The Abnormal Elements In Bram Stoker's Dracula

269 Words1 Page
bulb-icon

Recommended: Essays about gothic literature

In gothic literature, many characters seem to not understand the abnormal things that happen throughout the novel. In Bram Stoker’s Dracula, the character Dr.Seward ignores the odd things that happen. He ignores the evil activities of Dracula and the people he bites. In Dracula, Dr.Seward adds to the gothic elements by ignoring the irrational events that happen right in front of him. Dr.Seward tries to overlook the signs that Lucy has been bitten and is becoming a vampire. We first see this when Dr.Van Helsing realizes that Lucy is transforming into a vampire. He tells Dr.Seward about this, but Seward cannot believe it because it is not rational. “‘Good God, professor!’ I said, starting up. ‘Do you mean to tell me that Lucy was bitten by such

Show More
Related

  • The Corruption Of Science In Dracula By Bram Stoker

    1244 Words  | 3 Pages

    own will, which embodies the fear of Stoker. The corruption of science can be view in many parts in the novel, such as the scene when Dracula forces Mina to drink his blood as an act of rape, “Her face was ghastly, with a pallor… eyes were mad of terror.”(Stoker 301). Nevertheless, one can view it as an act of technological creation and is a characteristic of a scientist. In this act Mina Harker is turned into a medium of connection for his sound and enables him to extend his manipulation. Stoker represents the corruption of science through human experimentation since it is seen as a taboo. One can say she was converted into a telephone, which is how Dr. Seward describes her functions, “same power that compels her silence may compel her speech”

    Read More

  • Dracula: A Simple Tale of Good vs. Evil

    1486 Words  | 3 Pages

    Batman beats the Joker. Spiderman banishes the Green Goblin. For centuries story tellers have used the basic idea of good beats bad to guide their tales. Stories of blood sucking, human possessions and other tales have been passed down generations and vary between cultures. Among the creators of the famous protagonists is, Bram Stoker, the creator of Dracula. This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten; a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads betweens the line, Stoker’s true message can be revealed. His personal experiences and the time period in which he lived, influenced him to write Dracula in which he communicated the universal truth that good always prevails over evil.

    Read More

  • Belief Systems and Gender Roles in Dracula

    1233 Words  | 3 Pages

    This book is set in an age where science and the world of the Enlightenment, that is the world of rational thought and proven theories, ruled. Dr. Seward represents this world. It is opposed to the seemingly unexplainable world of Dracula and his world of mystery and fable. The events that the different characters experience, although documented faithfully are thought too unbelievable by Professor Van Helsing to be passed on (p 486). It is as if the truth can't be handled by the world at large or that by retaining the story to themselves the central characters will preserve a very terrible but precious memory. A memory made precious because of the depths of courage and faith that had to be mined by and in each of them.

    Read More

  • Dracul Different Elements In Bram Stoker's Dracula

    1133 Words  | 3 Pages

    Life is a cruel. It, will attempt to take one down; it will humble one; it will attempt to break many down. In moments one may not know what to do, instead he/she must a find a way to use what they have around them as an advantage to defeat the problems that stands their way. Throughout dark fiction, authors utilise different elements as a tool to defeating the antagonist. the story Dracula uses completely different approaches in taking down the mighty Dracula. In the novel Dracula, Bram Stoker effectively employs the different elements that are used to defeat Dracula. Stoker effectively demonstrates the elements that are used to destroy Dracula through act of Religion, the aspect of Science and the setting.

    Read More

  • Foreshadowing, Mood, Mythical Parallels, and Narrative Elements in Dracula

    1445 Words  | 3 Pages

    In the novel Dracula, by Bram Stoker, there is much evidence of foreshadowing and parallels to other myths.  Dracula was not the first story featuring a vampire myth, nor was it the last.  Some would even argue that it was not the best.  However, it was the most original, using foreshadowing and mood to create horrific imagery, mythical parallels to draw upon a source of superstition, and original narrative elements that make this story unique.

    Read More

  • Analysis Of Dracula In Stoker's Dracula

    1456 Words  | 3 Pages

    In a world with ghosts, monsters, demons, and ghouls, there is one being that resonates in everyone’s mind. The idea of these creatures can be found in almost every culture on the planet in one form or another. They prey on the weak and they feast on the blood of their victims. They are compared to a fox for being quick and cunning, but also rather seductive in their nature. With their unholy existence one can only describe them as almost demonic. So what is this horrid creature? Well it is none other than the vampire, a creature as old as time itself. Throughout history there have been many different variations of the vampire, each with their own unique abilities. But one cannot help but mention

    Read More

  • Dracula and the Threat of Female Sexual Expression by Bram Stoker

    1398 Words  | 3 Pages

    The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.

    Read More

  • Inverted Gender Roles: Dracula by Bram Stoker

    1455 Words  | 3 Pages

    In Bram Stoker’s novel Dracula, Stoker’s use of inverted gender roles allows readers to grasp the sense of obscureness throughout, eventually leading to the reader’s realization that these characters are rather similar to the “monster” which they call Dracula. Despite being in the Victorian era, Stoker’s use of sexuality in the novel contributes to the reasoning of obscureness going against the Victorian morals and values. Throughout the novel the stereotypical roles of the Victorian man and woman are inverted to draw attention to the similarities between Dracula and the characters. Vague to a majority of readers, Bram Stoker uses Dracula as a negative connotation on society being that the values of the Victorian culture are inverted amongst the sexes of characters, thus pointing out the similarities of the characters and the so called “monster” which they call Dracula.

