In the short story, “Thank You Ma’am” there are many themes that can be identified while reading the story. In “Thank You Ma’am”, a kid tries to steal an old woman’s pocketbook and fails to do so. The old lady noticed that the boy had a dirty face had he hadn’t eaten. The lady takes the boy to her house and feeds him and makes him wash his face. Meanwhile, the lady was teaching him that trust and respect is needed to be learned. After dinner the lady gave the boy $10 so he can buy himself the blue suede shoes he wanted. This short story is written by Langston Hughes, and the main characters are Roger and Mrs. Luella Bates Washington Jones. Langston Hughes shows the importance that every actions comes with a consequence and that everyone has to learn right from wrong. …show more content…
The first time in the story that showed the consequence was when Mrs. Luella Bates Washington Jones makes him pick up her pocketbook, kicks him right in his blue-jeaned sitter and shakes him until his teeth rattled. “The large woman simply turned around and kicked him right square in his blue-jeaned sitter. Then she reached down, picked the boy up by his shirt front, and shook him until his teeth rattled. After that the woman said, ‘Pick up my pocketbook, boy, and give it here.’” ( Hughes, 1) This shows the consequence that the boy had to receive from Mrs. Bates. Mrs. Bates didn’t turn him into the police if she did that would have been another
After reading the short story “Salvation” by Langston Hughes and an excerpt from Black Boy by Richard Wright, it is apparent to the reader that both stories reflect how young African American males perceive church. Both experiences in church talk about how the idea of God/ faith is imposed upon young Hughes and Wright by loved ones as well as society. However, each character undergoes the internal conflict of whether or not to conform. The validity of the central idea, individual versus society, is revealed through both character’s choices to either be the pariah within their community or fall under peer pressure in order to attain false acceptance.
The poem, “My Great-Grandfather’s Slaves” by Wendell Berry, illustrates the guilt felt for the sins of a man’s ancestors. The poem details the horror for the speaker’s ancestors involvement in slavery and transitions from sympathy for the slaves to feeling enslaved by his guilt. Berry uses anaphora, motif, and irony, to express the speaker’s guilt and provide a powerful atmosphere to the poem.
The poem “Likewise” by Langston Hughes is about Jews living and selling products in Harlem. But looking deeper into the writing reveals references to the creeping increase of antisemitism in the 1930’s and 1940’s.
Early America was a very racist country and some argue that it still is today. Racism has been an ongoing conflict in this country but it has gotten better in the last fifty or so years. African Americans are often times the target of racism and have had to persevere through slavery, segregation, and discrimination. During this discrimination and segregation, many African Americans embraced their talents and began what is known as the Harlem Renaissance. The Harlem Renaissance started in the New York City neighborhood of Harlem. Many new artists, musicians, and writers emerged in this renaissance. Writers such as Langston Hughes, Lucille Clifton, and Colleen McElroy were especially important in this time. Langston Hughes, Lucille Clifton, and
This week reading were really interesting, all of them had a strong message behind their words. However, the one that really caught my attention was “Open Letter to the South” by Langston Hughes. In this poem, the author emphasizes in the idea of unity between all races, He also suggests that working in unity will lead to achieving great things, as he said, “We did not know that we were strong. Now we see in union lies our strength.” (Hughes 663)
Have you ever heard the expression money isn’t everything? Well it’s true and in Langston Hughes short story, “Why, You reckon,” Hughes reveals his theme of how people aren’t always as happy as they seem when they have lots of money.
Although Langston Hughes’ “Why, You Reckon?” is a short story, it encapsulates differences between races and classes in American society. The story highlights the desperate and hopeless lives of poor African-Americans in Harlem, New York, who would do anything just so they can fill their stomachs. Hughes adds a contrast by putting in a white man who uses his money and privileges to try to experience the exuberance of Harlem but fails to do so. Written in 1934, during the peak of racial divide in America, Langston Hughes’ “Why, you reckon?” shows that real experiences, not money, contribute to happiness.
A slum neighborhood located in “Yes, Ma’m” and a brilliant train carriage in “The Storyteller” create the setting for this compare and contrast essay. These short stories are similar in that their themes both focus on negative objects, but play them into a positive light. However, their suggested themes are different in that “Yes Ma’m” tells the reader to not believe in people by where they live, but “The Storyteller” communicates to not judge something based on its formality. Langston Hughes’s “Yes Ma’m” has an implied theme found anywhere, “nice people can be found even in the lowest places on the planet.” Another true theme belonging to Saki’s “The Storyteller,” reads, “Sometimes the most improper story is the best one.” Both main messages are true, and provide a very keen focal point for the reader to enjoy.
