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Ancient greek womens roles in stories
Ancient greek womens roles in stories
Essays on Antigone the book
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Sympathy for the Main Character in Sophocles' Antigone Sophocles' play is named after its main character, Antigone, and for one the first times in Greek Tragedy it is a woman. In this play, Antigone is clearly the protagonist, as she is showed in her grief, seems sympathetic and the reader or spectator sees her from the beginning; it creates more impact and draws attention to the extremity of her feelings and emotions. Antigone also illustrates one of the central themes of this tragedy, which is the position of women; she upsets gender roles and hierarchy, and disturbs the fundamental rules of her culture. She is also heroic and scarifies her life. All these traits of character contribute to create sympathy for her and make her stand out. Sophocles always presents her as a victim and thus she benefits from a special status, which makes us readers, appreciate her more than the other characters. From the opening of the play Antigone appears in a difficult position, she is outside the gates and shares with her sister Ismene all the suffering she has to go through. Indeed, their family has been cursed for generations and two simultaneous deaths just hit them, their brothers have died in a war against each other. This implies that Antigone's life is full of misery and provokes in the reader a sentiment of pity for her. This is emphasised by the fact that one of Antigone's brother cannot be buried and she will try to break the laws to do it. She wants to honour her family, is stubborn and refuses to give in to adversity under any circumstances, which is ... ... middle of paper ... ...oses to die instead of obeying state laws. It highlights her unique personality and the fact that she is individualist. Creon has indeed been punished for not understanding the fine line between these two. Again, we are more attracted to her side since we can more relate to her and her choice which is somehow selfish but heroic and unfortunately fatal. Thus, in this play, Sophocles attributing the role of both protagonist tragic hero creates sympathy for his main character Antigone. Creon flaws are even more stressed and Antigone's bravery admirable. The contrast between them makes Antigone's human qualities stand out. The audience cannot but feel sympathy for her and despite her death, she somehow "triumphs" since she takes away with her Creon's son Heamon and Eurydice and Creon ends up alone as a tyrannical leader.
In Sophocles' Antigone, the question of whom the real tragic hero comes into play. Antigone possesses all the aspects of a tragic hero. Creon possesses many qualities of a tragic hero, but doesn’t totally fit in the role. These traits include: not being overly “wholesome or corrupt”, being persistent in their actions, developing pity in the audience or reader- especially in the beginning of the story, and having a major flaw that is their ultimate downfall. Antigone possesses all of these traits therefore qualifying as the tragic hero.
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
In the play Antigone, both Antigone and Kreon could be considered tragic heros. A tragic hero, defined by A Dictionary of Literary, Dramatic and Cinematic Terms, is someone who suffers due to a tragic flaw, or hamartia. This Greek word is variously translated as "tragic flaw" or "error" or "weakness". Kreon's hamartia, like in many plays, is hybris - Greek for overweening pride, arrogance, or excessive confidence. Kreon's hybris causes him to attempt to violate the laws of order or human rights, another main part of a tragic hero. Also, like all tragic heroes, Kreon suffers because of his hamartia and then realizes his flaw.
“There are two kinds of pride, both good and bad. ‘Good pride’ represents our dignity and self-respect. ‘Bad pride’ is the deadly sin of superiority that reeks of conceit and arrogance”-John C. Maxwell, American author. In Antigone by Sophocles, Creon, the king of Thebes, typifies the tragic hero and Maxwell’s quote. Initially, he makes a huge error in judgment that eventually leads to his downfall. Also, his pure arrogance caused to go against the will of the Gods. After he gets over his self-pride, his view shifts away from that of ignorance.
Frank Jevons in “In Sophoclean Tragedy, Humans Create Their Own Fate” comments on Sophocles’ irony:
The origin of the Sophocles’ Greek tragedy “Antigone” has created much controversy about the definition of a tragic hero, as defined by Aristotle. A literary character that makes a judgment error that leads to his/her own downfall. Both Creon and Antigone challenge each other’s conception of the divine and civic law while each has lawfulness in their argument. It is evidently noted that Antigone is the hero of the tragedy; she was a romantic idealist whose beliefs on family loyalty and religious values could not be condemned by civil laws.
Antigone, an Ancient Greek play by Sophocles, is mainly about how excessive pride can lead to serious events. Creon, the king of Thebes, who is full of hubris, declares that Polyneices will lay unburied to become animal’s carrion. Polyneices’ sister, Antigone, wants to bury his body in defiance of Creon's rules. Creon is the tragic hero of Antigone because his actions make his power descend throughout the play. At the beginning of the play, everyone sees Creon as a significant leader. He has good reasons for his laws and punishments. However, by the end of the play Creon’s hubris has taken over him, which leads to his demise.
