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Essays on richard the iii
Essays on richard the iii
Richard II as a king and as individual
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The Character of King Richard II in William Shakespeare's Play Shakespeare wrote ‘King Richard II’ in the 16th/17th Century, about 200 years after Richard was on the throne. His initial intent was to point out key factors within the Elizabethan monarchy. Queen Elizabeth was compared to King Richard because of her lack of an heir, her inclination towards heavy taxes and the indulgence of her favourites. Elizabethan critics viewed the play as being politically dangerous towards Queen Elizabeth’s monarchy. Richard is presented , by Shakespeare, as being a man who pays more attention to his appearance rather than the duties and responsibilities of a king. Shakespeare also shows two key sides to Richard’s persona: Richard’s more weak and sympathetic side (seen towards the end of the play after his deposition as king) and also his rather cruel-hearted, more selfish side (his taking of Gaunt’s possessions after his death, the banishment of Bolingbroke and Mowbray etc…) There is major contrast between Richard and Bolingbroke. Shakespeare shows the power shift between the king and the soon-to-be king. Bolingbroke starts with pretty much nothing and works his way up to the throne, whereas Richard is on the throne from the age of ten and ultimately goes from having everything he could desire, to having nothing. Shakespeare portrays Richard in a rather negative light, in the middle section of the play, as he shows Richards refusal to accept the advice from many of his loyal men which Richard sees as “bitter medicine” and instead favours his flatterers. He loses many loyal men in doing so and shows favour to his flatterers who ultima... ... middle of paper ... ...gbroke, who contrasts Richard by acting the opposite of Richard, he listens to his advisors, helps put his the English people on the monarch’s side, he doesn’t waste time with flatterers and only listens to those who have England’s best interests at heart. The play is controversial to the Elizabethan audience that would have seen this as it point out similarities between King Richard II and Queen Elizabeth’s reign, their inclination towards heavy taxation, their lack of an heir and the indulgence of their favourites. In my opinion, King Richard II is an excellent play as it point’s out that not every monarch is perfect, it has the historical background of Richard interwoven into Shakespeare’s writing which helps to make a rather dull topic, a king’s time on the throne, rather more exciting and enjoyable for the reader.
Richard II was one of Shakespeare's political works depicting the rise and fall of King Richard II. Richard became king of England as a boy at 10 years of age, although his advisors made most of the political decisions of the kingdom until he matured. During this maturation period, Richard was more interested in learning about aesthetic things in life rather than things more responsible to the monarch. He had very little experience and talent in the areas of military tactics and his decisions relating to the monarch seemed arbitrary.
to behave in the same way as King Richard, and since he is acting this way, the
...e was also writing in Tudor England and seemed to have openly dislike Richard III. In other portions of his writing he describes Richard as an unattractive deformed man who was born with a full set of teeth. He writes that he had a “sour countenance , which seemed to savour of mischief, and utter evidently craft and deceit.”
Richard, the main character of the Shakespeare’s play, Richard III is portrayed as socially destructive and politically over-ambitious. His destructive potential is depicted by the way he relates with the other protagonists in the play and also by what he confesses as his intentions.
All in all, to my way of thinking, Richard's actions and behaviour were the subject of attention and analysis and were presented, after his death, as those of a wicked and immoral tyrant. However, despite the Tudor's attempts to load charges on Richard III, historians now take a balanced approach to avoid either side of the pendulum as the available evidence is not enough to corroborate their claims. His portrait may have been due to his enemy’s plot to call him an inhumanly cruel and wicked person; a ruthless despot, who only longed to achieve his aim–to become King of England.
It is not terribly odd to see directors adapt Shakespearian plays to a different era. In fact, contemporary elements in films like Baz Luhrmann’s Romeo and Juliet and the most recent Much Ado About Nothing by Joss Whedon have definitely bring valuable new readings to the text. Embracing this trend, Richard III (1995) by Richard Loncraine shifts its background to 1930s Britain. Starring Ian McKellen as Richard, the movie makes an undeniable connection to Nazi Germany; very details include costume design, set and prop, and cinematography choices all closely relate Richard to Hitler, an equivalent villain from modern history. The choice of blending Hitler into Richard puts viewers now into the shoes of audience from Shakespeare’s time to better understand Richard’s evil; although Richard III is quite ancient, Hitler is still a new scar.
