The Character of Helena in All's Well that Ends Well
Helena
There is an underlying ambiguity in Helena 's character. Spreading the illustration over the four most disputed moments in All's Well, the virginity repartee, the miraculous cure of the King, the accomplishment of conditions and the bed - trick, one can detect the ''different shades'' of in her character - honourable, passionate, discreet, audacious, romantic, rational, tenacious, forgiving ... She can be sampled out to be basically an idiosyncratic person with her good and bad, positioned within the ''clever wench'' tradition and the ''fulfilling of tasks'' folk tales ( W. W. Lawrence ) which necessitates that she should behave with a determination. The whole ambiguity in Helena ensues from unrealistic dramaturgy and realistic conception of women. Throughout the play, one sees Helena jostling ingenuousness with sexuality and at times there seems to be two Helenas, one who is conventionally tame and the other who is actively all out ... a love - sick Juliet that is ready at the end to expose her darling 's ill practices. One could compare Helena with Isabella in Measure for Measure, since the characters are engulfed by different circumstances that demand each of them to act differently. Isabella is a religious figure while Helena is only love-driven.
Helen ... virtue in action ?
All other characters contribute to the promotion of Helena as a virtuous character and though in Act. II Sc. v Bertram addresses her with ''here comes my clog'' he does not diminish her already cultivated uprightness which forgoes inherited wealth and nobility. The Countess is convinced that she has a noble virtue that her son cannot achieve through his valour in war. Her virtues were assigned to her by her father and by Heaven to whose intervention she ascribes all her ability to cure the King. Somehow, she is that ''semi-divine person or some type of new saint'' in fighting for what is genuine and lawful and personifies virtue in action. This Christ projection with which W. Knights endows her could have been further sustained by showing that it is rooted in what Lefaw says in Act II Sc. iii :-
They say miracles are past; and we have our philosophical persons to make modern and familiar, things supernatural and causeless. Hence it is that we make trifles of terrors, ensconcing ourselves into seeming knowledge when we should submit ourselves to an unknown fear.
Infatuation causes Helena to lose all sense of dignity, as can be seen when in the woods, she desperately pleads with Demetrius to ?but treat me as your spaniel?. Here, Helena also becomes irrational, obsessed with pursuing Demetrius, though it is obvious that Demetrius is fixated on winning Hermia?s hand in marriage. Helena?s infatuation also causes her to see things from a skewed perspective, for she falsely believes that when she divulges Hermia?s plans for eloping with Lysander, Demetrius? love for Helena will rekindle. As the audience, we know that the most probable course of action for Demetrius upon hearing such news is to pursue Lysander and Hermia, or to report them to Theseus or Egeus. Clearly, infatuation has clouded Helena?s ability to think clearly, and she sees things in her own idealistic way.
Through the years there has been many ideas to what goes bump in the night. Mysterious, unsolved happenings blamed on the so-called supernatural. There are many myths, legends and lore based on these so called mysterious happenings. Through this research paper I am going to help to explain the biggest threats, conspiracies, and misunderstandings of aforementioned legends, myths, and lore.
Assessing The Feminist View That Conventional Malestream Theories Are Inadequate For An Understanding Of Women In Society
what is normal and usual; that it is not usual to be able to describe
The unknown has fascinated mankind for generations. It binds humans together, on a morally “higher” level. Yet, across continents and parted by oceans, each civilization has taken on its own interpretations of deities and monsters, but still, are bound together by the same thread of suspended disbelief to bring worship to the all-powerful forces working for or against them. Mysticism connects us, on a level of unexplainable and profound connections, chiefly by using its most powerful tool of all: storytelling.
Secondly, the imbecile wet nurse of Juliet plays an unsupportive parental role during Juliet’s misery of losing Romeo in ba...
