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American literature and women's status
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American literature and women's status
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In Bobbie Ann Mason’s Shiloh there are only a handful of characters. She tells the story of a husband (Leroy) and wife (Norma Jean) and their troubled marriage. Mason’s tale is narrated through the eyes of Leroy. This first person narrative and limited point of view masks Norma Jean’s need for, and thoughts of independence. Additionally, the story uses the symbols of a log cabin, a dust ruffle, and the title Shiloh to reinforce Norma Jean and Leroy’s dysfunctionality.
First, the story that is told by Leroy reveals just how little he understands Norma Jean. He is lost in life at this point. The accident that has taken away his livelihood has also disrupted Norma Jean’s comfortable existence. After traveling for fifteen years he enjoys being home with Norma but “… he can’t tell what she feels about him” (805). Leroy “… thinks she seems a little disappointed about…” finding him at home all the time (805). He slowly begins to notice small details about Norma Jean. These revelations added together lead Leroy, and the reader, to understand that Norma Jean is preparing to leave the marriage.
Next, by examining the symbols that Mason uses in this short story, the battle that is going on inside this marriage is revealed. Beginning with the dust ruffle that Mabel, Norma Jean’s mother, makes for her. This dust ruffle represents the hidden feelings and emotions that Norma Jean and Leroy keep from each other. One example is, the grief they feel over the death of their infant son, Randy. Even when Mabel brings up the death of another child, they only discuss Mabel’s intentions, but say nothing about the grief of losing their baby. Norma Jean tells Leroy that her mother, “ … just said that about the baby because …...
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... feminine activities, like sewing. He even thinks of his rig as “… a piece of furniture gathering dust in the backyard” (810). Leroy is no longer the breadwinner; Norma Jean has taken over this role. She is exercising and going to night classes. In the story she flexes her muscles, which is typically something a man would do. This trading of gender roles plays a part in Norma’s dissatisfaction with Leroy. She tells him to go to work, so she can have some respect for him again.
In conclusion, the author of Shiloh incorporates the symbols of a log cabin, the title of the short story, and a dust ruffle to show that Leroy and Norma Jean are headed in very different directions. Mason also tells the story through Leroy’s limited understanding of his wife and their situation. This marriage is headed towards a battle from the very beginning of the story.
Bobbie Ann Mason explores a relationship conflict in the short story “Shiloh.” Manson uses a metaphor of craft building as a way to tell the story of Leroy and Norma’s relationship. Craft show how easily an object is build and how a mistake can deform the outcome. In the story “Shiloh, craft building is used to display what takes place between Leroy and Norma. The craft building metaphor symbolizes Leroy wanting to restart his life and Leroy wanting to rebuild his life and Leroy wanting to rebuild his relationship with Norma. The craft building for Leroy to build a Log Cabin also foreshadows the outcome of the relationship.
The “Shiloh” is a song. Saving America’s Civil War Battlefields: Civil War Trust. Civil War Trust.
Shelby Foote's Shiloh is a novel about a real Civil War battle told from the point of view of a few common soldiers, both northern and southern, who fought there. Because he chose to depict the action from these points of view, he limits what can be said of the big picture. If one can ignore that big picture, the book works very well at showing the reader what the experience must have been like for individuals caught up in different parts of the fight. Yet needing to provide some of that picture, Foote has each character present background on specific generals and their actions leading up to Shiloh. This exposition is, for the most part, pretty clumsy and simply detracts from ...
Plot structure in ‘Shiloh’ shows how a small change in a marriage can ultimately make it fall apart. In the exposition, we find that Leroy used to be a truck driver until he got in an accident and injured his leg. His occupation caused him to be away from home often, and Norma Jean became used to being alone. This became a normalcy to Norma Jean, and Leroy being home all the time was something they both had to adjust to. Thus, their problems began. As the weeks go by and Leroy is still not back to work, Norma Jean must become the provider of the house. In the ...
Leroy arrives home from a drive and finds Norma Jean in tears.” (Mason p. 50). Norma
Janie marries three different men over the course of Their Eyes Were Watching God: Logan Killicks, Joe (Jody) Stark, and Tea Cake. Janie is able to preserve her agency in these marriages via an internal rebellion, she uses her thoughts to remain happy and outside the world her husband’s create. It is often the case that husbands expects a marriage where the female is subordinate to them and even Janie’s grandmother suggests Janie should abide by this expectation. However, Janie creates a space in her mind for an idealistic relationship and a place that her husband’s cannot touch. This ...
