The Ancient Chinese Custom of Footbinding
The ancient Chinese custom of footbinding has caused severe life-long suffering for the Chinese women involved. The first documented reference to footbinding was from the Southern Tang Dynasty in Nanjing. It was introduced in the 11th century and spread from the ranks of the wealthy to those of more modest means to peasantry. A main reason women did this was for the pleasure of men. Men preferred women with small feet and sexual urges weren't present for un-bound feet. Although the history of footbinding is very vague, it lasted for at least one thousand years. This painful process which folds all the toes except the big one under the sole to make the foot slender and pointed, was created just for the enjoyment and looking pleasures of men.
Earlier text has said that the Han Dynasty was referred to as the people who preferred that the women have small feet. It also stated that the first documented reference to footbinding was from the Tang Dynasty in Nanjing. Before the Song Dynasty, binding was only slightly constricting, allowing some free movement. The Yuan Dynasty introduced binding into the central and southern parts of China and footbinding was most popular in the Ming Dynasty. A famous writer, Zhu Xi helped spread footbinding by introducing it into the southern Fuijan in order to spread Chinese culture and teach proper relations between men and women. Many legends exist to explain where the creation of footbinding came about such as that it began out of sympathy for Empress Taki, who had extremely large feet. Or, where the emperor, Li Yu, ordered his favorite concubine and dancer, Lady Yao, to bind her feet and dance on a golden lotus platform decorated with pearls and gems. Thus came the name "golden lotus" and women from both inside and outside the court began binding their feet thinking them as beautiful, dainty and elegant. A main reason for the practice of footbinding continuing over 100 years was because of its sexual appeal.
Footbinding is an issue that the Chinese do not like to talk about: The men don't because it suggests that men have the power to dominate over women and tell them what to do. Women don't like to talk about it because it is unsettling to think that their ancestors crippled their own daughters just to fit a social standard.
I will be explaining the role of women in society in Bound Feet and Western Dress. The Chinese have traditions that are generations old and are very serious in their culture. These Chinese traditions have been deeply established. In Bound feet and Western Dress, a dispute between Chinese traditions and Westernization of Chinese women begin to emerge. The women in traditional China were treated unequally and were basically looked upon as property for their husband. The women were taken in by the husband’s family and had to always obey their husband and also had to take orders from the husband’s family as well.
was frowned on. Skirts would fly upward and legs would show! And it was not
A need for both socialization and a sense of identity forge tight community bonds that many maintain throughout their life. Their life may center on religion, race, or even the socioeconomic class to which they belong. Communities reflect these aspects by grouping together individuals in similar situations and beliefs. Pang-Mei Natasha Chang’s Bound Feet & Western Dress expresses the importance of tradition and culture in community identification by detailing the life of the conventional Chang Yu-i and her relationship with a westernized Hsü Chih-mo. Susanna Kaysen depicts her personal struggles with finding the community that she belongs to in Girl, Interrupted. Both Yu-i and Kaysen learn that community is not assigned, rather it is chosen by a self motivated individual wanting inclusion. Community is formed from a group of people with similar goals and beliefs who obtain identity and strength in numbers. The member is forever bound to his or her community thus preserving the ideals in association which makes finding a new identity is impossible. The effect a community has on its constituents is profound in that it governs the way one looks at the world.
Years later during the Ming and Ch’ing eras it became wide spread among all status levels. Footbinding is a mutilation of the feet by wrapping them up weeks upon weeks to force them into the shape of a lotus flower and keep them at a length of three inches. (p.366) “Small feet became a prestige item to such an extent that a girl without them could not achieve a good marriage arrangement and was subjected to the disrespect and taunts of the community.” (p.364). Eventually lower-class women began using binding to find wealthy husbands.
Traditions in Chinese culture are long-rooted and are taken very seriously from generation to generation. However, there must always be room for modern change in order for society to grow and strive across the globe. In Bound Feet and Western Dress the conflict between Chinese traditions and modern change arises. With this conflict it is important to discuss the different meanings of liberation for men and women and they way in which Chang Yu-I was able to obtain liberation throughout her life.
O-lan's physical appearance showed her as a very modest woman. When Wang Lung sees her, he stares at O-lan seeing that, "plain though her face was and rough the skin upon her hands the flesh of her big body was soft and untouched . . . her body was beautiful, spare, and big boned yet rounded and soft" (26). From her physical qualities, it is clear that O-lan isn't a spoiled woman who sits around all day, but a hard worker. She is described as an ugly, flat-footed, stolid-faced woman. Many times, Wang Lung secretly wishes that O-lan didn't have such big feet. During the time of this book, women's feet were bound so they would be smaller. O-lan had big feet because they were never bound. This was another aspect of Chinese life that seemed designed to make women suffer was the practice of altering the feet of girls so they could barely walk. The Chinese custom of foot binding was meant to please men esthetically and to enhance a man's status by showing he was wealthy enough for his wife or concubine not to work.
