Birds Will Be Birds
Throughout Chopin's novel, The Awakening, she utilizes symbols to convey a deeper meaning in the story. One common animal, like a bird, or object, like clothing represent so much more than what is just on the surface in the text. The symbolism of birds as women, clothing as freedom, and even art as personal freedom or failure, beautify the novel and give it a deeper meaning. Birds are simple creatures, but they possess a great power, flight. This gift can be expressed or hindered through clipped wings, or cages. Women too, are magnificent creatures capable of so much, but in the Victorian times, (among others) exemplified in the novel their freedoms were restrained by men and society in general. Thus birds were an appropriate and rather witty symbol to represent them with. The colorful, repetitive parrot in the book represents Edna, " Allez vous-en! Allez vous-en! Sapristi!", (page 1) translates to, " Get out, get out, damn it!" in English. The bird is caged in bars, while Edna is caged in marriage, children and Creole society. She is a colorful creature, with creativity and talent in painting, and the parrot is telling everyone what she wants to do (escape). The fact that the bird speaks three languages (French, English, and Spanish) describes Edna as complicated and difficult for everyone to fully understand, or even to comprehend at all. Edna eventually achieves some freedom by moving out into the "pigeon house", a small cottage that conveys a resting place for birds just before flight.
Mademoiselle Reisz is an artistic person like Edna (who paints), although she expresses herself through music, "The very first chords which Mademoiselle Reisz struck upon the piano sent a keen tremor down Mrs. Pontellier's spinal column", (page 34) illustrates her great talent. Throughout the novel, a mockingbird embodies Reisz's character. Mockingbirds imitate other great sounds that they hear, much like Mademoiselle's Reisz piano playing, which is extraordinary and even causes Edna to imagine scenes that coincide with the music. Reisz, perhaps because she is unmarried and follows her passion for art has freedom like the wild, and simple mockingbird. On the other hand, the exotic parrot that represents Edna isn't accustomed to outdoor living, and is trapped in a cage by lack of creativity or a chance artistic expression.
Clothing represents levels of freedom in, The Awakening. At the start of the story Edna is fully clothed and often hides from the sun under the shade of a parasol.
The Awakening is a novel about the growth of a woman becoming her own person; in spite of the expectations society has for her. The book follows Edna Pontellier as she struggles to find her identity. Edna knows that she cannot be happy filling the role that society has created for her. She did not believe that she could break from this pattern because of the pressures of society. As a result she ends up taking her own life. However, readers should not sympathize with her for taking her own life.
Edna Pontellier in The Awakening and the speaker within the song “I’m just a Girl,” by No Doubt share several striking parallels in their feelings toward their inferior position in society. The speaker from the song claims to be “living in captivity,” which is precisely how Edna is portrayed through the motif of a caged bird in The Awakening. The Parrot owned by Madame Lebrun in the cottages on Grand Isle “which hung in a cage outside the door” (1) represents Edna: trapped, unable to effectively communicate her physical, emotional, and sexual desires, and viewed as a possession of someone else. Even upon abandoning her husband and his home for her own “pigeon house,” (85) Edna is still inhibited by Victorian societal customs which Robert refuses to break that bind her to Mr. Pontellier despite their separation, much to Edna’s dismay. The speaker from the song exclaims several times throughout the song “I’ve had it up to here,” which infers that she wishes something would be done to
Forms of physical self expression like clothing are utilized by Kate Chopin throughout the text of “The Awakening” to symbolize the driving purpose of Edna Pontellier’s regression. While both the author, Kate Chopin and the critic, Elizabeth Fox-Genovese, agree that Edna shows progression and regression throughout the entire story; the reasoning behind the regression is dependent on fate and not personal choosing. Fox-Genovese wrote that Edna Pontellier led from a progression to a regression due to her individualism, however, I believe that Edna’s progression is due to her individualism but the regression is fate destined for her. Edna regresses from a state of individualism to fate catching up with her and the rejection of herself as life
The tile of the poem “Bird” is simple and leads the reader smoothly into the body of the poem, which is contained in a single stanza of twenty lines. Laux immediately begins to describe a red-breasted bird trying to break into her home. She writes, “She tests a low branch, violet blossoms/swaying beside her” and it is interesting to note that Laux refers to the bird as being female (Laux 212). This is the first clue that the bird is a symbol for someone, or a group of people (women). The use of a bird in poetry often signifies freedom, and Laux’s use of the female bird implies female freedom and independence. She follows with an interesting image of the bird’s “beak and breast/held back, claws raking at the pan” and this conjures a mental picture of a bird who is flying not head first into a window, but almost holding herself back even as she flies forward (Laux 212). This makes the bird seem stubborn, and follows with the theme of the independent female.
