open to the feelings of others. Orsino is so in love with Olivia’s beauty that he had built a wall of emotion around himself, and Viola was not able to penetrate this wall. More importantly, Viola is not Viola to Orsino; she is Cesario, who, disguised as a man, served Orsino as a eunuch. Although she greatly loves Orsino, Viola cannot openly express this love because she was invisible to him. If Viola does let the truth come out, Orsino will still not be able to love her because he is solely focused on gaining Olivia’s affection. Orsino does not love Viola because he does not see her as a woman in love with him but as a faithful servant, so Viola and her love for Orsino go unnoticed as Orsino delegates Viola to woo Olivia for himself. Viola, wishing she was the one whom Orsino loved, was deeply saddened by this: “I’ll do my best/To woo your lady: yet, a barful strife!/Whoe’er I woo, myself would be his wife” (Act I, Scene IV). Orsino made Viola his messenger to court Olivia, but Viola wishes she was the one whom Orsino was courting. Similarly to how Orsino is blinded by his infatuation with Olivia, the boy whom Swift is in love with is blinded by his love
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
Naturally, one of the most reoccurring themes in Shakespeare is romantic love. It is perhaps not a coincidence that he put so much emphasis on this elusive and enigmatic emotion. In the Elizabethan age when he was writing, the arts were being explored more fervently, and thus raw human emotions began to surface in the mainstream culture. In Twelfth Night, love is a confusing and fickle thing, as demonstrated in the relationships between Duke Orsino and Olivia; Olivia and Viola/Curio; Malvolio and Olivia (she certainly has an effect on men doesn't she?); Duke Orsino and Viola/Curio. However, the characters seem to have a love-hate relationship with Cupid. Within the first line of the play, it is glorified: "If music be the food of love, play on..." (Duke Orsino, I:I). And while Olivia is annoyed with Orsino's affection, she craves Curio's.
In stark contrast to the dark and tragic "Othello," is one of Shakespeare’s lightest and funniest comedies, "Twelfth Night." The theme of love is presented in a highly comical manner. Shakespeare, however, once again proves himself a master by interweaving serious elements into humorous situations. "Twelfth Night" consists of many love triangles, however many of the characters who are tangled up in the web of love are blind to see that their emotions and feelings toward other characters are untrue. They are being deceived by themselves and/or the others around them.
In the play ‘Twelfth Night’ and ‘Romeo and Juliet’ William Shakespeare explores three different aspects of love. According to the oxford dictionary the definition of love is a strong feeling of affection. The plays that William Shakespeare has written definitely adhere to this definition. These three aspects of love are true love, self love and friendship love. Many characters in these plays are tangled in a web of love and they are oblivious that they 're feeling and emotions towards other characters are not real.
to get involved in a scuffle, for which Viola is unjustly blamed. Finally Sebastian and Viola are reunited, but only after they have already caused a large amount of chaos and confused everyone. It is only then that everyone begins to discover the extent of Viola's trickery. More disorder is created when Olivia, who Orsino is hopelessly in love with. with, falls for Cesario, who is secretly in love with Orsino.
The plot deepens as Cesario proceeds to woo Olivia for the Duke. It is only the second time that Cesario appears at Olivia’s home when Olivia openly declares her love for Cesario. Throughout this time, Sir Andrew has been nursing a hope to win Olivia’s love. When he plans to give up hope of her love, Sir Toby suggests that Sir Andrew fight with Cesario to impress Olivia. Cesario, however, refuses to fight. At the same time, Viola’s brother, Sebastian, who is also shipwrecked, makes his way to safe lodging in Illyria with Antonio the sea captain. After the fight between Cesario and Sir Andrew begins, Antonio intervenes to save Cesario, whom he takes for Sebastian. But the Duke’s officers promptly arrest Antonio for a past offense. Then, Olivia later comes upon Sir Andrew and Sebastian bickering at her home. Olivia, thinking Sebastian is Cesario, leads Sebastian to marriage in a nearby chapel. Finally, Cesario inevitably reveals that he is Viola and Sebastian recognizes her as his sister. The Duke reciprocates Viola’s love offerings and proposes to her. Olivia assures Malvolio...
