The Character of Mademoiselle Reisz in The Awakening
"She was a disagreeable little woman, no longer young, who had quarreled with almost everyone, owing to a temper which was self-assertive and a disposition to trample upon the rights of others." (25) This is how Kate Chopin introduces the character of Mademoiselle Reisz into her novel, The Awakening. A character who, because of the similarities she shares with Madame Pontellier, could represent the path Madame Pontellier’s life may have taken, had she survived old age.
Mademoiselle Reisz is first introduced at a party when she plays the piano for Edna Pontellier. Edna is described as being "very fond of music."(25) Music is described as having a way of "evoking pictures in (Edna’s) mind" and causing her to have visions of naked men, the beach, her children, and many other images, which in turn, she attaches various names to. (25) As Mademoiselle plays, a series of physical changes affect Edna. For example, upon the first chord, Chopin describes it as sending "a keen tremor" (26) down (Edna’s) back, and eventually, the piece moves her to tears. Days later, Mademoiselle Reisz and Edna coincidentally meet, and Mademoiselle invites Edna to visit her in the city. This invitation starts the beginning of a great acquaintanceship.
There are many symbolic parallels and occurrences that may contribute to the list of similarities between Madame Pontellier and Mademoiselle Reisz. The first similarity that can be seen between the two women was that of livelihood and talent. Mademoiselle Reisz, being the pianist that she was, based her livelihood solely upon her talent by teaching piano lessons. Edna, on the other hand, after becoming affiliated with Mademoiselle...
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...er inappropriate behavior in such an era would result in excommunication and estrangement from the community. Herein lies the similarity of character between the two women; that because of their past actions both Mademoiselle Reisz and Madame Pontellier would be labeled as outcasts by society. The only difference is that the actions of Edna Pontellier have yet to be revealed.
Mademoiselle Reisz states to Edna that in order to be considered an artist, "one must possess many gifts-absolute gifts-which have not been acquired by one’s own effort. And, moreover, to succeed, the artist must possess the courageous soul." (63) Although Edna and Mademoiselle share many characteristics that may possibly contribute to their future paths, they have one stifling difference; Mademoiselle Reisz possesses the wisdom to live the way that she does, Edna Pontellier does not.
Throughout Kate Chopin’s novel The Awakening, the main protagonist Edna Pontellier, ventures through a journey of self-discovery and reinvention. Mrs.Pontellier is a mother and wife who begins to crave more from life, than her assigned societal roles. She encounters two opposite versions of herself, that leads her to question who she is and who she aims to be. Mrs. Pontellier’s journey depicts the struggle of overcoming the scrutiny women face, when denying the ideals set for them to abide. Most importantly the end of the novel depicts Mrs.Pontellier as committing suicide, as a result of her ongoing internal
Cultural Relativism is a moral theory which states that due to the vastly differing cultural norms held by people across the globe, morality cannot be judged objectively, and must instead be judged subjectively through the lense of an individuals own cultural norms. Because it is obvious that there are many different beliefs that are held by people around the world, cultural relativism can easily be seen as answer to the question of how to accurately and fairly judge the cultural morality of others, by not doing so at all. However Cultural Relativism is a lazy way to avoid the difficult task of evaluating one’s own values and weighing them against the values of other cultures. Many Cultural Relativist might abstain from making moral judgments about other cultures based on an assumed lack of understanding of other cultures, but I would argue that they do no favors to the cultures of others by assuming them to be so firmly ‘other’ that they would be unable to comprehend their moral decisions. Cultural Relativism as a moral theory fails to allow for critical thoughts on the nature of morality and encourages the stagnation
Kate Chopin’s The Awakening takes place in the late 19th century, in Grande Isle off the coast of Louisiana. The author writes about the main character, Edna Pontellier, to express her empowering quality of life. Edna is a working housewife,and yearns for social freedom. On a quest of self discovery, Edna meets Madame Ratignolle and Mademoiselle Reisz, falls in and out of love,and eventually ends up taking her own life. Kate Chopin’s The Awakening shows how the main character Edna Pontellier has been trapped for so many years and has no freedom, yet Edna finally “awakens” after so long to her own power and her ability to be free.
