The African Trilogy - ‘writing back’ to Mister Johnson
The African Trilogy has been the subject of much critical discussion since the publication of Things Fall Apart forty years ago. Some of this critical work has focused on the trilogy as a postcolonial work, ‘writing back’ to the previous colonial works on Africa, such as those produced by Joseph Conrad and Joyce Cary. Achebe has himself alluded to these works as part of his motivation for becoming a writer, calling them “appalling novels” about Africa. More specifically he has said:
“I know around ‘51, ‘52, I was quite certain that I was going to try my hand at writing, and one of the things that set me thinking was Joyce Cary’s novel, set in Nigeria, Mister Johnson, which was praised so much, and it was clear to me that it was a mostsuperficial picture of - not only of the country - but even of the Nigerian character, and so I thought if this was famous, then perhaps someone ought to look at this from the inside” ( Duerden Dennis, and Cosmo Pieterse, eds. African Writers Talking: A Collection of Radio Interviews. London: Heinemann, 1972.)
Looking at this ‘from the inside’, involved drawing on the model of his own Igbo society and its oral traditions. By reconstructing a picture and narrative of Africa, and using Cary’s fiction as a point of departure, Achebe set out to challenge the colonialist depiction of Africans and their society.
Although both Mister Johnson and The African Trilogy are concerned with similar issues, the ways in which these issues are confronted are strikingly different. In contrast to the simple, baby-like natives of Cary’s novel, Achebe’s characters are complex, multi-dimensional figures in their own right. While the African society of Mister Johnson is portrayed as uncivilized, simple, corrupt, the Igbo society of Things Fall Apart is shown as having grown from a long tradition of careful decision-making and a carefully system of religious, social and political beliefs. A rebuttal to the African world portrayed by Cary takes the form of an intelligent portrayal of the character of Okonkwo and the society of Umuofia. As opposed to Cary, Achebe explores, in depth, the relationship between the individual and the social context in which his emotional and psychological make-up has developed. In addition, he gives us in Okonkwo a protagonist we can identify with rather than laugh at:
“Perhaps down in his heart Okonkwo was not a cruel man.
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James, Johson Weldon. Comp. Henry Louis. Gates and Nellie Y. McKay. The Norton Anthology of African American Literature. New York: W.W. Norton &, 2004. 832. Print.
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To conclude, in the poem “Changes” by D. Ginette Clarke, the use of repetition, word choice, and punctuation revealed the persona in a well-thought out and respectable manner. Clarke was very clever in the way that she had used these elements to not only reveal the persona, but also to make the poem as amazing as it is. The persona started off as a curious man, then came off as serious, only to turn out to be a demanding and vehement person; but in the end, the persona’s special characteristics were clear. Therefore, the use of repetition, word choice, and punctuation revealed and represented the persona and his curious, eager, and desperate personality.
Chinua Achebe?s Things Fall Apart is a narrative story that follows the life of an African man called Okonkwo. The setting of the book is in eastern Nigeria, on the eve of British colonialism in Africa. The novel illustrates Okonkwo?s struggles, triumphs, and his eventual downfall, all of which basically coincide with the Igbo?s society?s struggle with the Christian religion and British government. In this essay I will give a biographical account of Okonwo, which will serve to help understand that social, political, and economic institutions of the Igbos.
Achebe writes Things Fall Apart to revise the history that has been misplaced. He writes to the European and Western culture. This fact is evident because the book is written in English and it shows us the side of the African culture we wouldn’t normally see. Achebe is constantly ...
Chinua Achebe was an influential Nigerian author during the 1900’s who was credited with his three essays which have been fused together into the book “Home and Exile”. In his stories he discusses things such as his own Igbo people, the problems with colonialization, the strength that stories can have and many more topics. A big part of his essays are on his thoughts of colonialism, the impact it has had on his home of Nigeria, and how stories written by others either helped justify colonialism or rejected it. Chinua argues that stories have their own power to fight, and while stories themselves do not have the ability to directly fight colonialism; they do, however with their power of words, stories can motivate and encourage people to stand up against colonialism. In proving this thesis to be a true statement, I will be providing evidence of the how, why and the extent to which stories can fight colonialism.
...nters many of the degrading stereotypes that colonial literature has placed on Africa. In his lecture, "An Image of Africa: Racism in Conrad's Heart of Darkness," Achebe documents the ways that Conrad dehumanizes Africans by reducing their religious practices to superstition, saying that they should remain in their place, taking away their ability of speech, and depreciating their complex geography to just a single mass of jungle. Achebe carefully crafts Things Fall Apart to counter these stereotypes and show that Africa is in fact a rich land full of intelligent people who are, in fact, very human.
Achebe, Chinua. An Image of Africa: Racism in Conrad's Heart of Darkness. New York: Wylie Agency, 2006. Print.
One of Achebe’s main points is that the dehumanization of Africa and Africans has fostered and will continue to foster unless otherwise opposed. As Achebe begins to move away from the novel and towards Conrad’s life, he states that Conrad was born, at a time, when the black population was viewed at a low level. Achebe describes the accuracy of Conrad’s view of the people of the Congo as “grossly inadequate even at the height. of King Leopold’s International Association for the Civilization of Central Africa.” [pg.6] Achebe states that Conrad’s image of Africa is not of his own, but of the Western imagination and that Conrad is simply showing the norm.
Chinua Achebe states in his essay, “An Image of Africa: Racism in Conrad’s Heart of Darkness”, that, “Africa is to Europe as the picture is to Dorian Gray--a carrier onto whom the master unloads his physical and moral deformities so that he may go forward, erect and immaculate. Consequently Africa is something to be avoided just as the picture has to be hidden away to safeguard the man’s jeopardous integrity” (Achebe, p. 259-260). Achebe is essentially arguing that Conrad’s portrayal of civilization uses Africa as a scapegoat so that it can hide the hypocrisy of European imperialism. It is not Africa that is responsible for their madness, but it is their own delusion. Additionally, this doubles as a driving force in regards to the creation of Things Fall Apart where Achebe contrasts this theme through the explanation of the Igbo tribe’s structure and order that was in place before the arrival of the
In Chinua Achebe 's classic novel "Things Fall Apart," the development of European colonization 's lead to extreme cultural changes, leaving a lasting impact on the Igbo village of Umofia in West Africa. In the novel, Achebe displays the impacts of European colonization in both critical and sympathetic terms to provide the reader with both positive and negative factors of Imperialism to develop an unbiased understanding of what the Igbo culture and society went through. While addressing the hardship 's of life by showing the deterioration of Okonkwo 's character, the cultural and traditional changes of society, and the positive and negative impacts of imperialism, Achebe keeps touch on the overall theme of the novel, once a dramatic event
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