As prescient and insightful as this evaluation may seem after considering the outcome of Twelfth Night’s romantic pairings, it reads as a very shallow perspective rather than any sort of wisdom – to the Duke, love is never permanent, lasting, or constant (just like the nature of the tides, it always changes). Duke Orsino has no concern whatsoever for Olivia’s feelings of grief after the loss of her brother – she is merely an object of his desires at the moment, and as his eventual courtship with Viola proves, he is extremely fickle in his affections. (Even before Viola’s disguise became apparent, Orsino showed some signs of attraction to the male Cesario – this raises a few questions about exactly how far his romantic indecisiveness
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
Twelfth Night consists of a large number of love triangles, however many characters are too indulged in love that they are blind to the untrue, and the weakness of their relationship, they are deceived by themselves and many people around them ( ex. Malvolio is tricked by Sir Andrew, Feste ,Sir Toby and Maria),but there are certain incidents where the love is true and two characters feel very strongly about one another. In the play, Viola and Orsino have the most significant relationship. The way they interact with each other causes the complexity on which the play is all about, their relationship turns from strangers to friends then lovers .In the First Act Viola is not honest with Orsino because she disguises herself as a male servant named Cesario in order to get closer to the duke. Orsino. Orsino quickly trusts Cesario and sends him to Olivia to declare Orsinos Love for her, the girl he most dearly loves. This quick bond is the fast example of their relationship. At the beginning of the play, Viola thinks her brother (Sebastian) is dead (after they’re deadly boat crash, where they get separated) when actually he is alive and thinks she is dead, Viola always seems to have a part missing from her which shows her bond with Sebastian is strong, and a part of her but in a brotherly/sisterly way rather than a proper relationship like viola and orsino, At the end of the play they meet and both fall in love , Viola with Orsino and Sebastian with Olivia.
Finally, Olivia officially tells Viola (Caesario) that she loves him after Viola delivers another message to Olivia. Olivia tells Caesario that she has been in love with him ever since she first saw him, and that she cannot hold it anymore. She cares not about what her society would think about her for falling in love with a person not from her class. The reader knows that Viola is not interested at all in Olivia since she is in love with Orsino. Lady Olivia’s love for Caesario illustrates a universal truth about life that when someone is in love, he/she will do whatever it takes to show the other person that they love them. They are willing to sacrifice everything they’ve got for their love. In this case, Olivia is sacrificing her social status and reputation.
Although Viola might be able to relate to Olivia's grief at first, her love for Orsino is so great that she cannot understand why Olivia would deny him. When Olivia expresses affectio...
Shakespeare’s play Twelfth Night revolves around a love triangle that continually makes twists and turns like a rollercoaster, throwing emotions here and there. The characters love each another, but the common love is absent throughout the play. Then, another character enters the scene and not only confuses everyone, bringing with him chaos that presents many different themes throughout the play. Along, with the emotional turmoil, each character has their own issues and difficulties that they must take care of, but that also affect other characters at same time. Richard Henze refers to the play as a “vindication of romance, a depreciation of romance…a ‘subtle portrayal of the psychology of love,’ a play about ‘unrequital in love’…a moral comedy about the surfeiting of the appetite…” (Henze 4) On the other hand, L. G. Salingar questions all of the remarks about Twelfth Night, asking if the remarks about the play are actually true. Shakespeare touches on the theme of love, but emphases the pain and suffering it causes a person, showing a dark and dismal side to a usually happy thought.
William Shakespeare’s Twelfth Night, which is commonly believed to criticize society’s romanticized idea of love, demonstrates that even though love may seem unachievable, it is still possible to find it even in the most unlikely places. Shakespeare illustrates this idea in Twelfth Night through the characters Antonio and Sebastian by subtly suggesting that Antonio and Sebastian are more than just friends. It is Sebastian’s physical beauty that attracts Antonio to him, which leads him to devote himself to Sebastian as a sign of love. Antonio’s love for Sebastian grows to obsession; however Sebastian considers their friendship to be completely plutonic. In addition Sebastian generally tries to save Antonio from his own desire; however he does a bad job by leading him on unintentionally due to his passive nature.
In act two the complexity of the relationship is taken to an all new level. Olivia falls in love with the page Cesario, meaning Viola has landed herself in a tight spot between Orsino and Olivia. The newly developed love triangle is now apart of the relationship between Orsino and Viola despite the fact that Orsino knows nothing but the façade Viola has conveniently blinded him with. In scene four of act two there is a very important interaction between Viola and Orsino. She tells him a love story about Cesario's sister the stories purpose however is to pull his attention from Olivia. Viola takes a step in her own interest of love by asking him if he could love another woman if they loved him as much as he loves Olivia. In lines 98-102 of act two scene four there is an example of her trying to persuade him that there are other women about. "Sooth, but you must. Say that some lady as perhaps there is, hath for you as great a pang of heart as you have for Olivia. You can not love her; you tell her so. Must she not then be answered?" Orsino brushes the comment off and says that there is no stronger love than he has for Olivia, but the conversation in itself is a big step in their development into friends from complete strangers. The statement also leaves the audience a back door to a possible aspiring love relationship.