What is a hero? Many people think instantly about, police officers, fire fighters, or perhaps a person that saves the day such as “Batman” or “superman”, but in reality a hero are not just people that save the day or other from harm. A hero can also be your parent, or parents that are there for you through your good and bad or even right and wrong days; or your brother or sister that perhaps worry about you and is determine to teach you well, this way you do not commit the same mistake they once did or saw growing up. The novel “In the time of the butterflies” the three sisters are known to be hero’s for standing up and sticking to their beliefs. But a hero is not only those that die for their country or others, it takes a
Kate Chopin uses dynamic characters to help create Edna Pontillier. By using Mr. Pontillier, Edna’s children, and Madame Ratignolle to contrast Edna; and Robert, Madame Raisz, and Arobin as supporting characters to Edna’s untraditional ambitions Kate Chopin produces an independent, unconventional woman. While some characters contrast to Edna all of the characters in The Awakening help to illuminate Edna’s opposition to Creole tradition. Without the use of supporting and contrasting characters Edna would have never been able to fly above tradition.
The Awakening was a very exciting and motivating story. It contains some of the key motivational themes that launched the women’s movement. It was incredible to see how women were not only oppressed, but how they had become so accustomed to it, that they were nearly oblivious to the oppression. The one woman, Edna Pontellier, who dared to have her own feelings was looked upon as being mentally ill. The pressure was so great, that in the end, the only way that she felt she could be truly free was to take her own life. In this paper I am going to concentrate on the characters central in Edna’s life and her relationships with them.
Everybody deserves a chance to prove themselves Youths under the age of 18 will be able to avoid arrest or criminal charges if they agree to participate in a “diversion” program that aims to prevent repeat offences. It might help them find a job, beat a drug habit, deal with mental health troubles or bring them face to face with victims to recognize the impact of their crimes. The goal is to reduce recidivism by providing alternatives to custody and overburdened courts, where some youths are more likely to learn about getting lawyers and saying nothing than about remorse and going straight, said Insp. David Saunders, who is overseeing the new program says “Youth got a second chance; they weren’t criminalized,” Saunders said. “The victims were very happy. A lot of people aren’t looking for their pound of flesh by sending people to court. What they really want is for young people to learn. They want them to be remorseful and to understand: Don’t do it again.
Sacrifices can define one’s character; it can either be the highest dignity or the lowest degradation of the value of one’s life. In The Awakening, Kate Chopin implicitly conveys the sacrifice Edna Pontellier makes in the life which provides insight of her character and attributions to her “awakening.” She sacrificed her past of a lively and youthful life and compressed it to a domestic and reserved lifestyle of housewife picturesque. However, she meets multiple acquaintances who help her express her dreams and true identity. Mrs. Pontellier’s sacrifice established her awakening to be defiant and drift away from the societal role of an obedient mother, as well as, highlighting the difference between society’s expectations of women and women’s
...ot be proceeded with. Hence, at the end of the day there will be no permanent record of being guilty. This is beneficial because it encourages youth persons to understand and repair the harm that has been done, both to the victim and the community. The youth completing the measures will most likely acknowledge the difference between right and wrong.
...they represent concerning women’s roles in society. Adele plays to entertain her husband and friends at parties, whereas Reisz plays for the art of the craft, always striving to be more proficient and more artistic. Mademoiselle Reisz easily sees past Edna's front, welcomes Edna into her life, and helps usher in the biggest change of Edna's life. Mademoiselle Reisz and her personality serve as the catalyst for the changes that Edna makes in her life. Edna strives to be Mademoiselle Reisz concerning her element of independence, while Leonce Pontellier, Edna’s husband, would like her to be more like Adele Ratignolle, and it is Edna who is striving to find the delicate balance in the middle.
