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Movies and its influence
Difference between film and novel
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The Big Sleep - Characterization of Vivian and Carmen in the Movie and the Book
The characterization of Vivian and Carmen changes drastically depending on whether you are reading the book or watching the movie. The production code forces the women in the movie to become more socially acceptable-Carmen was not crazy and Vivian was not blatantly seductive. Changes that the production code forces on the characterization of the women causes the movie to be somewhat lack luster. The book was full of painstaking description of the women that the movie completely left out.
The production code of the day did not allow the characters do be described as crazy or sexual. The production code expressly forbade it. Even
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In the book, one of the scenes had Carmen lying naked on Marlowe's bed when he came home. Marlowe had to threaten to throw Carmen out-naked- before she agreed to leave. It really reinforced the characterization that Chandler had used for Carmen. Carmen is very crazy and very sexual. The same scene, in the movie, is shot with Carmen waiting in Marlowe's house fully clothed. He does not have to force her to leave and she does not act nearly as crazy. The production code causes the movie to lack punch because it takes away the precise characterization that Chandler used to describe the women and the situations. The scene is so watered down that it loses the impact that it needs to make the proper impression on those who are watching …show more content…
After reading the book, however, the visual representation is one more thing that causes the movie to lose its impact. In the book, she is described as "baby-like" and as a spoiled brat. In the movie, she is atleast dressed up as a beautiful woman who may be a little spoiled but who is able to, for the most part, take care of herself. This is not the way that Chandler wanted Carmen to be. Carmen is supposed to look atleast a little bit crazy. The changes in Carmen's character pale in contrast to the changes that the movie made to Vivian's character.
If one watched the movie without reading the book, one would never notice the additions of the scenes in which Vivian was involved. The movie develops a relationship between Vivian and Marlowe that changes the entire dynamic of the story. Chandler describes the relationship between Vivian and Marlowe as mainly professional with the exception of one minor indiscretion on Marlowe's part. Vivian and Marlowe end the movie kissing. Instead of being Marlowe's equal as she is in the book, the movie turns Vivian into the romantic interest who had gotten into some trouble covering up for her sister.
Overall, the movie and book have many differences and similarities, some more important than others. The story still is clear without many scenes from the book, but the movie would have more thought in it.
The book of Nightjohn and the movie of Nightjohn are very different from each other.
...d coloring of certain images. The novel, however, puts much greater emphasis on the imagination and creativity, and on the main character Tita. The novel really makes the reader feel Titas pain and grow with her as she discovers her freedom, whereas the movie failed to achieve this. Moreover, the movie tends to ignore the significant of 3 integral motifs, cooking, tears and sensuality.
..., the film portrayed the kids being overly whelmed with hatred when they received gifts from their parents. It was like they never knew their parents existed. Another example of the difference between the book and the movie is Mr. Freeman (mother’s boyfriend) was presented as being very reserved with the children. In the movie he was seen as warm, talkative, and friendly towards Maya and her brother. The film also showed Mr. Freeman’s manly behavior by confronting Vivian (Maya’s mother) at her job. However, in the book Mr. Freeman never left the house, he always sat and waited at home for her.
The rolling hills and untouched prairies of the Old West were, by and large, replaced with modern infrastructures and communities by the time Raymond Chandler and Thomas Pynchon got around to writing The Big Sleep and Crying of Lot 49. As the “New West” became the “Noir West” liberality transformed into something more along the lines of uniformity. The now more urban landscapes of the Noir West began to call for a different kind of toughness, one based on mental rather than physical strength. It wasn’t enough to be strong and free spirited anymore; being a “Cowboy of Noir” required more mental acuteness than anything else, as both authors (Chandler and Pynchon) demonstrate with Philip Marlowe and Oedipa Maas.
...noted to consist of more sexual themes than it did thirty years ago, a fact that changes the way erotic objectification can be analyzed as it can be considered to be more frequent and general but therefore also less purposely objectifying concerning the characters sex.
The Big Sleep Movie and Novel & nbsp; On first inspection of Raymond Chandler's novel, The Big Sleep, the reader discovers that the story unravels quickly through the narrative voice of Philip Marlowe, the detective hired by the Sternwood family of Los Angeles to solve a mystery for them. The mystery concerns the General Sternwood's young daughter, and one Mr. A. G. Geiger. Upon digging for the answer to this puzzle placed before Marlowe for a mere $25 dollars a day plus expenses, Marlowe soon finds layers upon layers of mystifying events tangled in the already mysterious web of lies and deception concerning the Sternwood family, especially the two young daughters. & nbsp; When reading the novel, it is hard to imagine the story without a narrator at all. It certainly seems essential for the story's make-up to have this witty, sarcastic voice present to describe the sequence of events. Yet, there is a version of Chandler's novel that does not have an audible storyteller, and that version is the 1946 movie directed by Howard Hawks. & nbsp; Hawks' version of The Big Sleep is known to be one of the best examples of the film genre-film noir. "
The movie is, most likely, done well enough to intrigue its intended audience. It captured the theme and story line of the book. It falls short, though, when compared to the beautiful, sensitive and contemplative prose of Natalie Babbitt. One could only hope that a viewing of the film will lead the watcher to try the book and be delighted all the more.