The first conflict in this story is between Leroy and his distance from his wife for such a long time. Mrs. Moffitt has been trying to cope with her husbands’ absence by doing other activities such as: working out, going back to school, and visiting with her mother. Another conflict resides within Leroy himself. He has not been there for his wife and he is trying to make it up to her in any way he can. This couple has been through the loss of an infant child in addition to Leroy’s absence. This is another issue that is causing them to experience the conflicts they do. Mr. and Mrs. Moffitt do not speak of this lost child, which causes more conflict between their marriage together. Leroy, once being settled at home with nothing to do, began to work with his hands to construct or design objects. He wanted to build his wife a log cabin as he was making replicas out of toothpicks. I think him wanting to build this house is to prove to himself and his wife that he can still be productive and good for something. The relationship Leroy has with Norma Jean’s mother is quite different. Any time she comes around, he makes jokes instead of having real conversation with her. I think he makes the jokes to ease the tension and to not address real issues that are present. Leroy has also stated that all those years driving in the same neighborhood he did not take the time to notice how much it had changed.
... chapter in Norma Jean and Leroy's life now that they will be apart. There is nothing left in their marriage that can keep them together because according to Norma Jean it was over a long time ago.
This story reveals to the reader how distance and low communication can separate individuals from each other. Leroy, the narrator, is a person that has lived separated from his wife Norma Jean for a lot of time because of the job he has. This has created a gap between the two of them. After the accident when Leroy has to stay in the house to recuperate, they find out that they both really don't know each other. He is having a lot of time on his hands, so he decides to build a model of the house he promised Norma Jean when they got married. This only creates a problem since his wife doesn't want a log cabin. Leroy is finally noticing that everything has changed, that nothing is the same as before. He was to busy or hardly ever in town to realize all the changes that where happening around him. When he tries to get closer to Norma Jean, apparently it separates them more. During their trip to Shiloh, Norma realizes that everything is going back to the way it was before Leroy started his trucking job. This makes her feel eighteen again and she is not willing to do that again. This creates a confusing situation for Leroy because he does not understand why Norma is acting that way. Finally he realizes that all that time apart has created a relationship where Norma pre...
At the beginning of the short story Maggie's family is introduced, from her scrappy little brother Jimmie, to her short lived brother Tommie, her alcoholic mentally-abusive mother Mary, and her brutish father. Jimmie's friend Pete is introduced and becomes a mirror image of Jimmie later on in the book. They both are portrayed as Don Juans, the seducers of young women who treat women as objects rather than people. Maggie's father is as short-lived as her brother Tommie. However, he becomes a negative social factor in Maggie's life. Maggie’s mother was an essential symbol of hypocrisy and pessimism throughout the book, from her drinking to her last comment in the book “I'll Forgive Her” (Crane).
Before Mrs. Ames and the mother realize the restrictions of their old lives, their worlds have been full of disillusionment and ignorance. Mrs. Ames, for example, is oppressed by her husband’s silence and the search for love and tenderness from anyone, because she lives each day alone, ignored by her scornful husband. And, as a result of being left companionless, she does not mature, rather she longs for tenderness. In other words, Boyle explains her dysfunctional relationship with her husband, “The mystery and silence of her husband’s mind lay like a chiding finger of her lips. Her eyes were gray for the light had been extinguished in them” (57). That is, Mrs. Ames’ spirit remains oppressed by her husband who treats her as a child, and, in doing so, isolates her from his world.
Shirley Jackson’s stories often had a woman as the central character who was in search of a more important life other than the conventional wife and mother. These characters however were often chastised for their refusal to conform to a woman’s traditional way of life. Much like her characters, throughout Shirley Jackson’s life, she also rejected the idea of fitting into society's perception of a woman's role.
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
	In Battleground, Stephen Bates narrates the account of a court case in a small Tennessee town. The court case started with a mother helping her child with a reading assignment. This mother could not believe what she was reading. This mother’s name was Vicki Frost, who was a home keeper. Frost went to the school and told the principal what she thought about the books. She believed that the books went against everything she taught her children. She believed Satan wrote these books. She took her children out of class during reading time, from that point on. When the school told her that her children would fail if they didn’t attend class, Frost was astounded. After many battles with the local school, she took her case to court. The school said the books were appropriate for the children to read, and if parents did not agree they could transfer their children to another school. Both sides had different organizations backing them. The case gained national attention. The federal court sided with the school district in the end, but Vicki Frost did raise attention on how schoolbooks are chosen for our public schools.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...