During much of the play, Helena relentlessly chases Demetrius, giving him love no matter how many times he spurns her. While in pursuit of him in the woods, where he tells her that he will never reciprocate her feelings, she tells him, “I am your spaniel; and, Demetrius,/The more you beat me, I will fawn on you” (II.i.203-204). She is so desperate to win him over that she lowers her own status, calling herself his dog; no matter how many times he may abuse her, she will always adore him. Out of love, Helena is willing to swallow her pride to prove her devotion to him. More evidence of Helena’s blind love towards Demetrius can be found in her overlooking the flaws in Demetrius’ character. For example, he proves himself to be quite insensitive towards Helena: when they are in the woods, he says he will “leave [her] to the mercy of the wild beasts” (II.i.228) if she doesn’t stop following him. He also says to her, “…I am sick when I do look on thee” (II.i.212). Lastly, he threatens her, saying “…if thou follow me, do not believe/But I shall do thee mischief in the wood” (II.i.237). Helena acknowledges this aspect of his character, though choos...
The Ontological Argument for the Existence of God The ontological argument is an a priori argument. The arguments attempt to prove God's existence from the meaning of the word God. The ontological argument was introduced by Anselm of Canterbury in his book Proslogion. Anselm's classical argument was based on two principals and the two most involved in this is St Anselm of Canterbury as previously mentioned and Rene Descartes.
As long as one can remember, paranormal beliefs have always existed in human society. They are living in every man’s childhood and in every corner of human’s life. From the burning belief about Santa Claus’s gifts under a Christmas’s tree in the morning to a scary game about Bloody Mary and her coming back from the dead, it seems that people cannot help but draw themselves to these stories. Even when these beliefs fade, there would be a new one that eventually shows up. No matter how much science has progressed, the belief in paranormal phenomena still remains in society. Eventually, the question about paranormal phenomena seems pale in comparison to the human’s undying belief about such things. It is really hard to pinpoint an exact cause for human’s belief in the paranormal for only one cause is not enough; however, it is sure that psychological, sociological, and biological factors play an enormous role that contributes to this belief.
Outlining the Ontological Arguments and Their Success as Proofs of God's Existence. The ontological argument is a perfect example of a priori argument. For example, it uses logic to prove an initial definition to be. correct.
Shakespeare’s Much Ado about Nothing is, on the surface, a typical romantic comedy with a love-plot that ends in reconciliation and marriage. This surface level conformity to the conventions of the genre, however, conceals a deeper difference that sets Much Ado apart. Unlike Shakespeare’s other romantic comedies, Much Ado about Nothing does not mask class divisions by incorporating them into an idealized community. Instead of concealing or obscuring the problem of social status, the play brings it up explicitly through a minor but important character, Margaret, Hero’s “waiting gentlewoman.” Shakespeare suggests that Margaret is an embodiment of the realistic nature of social class. Despite her ambition, she is unable to move up in hierarchy due to her identity as a maid. Her status, foiling Hero’s rich, protected upbringing, reveals that characters in the play, as well as global citizens, are ultimately oppressed by social relations and social norms despite any ambition to get out.
In today’s rational and scientifically explainable world, it would be hard for us to believe in supernatural intervention in our every day lives unlike during the times of the Shakespearean plays. In Shakespeare’s Macbeth, there are three examples of this kind of thing: one with the witches, one with a ghost of a best friend, and one with the a few apparitions.
...gh a humiliation that no wife should ever have to tolerate. In redeeming Bertram she matures him to the point that he comes to the realization that Helena completes him, and he chooses to love her in return when he says that he will “love her dearly, ever, ever dearly" (5.3.316).
In the play,Hermia and Helena are the main female protagonists and 2 of the four lovers. They have some similarities in their personalities as they are both girls that are headstrong people that want things to go their way and won’t give up until it happens. Even though it is inevitable that they share some common personality traits that are interchangeable between them,However, that is not true. While they both do some similar personalities,they actually have very different personalities.
Helena doesn’t believe that any of the two gentlemen is sincere and believes that both of them and Hermia are playing jokes on her.