    Read More

  • Embracing Female Sexuality in Bram Stoker's Dracula

    1997 Words  | 4 Pages

    Conclusively, while Bram Stokers novel Dracula is seen as a gothic and horror story, I argue that it is a novel that seeks to address female sexuality directly. Seen through numerous passages, Stoker confronts and battles the views between sexuality during the Victorian era though his genius of characterization of characters present within the novel. As it seems highly intentional to me, I respect the way in which he criticizes and critiques upon female sexuality by bringing into light new ideas regarding female desires. When contrasting his text upon today’s culture, the differences to how one perceived the vampire has changed significantly.

    Read More

  • How Bram Stokers Shows that Dracula is in the Horror Genre

    797 Words  | 2 Pages

    show the audience that the film is in this style, such as the mise en

    Read More

  • Such A Beast!: Sexuality And Humanization In Dracula

    1578 Words  | 4 Pages

    Over the course of cinematic history, many filmmakers have attempted to recreate the chilling, unprecedented world of Bram Stoker’s Dracula. Arguably very few have succeeded, for the majority of directors tend to avoid the pervasive sexuality inherent in the novel. It is a difficult task to achieve, considering the blatant imagery surrounding sex and vampirism, such as the reproduction following a vampiric encounter and the phallocentric nature of the violence committed both by and against these creatures: penetration is involved in their hunting, and one must impale them with a stake in order to destroy them. Readers are thereby forced to admit that Dracula is, in fact, a highly eroticized piece of literature, though whether or not Stoker himself was aware of this suggestiveness, we cannot be sure. The most successful effort at capturing that sexual energy on film has been Francis Ford Coppola's 1992 movie, Bram Stoker's Dracula. In fact, it has often been proposed that Coppola’s version is too carnally focused in comparison to the original work, which leads a viewer to wonder about the purpose in this overt sexualization. It can be concluded that adding copious amounts of eroticism to the film is directly related to Coppola’s strive to depict Count Dracula as more human rather than monster, and sexuality in his film serves as a balance so that the lines between good and evil are blurred. Evidence for this deduction is found in three scenes in particular: Jonathan’s seduction by Dracula’s vampiric wives, Lucy’s demonic transformation, and Mina and Van Helsing’s relationship during the climax of the story.

    Read More

  • A Comparison Of Bram Stoker's Dracula And Dracula

    1013 Words  | 3 Pages

    and follows with, “...I could see a white face and red, gleaming eyes. ”(Stoker 98), the reader can immediately tell that Lucy was the “half-reclining white figure” and the one bent over her was Dracula. He has already turned her into a vampire, but it will take a while for her full transformation to occur. In the movie, the setting is the Australian Outback, and there is an ongoing competition for the best rock band in the region. The Yowie Yahoo is a vampire who is just a hologram, a set up by one of the malicious bands.

    Read More

  • Symbolism In Bram Stoker's Dracula

    581 Words  | 2 Pages

    One could very easily sit down and write a page practically identical to the journal pages that we witness thought this novel. However, that would be a waste of time. Who wants to read a copycat version versus the original? Also, why would you? I in no way, shape, or form keeping any sorts of entries down on paper. Rather, more types of images provoked by thought. We are readers. We are also thinkers. Stoker, as an author, not only brings us into the novel Dracula, but expects us to be a part of it as well. This allows not only the question of what we see, but what we feel as well.

    Read More

  • Dracula Gothic Analysis

    1188 Words  | 3 Pages

    Edward was bitten at 17, and never labeled as horrifying. Twilight vampires are “devastatingly, inhumanly beautiful”.

    Read More

  • An Analysis of Bram Stoker's Dracula

    879 Words  | 2 Pages

    Bram Stoker’s Dracula is the story about how the small company of men and a woman lead by Professor Abraham Van Helsing combats against Count Dracula, who moves from Transylvania to England in order to manipulate people as “foul things of the night like him, without heart or conscience, preying on the bodies and the souls of those [they] love best” (223). Stoker employs an epistolary format in this novel and nowadays, Dracula becomes one of popular literary works representing epistolary novels written in the nineteenth century. The term “epistolary novels” refers to the novels composed of different types of documents, such as journals, letters, newspaper clippings and so forth. One of the effects created by using an epistolary format is providing the characters’ inner state throughout the story, which “focuse[s] on a broader exploration of the insights that made up the conscious self by and [the broader context]” (Ştefan 73). Consequently, Stoker’s use of fragmentary narratives delivers the main characters’ emotions and thoughts in more picturesque ways. In Dracula, the epistolary format of the novel increases terror and suspense, which derived from tension when the story alters after alluding characters’ insecure future and immense power of Dracula affecting not only the main characters, but the third parties who are irrelevant to them.

    Read More

More about The Abnormal Elements In Bram Stoker's Dracula

Open Document