Humans have been known to seek perfection/true beauty for centuries, yet there has always been a limit to these ventures. Hawthorne’s “The Birth-Mark” shows us the extent of action that an obsessed scientist will conduct, even to his own wife, in the hopes of obtaining perfection without knowing the depth of true beauty. Aylmer becomes disgusted/obsessed with his wife Georgiana’s birthmark that is shaped like a small crimson colored hand. He acknowledges that his wife is beautiful and the narrator states/suggests that she would be perfect were it not for the birthmark that mars her lovely face (“The Works”). Hawthorne utilizes the theme of relentless striving for perfection, symbolizes the birthmark and other elements in the story, and foreshadows the conclusion of the story throughout the piece, to ultimately produce this complex psychological struggle that the protagonist goes through.
This short-story’s most pronounced theme throughout itself is that of the persistent determination to attain perfection, which is shown in the main character Aylmer’s will to perfect his wife’s appearance by removing Georgiana’s crimson blemish. This goal engulfs Aylmer’s thoughts to the point where he dreams of them and coincidently sleep-talks when Georgina is listening, so she too is burdened to confront his discomfort with her imperfection/flaw (Hawthorne). In general the author is trying to suggest to the reader that perfection can only be attainted in the heavenly world, were as, on earth humans are reminded of our imperfections by the defects that we have. In the process, Aylmer not only kills his wife but he also destroys himself because his obsession with perfection blinds him from seeing the good wife that he had. Georgiana seems to be ...
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...Hawthorne). This point is further made when Georgiana tells him that “[he had] rejected the best the earth could offer” and later the narrator compares Aylmer’s would-be happiness with a “celestial” one (Hawthorne).
Works Cited
Hawthorne, Nathaniel. “The Birth-Mark.” The Norton Introduction to Literature. Ed. Kelly J. Mays. New York: W.W. Norton & Company, 2013. 340-351. Print.
Herzog, Kristin. “Women, Ethnics, and Exotics: Images of Power in Mid-Nineteenth-Century American Fiction.” Rocky Mountain Review of Language and Literature 39.2 (1985): 147-148. JSTOR. Web. 1 Jan. 2014.
Rosenberg, Liz. “The best that Earth could offer”: The birth-mark, a newlywed's story.” Studies in Short Fiction 30.1 (1993): 145-151. Humanities Full Text. Web. 1 Jan. 2014
“The Works of Nathaniel Hawthorne.” The North American Review 99.205 (1864): 548-549. JSTOR. Web. 1 Jan. 2014.
One of the major themes in "The Birthmark" is man’s obsession with perfection. Through the birthmark on Georgiana, Hawthorne is able to portray that nature didn’t intend for things to be perfect. People are not perfect because the human condition is imperfect. Aylmer’s desire to make his wife perfect is doomed to failure because perfection, Hawthorne suggests, is the exclusive province of heaven that cannot be found on earth. Because she becomes an ideal being, completely unmarred, Georgiana is no longer able to exist in this
In Nathanial Hawthorne’s “The Birth-Mark,” Aylmer, a crazed, “mad-scientist,” seeks to remove the scarlet handprint birthmark from his wife, Georgiana’s cheek. From the opening of the work, the third person narrator describes Aylmer’s obsession with science and the adverse effects it has had on his social life. Aylmer is tied up in this battle within himself and with his assigned association between the natural and the spiritual world. He wishes to have as much control over these colliding worlds as possible, granting himself god-like power and control in the process. In the art of manipulating nature through science, Aylmer believes he is able to alter the spiritual aspects of the natural as well. Aylmer’s focus on spirituality is Hawthorne’s way of commenting on mankind’s fixation on sin and redemption.
################################# Part 3 ######################################## Nature doesn’t intend for things to be perfect, if it was the contrary we wouldn’t be considered humans. Nathaniel Hawthorne’s The Birth-Mark portrays the story of a scientist, Aylmer, so self-absorbed, and supercilious in his own power of science that he would go so far as to remove the intentional “imperfect” birthmark that Nature has bestowed upon his wife’s face. “Cannot you remove this little, little mark… Is this beyond your power… Noblest, dearest, tenderest wife… doubt not my power” (216). Hawthorne uses the birthmark as a symbol to represent the imperfection that is within the human species, the mark also draws out the imperfection of those who have encountered it by displaying their tendencies to overlook the flawless beauty of Georgiana and focus solely on her birthmark, “Some fastidious persons… affirmed that the bloody hand… quite destroyed Georgiana’s beauty… Aylmer discovered that this was the case with himself” (214). Nature’s symbol is a paradigm of omnipotence. To simply put, Nature created the grand design of human life, and governs over our society but allows us as people to do as we please with our lives, so long as we do not alter with Nature’s creation, “…Our great creative Mother… She permits us, indeed to mar, but seldom to mend, and like a jealous patentee, on no account to make” (217). Despite Nature’s intention, being the pompous scientist that he is, Aylmer believes himself to be something more than a microcosm of Nature’s creation. In other words, because of his unparalleled ability in the subject science, like other...
In Nathaniel Hawthorne’s, The Birthmark, he uses unperfected beauty to confirm that if God’s creations are meddled with the product is harmful. A scientist, Alymer is married to a beautiful women named Georgiana whose only flaw is a birthmark on her left cheek.
I think Hawthorne may be implying in these stories that perfection is unattainable and the quest for it may be unrewarding, even fatal. In these and some of Hawthorne's other stories, I believe he is reminding people of the delicate blessings of life. Our pursuit of happiness outside of a connection with other people and our reckless endeavor to supersede the power of the supernatural may result in temporary satisfaction, but is ultimately unfulfilling and even dangerous.