The Awakening sheds light on the desire among many women to be independent. Throughout the novel Edna conducts herself in a way that was disavowed by many and comes to the realization that her gender prevented her from pursuing what she believed would be an enjoyable life. As the story progresses Edna continues to trade her family obligations for her own personal pleasures. This behavior would not have been accepted and many even criticize the novel for even speaking about such activities. Kate Chopin essentially wrote about everything a women couldn’t do. Moreover, it also highlights the point that a man is able to do everything Edna did, but without the same
She doesn't follow the rules. morals that all the women surrounding her succumb to in life. By defying these "laws" Edna makes clear the morals that all the other. women value the satisfaction of their husband, the acceptance of society, and the conformity to the stereotypical roles of a woman. In The Awakening, Edna is used as a tool to emphasize the surrounding.
Another obvious example of the symbolism of clothing is seen at the end of the novel when Edna removes all of her clothing before committing suicide. Chopin writes that when Edna was "there beside the sea, absolutely alone, she cast the unpleasant, prickling garments from her, and for the first time in her life stood naked in the open air" (558). Edna seems to be removing her final restrictions before finding her freedom in death. This last rebellion against society seems to give Edna her final "awakening". This awakening can be seen when Chopin writes, "She felt like some new born creature opening its eyes in a familiar world that it had never known" (558).
The first taste of this newfound freedom is the satisfaction that Edna feels in being able to provide for herself with her own money. The fact that she no longer has to rely on her husband’s money breaks the last tie that she had with him: "I know I shall like it, like the feeling of freedom and independence."(80) In her mind now, her marriage is dead, and Mr. Pontellier has no control over her. Financial freedom is not the only thing the pigeon house gives to Edna; it also allows her both physical and spiritual freedom. When Edna kisses Arobin in her husband’s house, she feels "reproach looking at her from the external things around her which he had provided for her external existence."(84) Yet, her first night at the pigeon house she spends with Arobin, and this time feels no reproach or regret. As for the spiritual ramifications provided by her new home, Chopin writes, "There was a feeling of descending in the social scale, with the corresponding sense of having risen in the spiritual.., she began to look with her own eyes... no longer was she content to feed upon opinion."(94) The pigeon house provides a way for Edna to escape from the society that she hates. She has the freedom to make the decisions in her life now; and she decides that she is going to live life by her own rules, not the rules that society has laid out for her. When she is within her home, she is free from the pressures of being the "mother women" which society forces her to be. The pigeon house nourishes this newfound freedom, allowing it to grow and gain strength.
Kate Chopin's novella The Awakening tells the story of Edna Pontellier, a woman who throughout the novella tries to find herself. Edna begins the story in the role of the typical mother-woman distinctive of Creole society but as the novelette furthers so does the distance she puts between herself and society. Edna's search for independence and a way to stray from society's rules and ways of life is depicted through symbolism with birds, clothing, and Edna's process of learning to swim.
Ranging from caged parrots to the meadow in Kentucky, symbols and settings in The Awakening are prominent and provide a deeper meaning than the text does alone. Throughout The Awakening by Kate Chopin, symbols and setting recur representing Edna’s current progress in her awakening. The reader can interpret these and see a timeline of Edna’s changes and turmoil as she undergoes her changes and awakening.
Each time I read The Awakening, I am drawn to the passage on page 69 where Edna and Madame Ratignolle argue about “the essential” and “the unessential.” Edna tries to explain, “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself.” What most would see as essential—money (you need it for food, clothing, shelter, etc) and life—Edna sees as “unessential.” Edna is speaking of more than that which one needs for physical survival; she would not hesitate to give her life to save the life of one of her children. On the other hand, Edna’s being, her “self,” is something quite different from her physical form.
According to the Louisiana society, Edna Pontellier has the ideal life, complete with two children and the best husband in the world. However, Edna disagrees, constantly crying over her feelings of oppression. Finally, Edna is through settling for her predetermined role in society as man’s possession, and she begins to defy this. Edna has the chance to change this stereotype, the chance to be “[t]he bird that would soar above the level plain of tradition and prejudice” (112). The use of a metaphor comparing Edna to a bird proves her potential to rise above society’s standards and pave the pathway for future women. However, Edna does not have “strong [enough] wings” (112). After Robert, the love of her life and the man she has an affair with, leaves, Edna becomes despondent and lacks an...
The birdcage represents how Mrs. Wright was trapped in her marriage, and could not escape it. The birdcage door is broken which represents her broken marriage to Mr. Wright. It also represents Mrs. Wright escaping her marriage from Mr. Wright. When the door is open it allows Mrs. Wright to became a free woman. At one point in time the cage door use to have a lock that locked the bird inside the cage. This represents how Mr. Wright kept Mrs. Wright locked up from society. Mr. Wright knew that by keeping Mrs. Wright locked up, she would never be able to tell anyone how he really acted. Mr. Wright was very cruel to his wife.
...tionship she had until she was left with literally no reason to live. Throughout the novella, she breaks social conventions, which damages her reputation and her relationships with her friends, husband, and children. Through Edna’s thoughts and actions, numerous gender issues and expectations are displayed within The Awakening because she serves as a direct representation of feminist ideals, social changes, and a revolution to come.
Madame Reisz that in order to fly away and escape, she must have strong wings.