Tension Between Literal And Metaphorical Blindness In Raymond Carver's Cathedral

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In the short story “Cathedral” by Raymond Carver, the seemingly judgmental narrator is faced with meeting a blind man, named Robert. The narrator sees himself as superior to others and in this instance especially to the blind. Due to the narrator’s pretentious attitude, tension between the blind and himself is revealed when the narrator says, “[m]y idea of blindness came from the movies” (279). In Carver’s short story “Cathedral”, the tension between literal and metaphorical blindness is most evident through the narrator’s insensitivity and bitterness towards the blind man. The character of the narrator progresses from a closed minded individual, to someone who can look outside of his own perspective.
The feelings and assumptions the narrator …show more content…

A new type of tension is created because the narrator starts to recognize that he is possibly more blind than Robert. The narrator realizes that the tension is solely in his head, and the reason why he feels uncomfortable with Robert is not only because Robert is literally blind, but also because he is metaphorically blind. The narrator thinks, “it’s like nothing else in my life up to now” (291). The narrator is coming to know that he is blind and insensitive to things outside of his way of viewing life. The narrator slowly becomes more comfortable with blindness and tries to look at his surroundings in the way that Robert sees them, “But I had my eyes closed. I thought I’d keep them that way for a little longer. I thought it was something I ought to do” (291). This is the first moment the narrator shows that he has “sight”. He has always been able to literally see; yet he was blind. Now he is able to metaphorically see and the reader hopes that he no longer views the world with the cynical eyes that he had before. Although it seems most of the tension is totally resolved, it is unclear whether or not it has been, as the story ends before the readers find …show more content…

At the beginning, the narrator is metaphorically blind in the way that he observes the world and others, whereas Robert is literally blind but can see in a way that the narrator cannot. In the story, the narrator is a foil character of Robert. The narrator and Robert are opposites, and because of that, Robert plays an essential role in changing the narrator from a “blind” character to a character that can see both literally and metaphorically. By using this technique, Carver allows for the tension to dissipate. The point in the story where the most tension is relieved is when the narrator and Robert sketch a cathedral together. As they are coming to the end of the drawing, Robert says, “’take a look. What do you think?’” and the narrator replies with his eyes shut, “’It’s really something’” (291). Instead of opening his eyes to see the cathedral, the narrator keeps them closed. The narrator has an epiphany; he realizes that he is metaphorically blind, and now he is able to see in a new way. He does not think of the drawing in a worthless manner as he may have in the beginning, instead he leaves his eyes closed and appreciates the true beauty and meaning of the

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