...in themes similar to those found in the two Henry IV plays, such as usurpation, rebellion, and the issue of lineage of royal right. But Richard II and King Henry V are decidedly more serious in tone, and in comparing them to I Henry IV and II Henry IV, the argument can be made that it is these two latter plays which resound with greater realism with the broader spectrum of life which they present. Shakespeare carefully balances comedy and drama in I Henry IV and II Henry IV, and in doing so the bard gives us what are perhaps the most memorable characters in all of English literature.
The undeniable pursuit for power is Richard’s flaw as a Vice character. This aspect is demonstrated in Shakespeare’s play King Richard III through the actions Richard portrays in an attempt to take the throne, allowing the audience to perceive this as an abhorrent transgression against the divine order. The deformity of Richards arm and back also symbolically imply a sense of villainy through Shakespeare’s context. In one of Richard’s soliloquies, he states how ‘thus like the formal Vice Iniquity/ I moralize two meanings in one word’. Through the use of immoral jargons, Shakespeare emphasises Richard’s tenacity to attain a sense of power. However, Richard’s personal struggle with power causes him to become paranoid and demanding, as demonstrated through the use of modality ‘I wish’ in ‘I wish the bastards dead’. This act thus becomes heavily discordant to the accepted great chain of being and conveys Richard’s consumption by power.
Shakespeare Richard III was a traitor, a murderer, a tyrant, and a hypocrite. The leading characteristics of his mind are scorn, sarcasm, and an overwhelming contempt. It appears that the contempt for his victims rather than active hatred or cruelty was the motive for murdering them. Upon meeting him he sounds the keynote to his whole character. " I, that am curtailed of this proportion, cheated of feature by dissembling nature, Deform'd, unfinish'd sent before my time Into this word scarce half made up"( 1.1.20-23)
Shakespeare constructs King Richard III to perform his contextual agenda, or to perpetrate political propaganda in the light of a historical power struggle, mirroring the political concerns of his era through his adaptation and selection of source material. Shakespeare’s influences include Thomas More’s The History of King Richard the Third, both constructing a certain historical perspective of the play. The negative perspective of Richard III’s character is a perpetuation of established Tudor history, where Vergil constructed a history intermixed with Tudor history, and More’s connection to John Morton affected the villainous image of the tyrannous king. This negative image is accentuated through the antithesis of Richards treachery in juxtaposition of Richmond’s devotion, exemplified in the parallelism of ‘God and Saint George! Richmond and victory.’ The need to legitimize Elizabeth’s reign influenced Shakespeare’s portra...
In the Shakespeare play Richard III was depicted as a malformed mean, ill looking, tyrant. But this was not the case. Richard
and sent before his time" and "since he cannot prove to be a lover; he is
The Character of Hamlet in William Shakespeare's Play Some critics have stated that the appeal of Hamlet to the audience is his many human weaknesses, the most notable being his indecision. His deliberations and procrastinations are particularly high-lighted when he is faced with the task of revenge. The law and Christianity, around the early seventeenth century, were clear in condemning personal revenge as an attempt by man to arrogate the prerogatives of God. Hamlet’s contradicting feelings toward avenging his father and avoiding breaking the law and going against Christianity were most likely felt by the Elizabethan audience also, which would have been made up of many Christians, namely, Protestants. Catherine Belsey stated: …The act of vengeance, in excess of justice, a repudiation of conscience, hellish in its mode of operation, seems to the revenger (and the audience) an over-riding imperative.
Delving into the character of King Claudius in Shakespeare’s tragedy, Hamlet, we find a character who is not totally evil but rather a blend of morally good and bad elements. Let’s explore the various dimensions of this many-sided character.
the law he brought back for the sake of lust. Angelo is an immoral and