Second there is more detail in the book than the movie. Well, I think that more detail is better because the more you know the better you understand the movie or
Stark contrasts exist between the description of the characters and emotional content between the book and the movie. This may be mainly due to the limited length of the movie. In the movie, Rat Kiley who is telling the story seems gentler. In the book they make it seem like everything Rat says is exaggerated, but the movie does not stress that fact. “Among the men in Alpha Company, Rat had a reputation for exaggeration and overstatement, a compulsion to rev up the facts, and for most of us it was normal procedure to discount sixty or seventy percent of anything he had to say” (O’Brien 89). Also, the movie emphasizes the fact that Rat Kiley fell in love with Mary Anne Bell. He himself says he loved her towards the end of the movie. A character that people may tend to have sympathy for is Mark Fossie. In the book, one may not feel for Fossie. The movie shows the character having more feeling especially after he couldn’t find Mary Anne. A third character that is portrayed differently in the movie than in the book is Mary Anne, who is the main female character of the chapter. The movie stressed the fact that Mary Anne wanted to learn more about the Vietnamese way of life. There was a scene in the movie where Mary Anne spent time with the Vietnamese soldiers learning their language and how to cook their food. They also show her going ...
Some of the characters in the novel, like Lennie, are portrayed differently in the movie. In the novel, Lennie is said to be “a huge man” (2), but in the movie he isn’t very big, although he is bigger than George and some of the other characters. In the movie he is stronger and bigger than the others, but not to the extreme amount that the book portrays him to be. Also, Lennie is depicted as very mentally challenged, which is shown by the way he speaks. Whereas in the book, Lennie is said to have a mind of a young child instead of being disabled. As well as Lennie, Curley’s wife is represented a little bit differently. In the movie,...
...re many similarities when it comes to technique, characterization, themes, and ideologies based on the author's own beliefs and life experiences. However, we also see that it appears the author herself often struggles with the issue of being herself and expressing her own individuality, or obeying the rules, regulations and mores of a society into which she was born an innocent child, one who by nature of her sex was deemed inferior to men who controlled the definition of the norms. We see this kind of environment as repressive and responsible for abnormal psyches in the plots of many of her works.
A restorative theory claims that sleep is used to repair the body including the brain. Oswald suggests that slow wave sleep is when body repair occurs and REM sleep is when the brain is repaired. This is supported by the fact that there is an increase in the secretion of growth hormones during SWS. This could also explain why brain activity levels are high during REM sleep, and similar to when awake.
Pretty Woman is a modern take on the classic Cinderella story where a poor misguided girl meets her prince and her life is dramatically changed. This film has fairy tale elements, but the biggest element in the movie is the use of sex; Vivian, the main character, is a prostitute. She meets her “prince” and is swept off of her feet, but what this really means is that she is bought for an entire week by a handsome, wealthy business man. One would assume that he was buying her for sex, but this is not your average prostitute transaction. This movie has a lot of third wave feminism ideals. Third wave feminism deals with using the female gender and sexuality to further the cause and portray their views. The ultimate goal of this paper is to show that Vivian Ward (portrayed by Julia Roberts), is the poster girl for third wave feminism.
Corporate culture is the shared values and meanings that members hold in common and that are practiced by an organization’s leaders. Corporate culture is a powerful force that affects individuals in very real ways. In this paper I will explain the concept of corporate culture, apply the concept towards my employer, and analyze the validity of this concept. Research As Sackmann's Iceberg model demonstrates, culture is a series of visible and invisible characteristics that influence the behavior of members of organizations. Organizational and corporate cultures are formal and informal. They can be studied by observation, by listening and interacting with people in the culture, by reading what the company says about its own culture, by understanding career path progressions, and by observing stories about the company. As R. Solomon stated, “Corporate culture is related to ethics through the values and leadership styles that the leaders practice; the company model, the rituals and symbols that organizations value, and the way organizational executives and members communicate among themselves and with stakeholders. As a culture, the corporation defines not only jobs and roles; it also sets goals and establishes what counts as success” (Solomon, 1997, p.138). Corporate values are used to define corporate culture and drive operations found in “strong” corporate cultures. Boeing, Johnson & Johnson, and Bonar Group, the engineering firm I work for, all exemplify “strong” cultures. They all have a shared philosophy, they value the importance of people, they all have heroes that symbolize the success of the company, and they celebrate rituals, which provide opportunities for caring and sharing, for developing a spiri...