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Taxi driver analysis essay
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In the script, there are multiple scenes when Travis is alone in his apartment. These scenes really set off the hysterical side of the character. When he cannot sleep, that he keeps on writing diary and talking to himself, these trivia disclose the frantic Travis Bickle to the audience in contrast to the gentle and the placid look of his appearance, and they add on to the depth of the characteristics of him. In here, Taxi Driver takes out what is a classic Film-noir element from those Hollywood crime dramas, and adds more of a modern individual consciousness to the old-school cynical attitudes. One of the conventions in a Film-noir picture is that the mind of the doomed protagonist is constantly shifting between what is morally right, and what is morally wrong. …show more content…
Dietrichson, which is not a crime, and in a way audience empathize with him. But in order for them to be together, a murder takes place, which is both legally and morally wrong, and the crooked character eventually pays the price of the crime. In Taxi Driver, Travis beholds the rot in the city, and he believes that the violent execution done by himself is going to clean up the filthiness. He has strong emotion inside him, but he cannot find an exit to let it out and to be normal. The girl Betsy who he has a crush on shows that he wants to get involve in what is generally
Blackrock written by Australian playwright Nick Enright is a dramatic play created to challenge a dominant social belief of twentieth century Australian youth. Blackrock, being inspired by the real-life rape and murder of schoolgirl Leigh Leigh (in Stockton, near Newcastle, Australia on 3 November 1989), provides powerful criticism of a society of dominant Australian male youth culture, and highlights how outwardly harmless attitudes and ideologies can lead to the death of a young women. Many aspects of Australian cultural identity are seen in this drama play, including emphasis on physical achievement opposed to mental, the concept of mateship, and the role of violence, each encourage the reader to question the overall moral justice, logic and wisdom of Australian society. Enright uses Blackrock as a representation of Australian society, and through his creation of such realistic characters enables the teenage audience the ease to identify with the themes and ideas. Enright suggest the flawed value of marginalisation of women, which in my opinion is the biggest issue in the play.
There were many themes illustrated throughout the memoir, A Long Way Gone by Ishmael beah. These themes include survival/resilience despite great suffering, the loss of innocence, the importance of family/heritage, the power of hope and dreams, the effects of injustice on the individual, and the importance of social and political responsibility. Every theme listed has a great meaning, and the author puts them in there for the readers to analyze and take with them when they finish reading the book.
In the article “Deviant While Driving,” Schoeplfin writes about the notion of driving a hearse and whether or not it would be seen as deviant. He recalls a time when he contacted an old friend, Bill, who used a hearse for personal transportation. Schoeplfin found that his friend did not buy the hearse with devious intent, but that his
The Illegal, and Some Great Thing by Lawrence Hill both contain several important themes. To explain, The Illegal features the main character’s loss of innocence, and the racism towards people because of their country of origin, and ethnic background. Next, Some Great Thing includes the themes of racism and prejudice towards not only the protagonist, but also to French Canadians because of the colour of their skin, or the language they speak, and the courage of characters to stand up for what they believe is right.
One of the most memorable and dramatic scenes of the film, Crash, occurs when Ryan, a personally racist police officer, happens upon an car accident in which a woman is trapped in her overturned vehicle. The lasting impression that this scene leaves is probably the reason that I chose it to reflect on in this paper. Ryan, when taking his daily patrol, notices a line of stopped traffic, and stops to see why they are at a stand still. Up ahead, he sees smoke coming out of the engine of one car, and another flipped upside-down. He quickly runs to the car to see if anyone is trapped inside, without a thought. He sees an African-American women caught in her seatbelt and dives through the broken window and asks if she is alright. When she responds that she cannot breathe, he slides in further to try to help her unbuckle and get out; Around them, gasoline is dripping from the tank. The woman, Christine, recognizes him from earlier as the officer her sexually assaulted her in front of her husband, and screams at him to get away from her--having been scarred by their earlier encounter. He also recalls her from earlier, and realizes in this moment, that his racist and sexist actions towards Christine earlier could cost her her life. He informs her that he is the only person th...
It makes me so mad, I just can't possibly understand how my mom and dad can't trust Travis, mostly because of the way he looks. And that they group all the little kids who act tough and look tough into one big Gang lump.
