The Beatles And Strawberry Field Forever: Song Analysis

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The Beatles continued on, with McCartney stepping up and trying to take over the management role. But during this time their lives began to go in different directions. Lennon met artist Yoko Ono, George was seeking enlightenment from Ravi Shankar, and Paul fell into the arms of photographer Linda Eastman.

The BeatlesAlthough their songwriting styles were increasingly contrasting, there were still striking similarities, as both songs were about the Liverpool of their childhood. Lennon's lyrics to Strawberry Fields Forever, however, dramatized a far more complex inner dialogue, characterized by stumbling qualifications (That is, I think, I disagree). Musically, the songs were similarly intriguing, with Penny Lane including a piccolo trumpet …show more content…

Pepper's Lonely Hearts Club Band. Sgt. Pepper turned out to be no mere pop album but a cultural icon embracing the constituent elements of the 60s' youth culture: pop art, garish fashion, drugs, instant mysticism and freedom from parental control. Although the Beatles had previously experimented with collages on Beatles for Sale and Revolver, they took the idea further on the sleeve of Sgt. Pepper, which included photos of every influence on their lives that they could remember. The album had a gatefold sleeve, cardboard cut-out figurines, and, for the first time on a pop record, printed lyrics. The music, too, was even more extraordinary and refreshing. Instead of the traditional breaks between songs, one track merged into the next, linked by studio talk, laughter, electronic noises and animal …show more content…

A mismanaged boutique near Baker Street came and went. The first Apple single, Hey Jude, was a warm-hearted ballad that progressed over its seven-minute duration into a rousing singalong finale. Their next film, Yellow Submarine, was a cartoon, and the graphics were acclaimed as a landmark in animation. The soundtrack album was half instrumental, with George Martin responsible for some interesting orchestral work. Only four genuinely new Beatles tracks were included, with Lennon's biting Hey Bulldog being the strongest. Harrison's swirling Only a Northern Song had some brilliant Pepperesque brass and trumpets. Although It's All Too Much was flattered by the magnificent colour of the animation in the film, it was not a strong

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