Also in China girls are made to bind there feet up at an early age so
Daily life was influenced in both Ancient India and China because of religion and philosophies. Their well being, their beliefs, and their caste system were affected by religion and philosophies.
Firstly, the relationship expectations in Chinese customs and traditions were strongly held onto. The daughters of the Chinese family were considered as a shame for the family. The sons of the family were given more honour than the daughters. In addition, some daughters were even discriminated. “If you want a place in this world ... do not be born as a girl child” (Choy 27). The girls from the Chinese family were considered useless. They were always looked down upon in a family; they felt as if the girls cannot provide a family with wealth. Chinese society is throwing away its little girls at an astounding rate. For every 100 girls registered at birth, there are 118 little boys in other words, nearly one seventh of Chinese girl babies are going missing (Baldwin 40). The parents from Chinese family had a preference for boys as they thought; boys could work and provide the family income. Due to Chinese culture preference to having boys, girls often did not have the right to live. In the Chinese ethnicity, the family always obeyed the elder’s decision. When the family was trying to adapt to the new country and they were tryin...
... Song times was sometimes blamed on Neo-Confucianism. Foot-binding also began during the Song Dynasty. This is the practice of binding the feet of girls with long strips of cloth to keep them from growing large. Moms wanted them to be judged more beautiful.
Wild Swans: Three Daughters of China begins with author Jung Chang’s grandmother, who was born in 1909 with the name Yu-fang. In traditional Chinese culture, for any hopes of marriage, the mother must first bind her daughter’s feet. Though a long and painful process, foot binding was considered a beautiful trait in Chinese men’s eyes. By the age of two, Yu-Fang’s feet were bounded and were referred to as “Lotus Feet”. Having one’s feet bounded during this time period, made it difficult for a woman to walk, and spent their life in pain due to the broken arch and constant bending of the toes. Her father, Yang, was determined to have his daughter’s social status...
Examples of cultural constructions can be seen throughout history in several forms such as gender, relationships, and marriage. “Cultural construction of gender emphasizes that different cultures have distinctive ideas about males and females and use these ideas to define manhood/masculinity and womanhood/femininity.” (Humanity, 239) In many cultures gender roles are a great way to gain an understanding of just how different the construction of gender can be amongst individual cultures. The video The Women’s Kingdom provides an example of an uncommon gender role, which is seen in the Wujiao Village where the Mosuo women are the last matriarchy in the country and have been around for over one thousand years. Unlike other rural Chinese villages where many girls are degraded and abandoned at birth, Mosuo woman are proud and run the households where the men simply assist in what they need. The view of gender as a cultural construct ...
In her article "The body as attire," Dorothy Ko (1997) reviewed the history about foot binding in seventeenth-century China, and expressed a creative viewpoint. Foot binding began in Song Dynasty, and was just popular in upper social society. With the gradually popularization of foot binding, in the end of Song Dynasty, it became generally popular. In Qing Dynasty, foot binding was endowed deeper meaning that was termed into a tool to against Manchu rule. The author, Dorothy Ko, studied from another aspect which was women themselves to understand and explained her shifting meaning of foot binding. Dorothy Ko contends that “Chinese Elite males in the seventeenth century regarded foot binding in three ways: as an expression of Chinese wen civility,
Many scholars believe his accounts of the city are exaggerated and Marco Polo even states himself “that it is not easy to even put it in writing.” (317). Furthermore his accounts of the women in China seem to be exaggerated as well as missing some information of the society: “These women are extremely accomplished in the arts of allurement, and readily adapt their conversation to all sorts of persons, insomuch that strangers who have once tasted their attractions seems to get bewitched, and are so taken with their blandishments and their fascinating ways that they never seem to get these out of their heads.” (317). While women in China experienced fewer restraints, there were still many patriarchal rules put in place that made women subordinate to men. The act of foot-binding was one such rule which placed an emphasis on “small size, frailty, and deference and served to keep women restricted to the ‘inner quarters’ (331). For reasons unknown, Marco Polo leaves this excruciating detail out of his tales completely, leaving some scholars to question whether he really did make it to
Mao, John. “Foot Binding: Beauty and Culture”. Internet Journal of Biological Anthropology. 1.2. (2008): n. pag. Academic Search Complete. Web. 8 Dec 2011.