The birthmark is a compelling story of one man’s obsession with his scientific ability to produce perfection. Aylmer, a scientist, is married to a Georgiana who is a very beautiful woman. Not long after getting married Georgiana’s birthmark, which is in the shape of a tiny handprint on her check, really begins to bother Aylmer. He sees it as a flaw in an other wise perfect woman. Georgiana knows that her birthmark disgusts him and, having grown up not bother at all by it, begins to hate it herself. He asks if she has ever considered having it removed. This is not something she has considered since other people in her life, especially men, have always seen it as a “charm”. Aylmer being an amazing scientist almost sees himself as god and feels that he has the power to remove this imperfection. Georgiana, bothered by her husband’s reaction to her birthmark, agrees to let him try to rid her of it. She is taken to his laboratory and he immediately begins to experiment. After she finds Aylmer’s book of experiments, which all end in failure, she for the first time, has some doubt about how this will work and confronts him. He reassures her and begins to try a multitude of methods, with the help of his assistant Aminadab, which do not work. At one point, there are several experiments going on and he even refers to himself as a “sorcerer” (Hawthorne 232). Finally, he produces a potion, which she drinks, and the birthmark begins to disappear! Slowly though, even as the experiment is working, Georgiana is fading away. He finds that ultimately, the birthmark was connected to her very soul and in his trying to act god like he actually kills her. Really this short story just proves that science has its limits and no man should try to act like G...
...ection. By removing the birthmark from Georgiana’s face, Aylmer has taken away her humanity thus leading Georgiana to her death. Georgiana cannot live anymore because she is no longer a human being. Therefore claiming that science has its limits over nature and if those limits are crossed the consequences could be fatal.
Nathaniel Hawthorne’s “The Birthmark”, is the story of a crazed scientist whose strive for perfection not only leads to the death of his beautiful wife, but the attempt of man to have power over nature. It follows the story of Aylmer and his obsession with removing the birthmark off his beautiful wife, Georgiana. “His unnatural fixation to his wife’s birthmark even consumes him in his sleep as he dreams of cutting it off much like scraping an apple off its skin.” (Snodgrass 29). This narrative explores the themes of perfection, and the conflict between science and the natural world.
After Georgina eventually passed, Aylmer was left to deal with what his obsession for perfection had brought upon his wife, who was thought to be the closest thing to perfection. Hawthorne uses many different literary devices throughout this story, with the most prevalent being his use of symbolism. of the book. Ed. Michael Meyer.
Every relationship is different. Weather one may be in a relationship with a boy, or just a friend, it is different. Even though they are different, the characters in “The Birthmark” by Nathaniel Hawthorne and “IND AFF” by Fay Weldon are in similar relationships. That is, the male is dominant over the female, and the woman thinks the man is her knight in shining armor. In the beginning of “IND AFF” the unnamed woman thinks her professor, Peter, who she is having an affair with, is her ticket to creating a good thesis and higher standings. Similarly, in “The Birthmark,” Georgiana thinks her husband is her ticket to flawless beauty because he tells her he will remove her birthmark. Obviously, this is not how relationships operate in today’s society. These two relationships compare and contrast with each other as well as with relationships in today’s day-and-age.
Fabricating a type of the romantic artist who has radically creative powers that he exercises, Hawthorne creates in “The Birth-Mark” an extreme situation that bares the fundamentalism of the transcendental aesthetic. Accepting the premise that the artistry of nature, regardless of the apparent coarseness and lack of finish that some products may exhibit, is superior to the artistry of humanity because nature "works from the innermost germ," Hawthorne was initially critical of any discontent with the quantity and quality of nature's bounty. Should the reader emphasize Aylmer's Neoplatonism and his quest for ideal beauty, the disjunction between drama and assertion assumes a thematic function: it is Hawthorne's means to test the values of the ideal artist. Hawthorne even more
Since ours is an age that has found irony, ambiguity, and paradox to be central not only in literature but in life, it is not surprising that Hawthorne has seemed to us one of the most modern of nineteenth century American writers. The bulk and general excellence of the great outburst of Hawthorne criticism of the past decade attest to his relevance for us (54).
1. Our society tends to be obsessed with the idea of physical perfection. How does our society manifest that obsession? How is the 'Birthmark'; an early version of our modern obsession with physical perfection?
The tone adopted by Hawthorne from the inception of the narrative toward Aylmer urges the reader to respect Aylmer’s scientific ambition—directly his triumph of head over heart, but indirectly his objectification of Georgiana and subsequent attempts to fix something that she never thought was a flaw. Not only is Aylmer’s obsession with getting rid of her birthmark selfish in that he does it for “the sake of giving himself peace” (647) rather than any desire to make his wife happy, he also admits to feeling guilt over his tyrannical treatment of her. For example, his “horror and disgust” in response to her facial blight rarely escapes her notice, and when she reacts poorly to his “convulsive shudder,” he attempts to soothe her and “release her mind from the burden of actual things” (650) as if she is an empty-headed infant in need of a pacifier. Furthermore, in response to her desperate request for its removal, he isolates her from humanity, administers potentially harmful concoctions into her rooms and body without her knowledge, and ultimately—and rapturously—succeeds in shrinking the mark at the cost of her
Nathaniel Hawthorne did not do much explaining when it came to the characters involved in "The Birthmark". He did not portray the main characters: Aylmer, Georgiana, and Ambidab as human beings, but rather as symbols. While analyzing the story "The Birthmark", I have achieved some great insight of the author 's articulate writing style; especially, his style of making characters have symbolic meaning. In this story, Hawthorne uses his characters to symbolize specific things. In this ambiguous, short story, the three characters each symbolize Science, Beauty, and Nature. Each character represents an unusual force that has equally worked against each other.