In The Awakening, Chopin sets up two characters main characters and a subsidiary female character to serve as foils to Edna. The main characters are Adele Ratignolle, "the bygone heroine of romance" (888), and Mademoiselle Reisz, the musician who devoted her life to music, rather than a man. Edna falls somewhere in between the two, but distinctly recoils with disgust from the type of life her friend Adele leads: "In short, Mrs. Pontellier was not a mother-woman." Adele Ratignolle and Mademoiselle Reisz, the two important female principle characters, provide the two different identities Edna associates with. Adele serves as the perfect "mother-woman" in The Awakening, being both married and pregnant, but Edna does not follow Adele's footsteps. For Edna, Adele appears unable to perceive herself as an individual human being. She possesses no sense of herself beyond her role as wife and mother, and therefore Adele exists only in relation to her family, not in relation to herself or the world. Edna desires individuality, and the identity of a mother-woman does not provide that. In contrast to Adele Ratignolle, Mademoiselle Reisz offers Edna an alternative to the role of being yet another mother-woman. Mademoiselle Reisz has in abundance the autonomy that Adele completely lacks. However, Reisz's life lacks love, while Adele abounds in it. Mademoiselle Reisz's loneliness makes clear that an adequate life cannot build altogether upon autonomy. Although she has a secure sense of her own individuality and autonomy, her life lacks love, friendship, or warmth. Later in the novel we are introduced to another character, her name is Mariequita. Mariequita is described as an exotic black-eyed Spanish girl, whom Edna looks upon with affectionate curiosity. Unlike the finely polished heroine, Mariequita walks on "broad and coarse" bare feet, which she does not "strive to hide". This strikes Edna with a refreshing sense of admiration. To her, the girl's soiled feet symbolize naked freedom, unconstrained by the apparel of civilization. Thus, Edna finds her rather beautiful. Mariequita is more like an unrefined version of Edna, that is, her instinctual self. At times, Mariequita ventures to express the thoughts that are secretly buried in Edna's unconscious.
One form of art which is predominant in The Awakening is piano playing. Piano playing symbolizes a woman’s role in society. In Edna’s society, artistic skill, such as piano playing and sketching, were accomplishments which ladies acquired. They were merely enhancements to their education, not possibilities for occupation. Women artists, whether they were musicians, painters, or writers, had a difficult time being accepted in society (Dyer 86). Kate Chopin presents two women who are foils to Edna: Madame Ratignolle and Mademoiselle Reisz (Koloski 117). Both of these women play the piano; however, their purpose and motivations are vastly different. The way in which they view their piano playing reflects their values.
Her race wants him to win and overcome the pain and sufferance they had till then. The description of the men staying away from the walls, and the women clenching onto their babies, showed fear. No one could breathe, or blink as it was the moment of suspense which could go in either way was a turning point where black people felt it was all over.
In America, the 1890s were a decade of tension and social change. A central theme in Kate Chopin’s fiction was the independence of women. In Louisiana, most women were their husband’s property. The codes of Napoleon were still governing the matrimonial contract. Since Louisiana was a Catholic state, divorce was rare and scandalous. In any case, Edna Pontellier of Chopin had no legal rights for divorce, even though Léonce undoubtedly did. When Chopin gave life to a hero that tested freedom’s limits, she touched a nerve of the politic body. However, not Edna’s love, nor her artistic inner world, sex, or friendship can reconcile her personal growth, her creativity, her own sense of self and her expectations. It is a very particular academic fashion that has had Edna transformed into some sort of a feminist heroine. If she could have seen that her awakening in fact was a passion for Edna herself, then perhaps her suicide would have been avoided. Everyone was forced to observe, including the cynics that only because a young
For all intents and purposes a true person accepts the means of diversity and the right for a person to believe what they want, oh wait I guess if I were to say that and be a culture relativist I would have to listen to someone tell me that in country X they think that everyone should think just alike and if you stray from that you will get shot. I would listen to the way things worked in country X and smile and say “different strokes for different folks”. Just because someone is raised in a different culture and has certain beliefs is one thing, but there are certain inalienable stances in this world that must be right or wrong (at least in theory) and making these stances and believing they are true would be an absolute impossibility for culture relativists. Because no matter what you would believe, you would also have to believe that someone else was as equally correct as...