In stating this Mrs. Jones herself has shown weakness in her lifestyle.&nb now opened a door for the boy, in showing him through another statement that intended that it was still wrong to make an attempt to steal someone’s pocketbook, but you could still get away with the crime. From the events in the story, the most obvious and penetrating theme would be that Mrs. Jones taught the boy a valuable lesson by taking him in and pampering him. But, by using the methods of deconstruction and digging deeply into the true theme of the short story, you will find a recessive theme, secondary to the obvious. In “Thank You, Ma’am,” the apparent theme is not as it seems, and the true seemed like a strong role model for the boy, but truly set a poor example for the boy by convincing him, not knowingly, but in her sub-conscious, that it is admirable to steal and beg for things that you do not have and want. A very important lesson could be taught within either theme, and in the end it is a fight between two old enemies, good and evil. & nbsp;
Hillary R. Clinton once said that “There cannot be true democracy unless Women’s voices are heard” (conference in Vienna, Austria 1997). That very brilliant quote relates to a very strong woman by the name of Maya Angelou. Angelou is “America’s most visible black female autobiographer and speakers” (scholar Joanne M. Braxton). She is known for her speeches, poems, and books, but what stood out to me the most was her 1993 inauguration speech when Bill Clinton was sworn into the White House. Ironically, in her poem “On the Pulse of Morning” Maya Angelou uses clear rhetoric, prehistoric metaphoric images, and inspirational concepts to alert her audience to treat the world differently.
A situation can be interpreted into several different meanings when observed through the world of poetry. A poet can make a person think of several different meanings to a poem when he or she is reading it. Langston Hughes wrote a poem titled "I, Too." In this poem he reveals the Negro heritage and the pride that he has in his heritage and in who he is. Also, Hughes uses very simple terms that allow juvenile interpretations and reading.
The poem “Negro” was written by Langston Hughes in 1958 where it was a time of African American development and the birth of the Civil Rights Movement. Langston Hughes, as a first person narrator tells a story of what he has been through as a Negro, and the life he is proud to have had. He expresses his emotional experiences and makes the reader think about what exactly it was like to live his life during this time. By using specific words, this allows the reader to envision the different situations he has been put through. Starting off the poem with the statement “I am a Negro:” lets people know who he is, Hughes continues by saying, “ Black as the night is black, /Black like the depths of my Africa.” He identifies Africa as being his and is proud to be as dark as night, and as black as the depths of the heart of his country. Being proud of him self, heritage and culture is clearly shown in this first stanza.
population is oppressed and must ignore or postpone their dreams. The more dreams are postponed
Aside from the mother’s race and gender, her lack of education also plays a role in the hardships in her life. Hughes makes her limited education apparent in his use of her vernacular. Words like “ain’t” and “I’se” (MS lines 4, 9) symbolize the fact that Mother is from a Black background and she does not have sufficient education. These limitations, however, do not keep her from persevering and keeping a positive paradigm. She wants her son to realize that, though they may not have the best education or a more advantageous skin color, they must strive to overcome these hardships to reach their higher potential.
Booker T. Washington was a young black male born into the shackles of Southern slavery. With the Union victory in the Civil War and the Emancipation Proclamation of 1863, Washington’s family and blacks in the United States found hope in a new opportunity, freedom. Washington saw this freedom as an opportunity to pursue a practical education. Through perseverance and good fortunes, Washington was able to attain that education at Hampton National Institute. At Hampton, his experiences and beliefs in industrial education contributed to his successful foundation at the Tuskegee Institute. The institute went on to become the beacon of light for African American education in the South. Booker T. Washington was an influential voice in the African American community following the Civil War. In his autobiography, Up from Slavery, Washington outlines his personal accounts of his life, achievements, and struggles. In the autobiography, Washington fails to address the struggle of blacks during Reconstruction to escape the southern stigma of African Americans only being useful for labor. However, Washington argues that blacks should attain an industrial education that enables them to find employment through meeting the economic needs of the South, obtaining moral character and intelligence, and embracing practical labor. His arguments are supported through his personal accounts as a student at Hampton Institute and as an administrator at the Tuskegee Institute. Washington’s autobiography is a great source of insight into the black education debate following Reconstruction.