The Big Sleep, The Postman Always Rings Twice, and Gilda's Adherence to the Noir Genre

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The Film Noir genre is the product of the 1940’s which reflects the darker attitude of society representing depression, realism, and amplifying a new dynamic for women on screen. As World War II progressed, there was less money compiling in Hollywood. The little money collected affected the creative drive for the directors in how they were able to produce for their films. The smaller budget impacted money to spend on lighting, sets, costumes, as well as providing pay for extras to appear in scenes. In addition to the money limitation, the realism presented in this genre expresses the reflection on the darker tones in 40’s society. As War was active, many experienced turmoil in their personal lives. Serious situations stirring emotions were nigh. In particular, the dynamic on screen character of the femme fatale became a strong essential in Hollywood. The film noir genre representing darker moods produced a functional up and coming femme fatale to thrive on a being an interesting, sensual, dangerous, and a seducing woman for movie goers to follow. The first movie to mark this genre became known with the film Double Indemnity directed by Billy Wilder starring Barbara Stanwyck, Fred MacMurray, and Edward G. Robinson. The following films to adhere this striking new genre have varied far and few. However, three films The Big Sleep, The Postman Always Rings Twice, and Gilda all contribute to the promise of the film noir feel. These three films are in comparison to Double Indemnity by observation in their style, characters, and story.
The Big Sleep released in 1946 embarks on the character Phillip Marlowe played by Humphrey Bogart and the femme fatale Vivian Rutledge played by Lauren Bacall. The story works around crime, mur...

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...tales’ first appearances are both wearing white. Cinematically the indoor shadow details in scenes imitate each other but inflict differing moods. Finally, Gilda may have had creative inspiration in comparison to Double Indemnity. Gilda has taken the art of shadows yet enhances the appeal as well as the interaction with the characters. This film also has a relatable story with the femme fatales both trying to thwart an unwanted marriage. Gilda and Phyllis both make first appearances in white attire. The characteristics of these femme fatales vary due to their environment. For example, there are more men surrounding Gilda than Phyllis may have access to which affects their motives. Each of these three film noir films respectively compare to Double Indemnity in their own ways, but are unique enough to provide a variety of entertainment for audiences to enjoy.

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