Ludacris’ best friend in the movie, Peter played by Larenz Tate helps him steal cars and sells him to chop-shops as their income. Ludacris is obviously the alpha of the duo, he acclaims his dominance by always trying to prove he is more hood or has more thug in him then Tate. he says he has more experience in the streets and he is more aware than Tate always talking first and often talks down to Tate as if he is a “know it all.” Tate does not talk much and always tries to create a counterargument to what Ludacris is saying seeking the positive side when Ludacris wants to challenge the hardships and struggles of a black man in society. Ludacris tells Tate, “You do not have any idea of why they put great big windows on busses, one reason only, to humiliate the people of color riding them.” Tate and Ludacris feel as if they look or often characterize themselves appearances to be similar to UCLA college students and not thugs although in Crash, they are completely opposite of what they want to embody. In the movie we watch the two characters lives closely as they steal and sell cars to the chop-shop and as they survive day to day in Los Angeles, California. Ludacris feels as if the world is against him and he wants Tate to
... middle of paper ... ... Travis, in contrast, does act in order to pursue his ideal, but in such a contradictory and vile fashion that it almost denounces the title of saviour altogether. Ironically, he survives the order, despite attempting to commit suicide, and is lauded as the “taxi driver hero”. He keeps the newspaper clippings praising his heroic endeavor on his wall, perhaps insinuating that he has started to believe that what he has done was heroic, and ultimately justifying what he has done as for the best interest of humankind, and in accordance to the normal interests of “reason, honour, [and] peace” ().
Each character in the film reach a point in their lives that makes them question themselves as people, and what they express towards others. Crash shows stories of race, class, and gender post September 11th. The film shows that almost everyone as being unconsciously prejudice towards others and we lack love for others. The first time we see a sense of racism is when a Persian man wants to buy a gun but the gun shop owner refers him as “Osama”, is refused service and is then escorted out. Two African-American men discuss about how they as a group are always being stereotyped but they themselves hijack a couple’s car moments later. It is then revealed that the couple were the district attorney and his wife named Jean. The couple choose to have the locks replaced incase the hijackers decide to pay them a visit but the locksmith in Hispanic, Jean throws a loud tantrum, believes that he has made copies and says he might give them to “his gang banger friends.” Four other characters are shown across town, two police officers looking for the stolen car, and another couple. The officer in charge shows his side of racism when he pulls over the truck although it isn’t the missing truck they are looking for because the person driving was a black male. He tells the driver he is being arrested but has no real reason to arrest him and touches his wife
of the car,” which is a grey Mercedes Benz - a rare sight to see in the area. Moreover, the police officer “has been trained to see an unshaven man in blue jeans as a potential thief,” further proving the point of how he made his decision based on stereotyping. Consequently, Valgardson’s use of dramatic irony informs the reader of the police officer’s rash judgements, while leaving the protagonist unaware of his situation, which allows him to effectively develop the aforementioned theme. Following the dramatic irony of the story, the use of situational irony occurs on two accounts: first, between the protagonist and a group of intimidating young men, and second, between the protagonist and the police officer. As the protagonist approaches the store, he is daunted by a group of men dressed in “fringed leather vests,” judging them based on their rough exterior. In the face of what he assumes is danger, the protagonist hopes his appearance will “provide immunity” and prevent confrontation with the men. In addition, the protagonist even devises an escape plan in the event that he is accosted, “slip[ing] a ten-dollar bill into his back pocket.” Ironically, the real danger is behind
After Scorsese’s father asking him a question about a character, a young Martin raised his fingers to make an impression of him shooting a gun. This image is one of the most memorable images in Scorsese’s film Taxi Driver, where we see Robert De Niro repeating the same image pointing to his temples. This image is shown at the height of the film. When Scorsese got a television at home, no more did he have to leave his house to engross himself in the most recent movie best seller. Already we can see Scorsese’s love of filmmaking from an extremely young
Setting: “I move onto the sidewalk and Curt and I stand there watching our cab disappear into the sea of cars making their way up and down Houston.
who are black. Travis who is stay in dismay and is confused waits at home while
In the action he tells Peter to shoot him, contradicting when Anthony previously said he would never hurt another African-American. The attempted theft taught Anthony to stop having a narrow-minded viewpoint on life and to stop telling and start listening. Anthony learned all stereotypes are not genuine and the phrases “You embarrass me. You embarrass us”(Crash) uttered by the driver made the once intolerant Anthony take a look back at his life. Shortly after, Anthony took a truck full of illegal immigrants to the chop shop and was offered a deal of $500 for each immigrant and to keep the truck. The old Anthony might’ve sold the immigrants but because he encountered a life-changing experience he decided to set them free. Anthony then rode the bus to symbolize the change in his view on
Moreover, Scorsese adopted a disjunctive editing style in contrast to the classical continuity editing, exploited jump shots and fragmented scenes to generate a mix of engagement and disorientation between the audience and Travis’ split personality. In terms of visual literacy, Scorsese is known for his fluent shift between subjective and objective shots to reinforce the effect. (Rodríguez 2011, p. 181) The frequent use of first-person perspective voiceover and insertion of self-conscious viewpoint shots (Berliner 2010, p. 158) violate the norms of classical Hollywood objective story telling. Instead of relying on motions and conversations to portray the character state of mind, Taxi Driver employed stylized tableau and infiltrated music to