Since the play’s inception, there has always existed a contention concerning the true hero of Sophocles’ Antigone. It is a widely held belief that Antigone must be the main character simply because she and the drama share name. This is, of course, a very logical assumption. Certainly Sophocles must have at least meant her to be viewed as the protagonist, else he would not have given her the play’s title. Analytically speaking, however, Creon does seem to more categorically fit the appellation of “Tragic Hero.” There is no doubt as to the nature of the work, that being tragedy. Along with this genre comes certain established prerequisites, and Creon is the only character that satisfactorily fits them all.
Throughout history rulers have used force in the pursuit of the acquiring more power and wealth, regardless of the consequences. The use of force may lead to the fulfillment of ones current interests or goals, but continued abuse of this power in pursuit of ones own interests has historically lead to the downfall of those in power. In the text The Prince Machiavelli says, “It is much safer to be feared than loved, if you cannot have both”. This quote suggests that when given the choice it is better for a ruler to use his power, through force if necessary, and be feared than to do what is right for the people and lose everything. In Sophocles’ Antigone, Thucydides History of the Peloponnesian War, and Sophocles’ Republic the analogy of the double-edged
In Antigone, Sophocles creates sympathy for Antigone, the main character and protagonist, by showing her grief. Grief creates more impact and really draws the attention towards her extreme feelings and emotions. From the very beginning of this Greek tragedy the theme of the position of women is thrown at the reader through Antigone, throwing a wrench in gender roles, hierarchy, and disturbs the fundamental rules of her culture. Antigone is also heroic and sacrifices her life which traits wrap her up with sympathy and make her stand out. Sophocles had a reason that he presented her as a victim, however; he wanted the reader to appreciate her more than the other characters from the very opening of the play, putting
In the play Antigone, Sophocles writing can be very controversial. He explains different perspectives of justice through the fates of the characters in the play. Creon and Antigone both would claim to have the law and Gods on their sides. They bring acceptable evidence for their reasoning to be true for their thought of the right way to carry out justice. Creon is certain that his ability to be king will justify leaving Polynices unburied. On the other hand Antigone sees justice as the ability to bury her brother. Conflict explodes with their inability to compromise over what is the definition of justice. Justice has a different role to play in any individual’s life because gender differs from man to women and society sometimes looks down upon women. Justice should be served and women should have the same divine rights that men do.
The concept of pride and arrogance resides in the Agamemnon and the Antigone is a form a violence: violence to the character who owned pride, Agamemnon and Clytemnestra, Creon and Antigone, and violence to one’s children. At a glimpse of “while I tread his splendors dye red in the sea” (Agamemnon, 943), Agamemnon brought curse on himself by gaining what he did not deserve: tapestries, which is the honor only gods deserve. Defy over gods also brought reasons for Clytemnestra’s murder later in the scene. Yet later in the scene where Clytemnestra questioned by the Chorus, Clytemnestra irritated the Chorus by defying the law: “Here is Agamemnon, my husband made a corpse by this right hand – a masterpiece of Justice”
In order for a play to be considered a tragedy it must achieve the purgation of fear and pity. In the play “Antigone”, Sophocles does a great job of bringing out these two emotions in a reader. At the beginning of the play there is a conversation between Antigone and her sister Ismene. During the conversation the reader learns the two girls lost their father in battle and both of their brothers at the hands of one another. Then the reader learns that one of the brothers, Polynices, has been left out to die without a proper burial. At this time the reader begins to feel pity for the two sisters. They have lost their father and their two brothers all at the same time.
The Tragic Hero in Sophocles' Antigone In various literary works, the conflict between the antagonist and protagonist holds great significance towards the literary works' main idea. In Sophocles' Greek tragedy, Antigone, both roles greatly impact the base, moral, idea, and conflict of the play. It is crucial to place a consideration of the time this Greek play was written because of the style of the context. During this period of time called the golden age, the style of writing for great playwrights such as Sophocles was of or related to tragedy. In every tragedy, a tragic hero is found.
In Antigone by Sophocles translated by Robert Fagels demonstrates the distinction between the knowledge of what is just and what is unjust. Two characters following different view points formed conflict, not only with each other, but conflict within themselves. Creon the King of Thebes’s understanding of justice is his interest of the state. He believes the rules are made to follow and when you do not abide by them, there are consequences that you will have no choice but to face. On page 68 lines 234-235 Creon stated “ But whoever proves his loyalty to the state, I’ll prize that man in death as well as life”. Meaning that whoever buries Polyneices the traitor of the state will be sentenced to death, seemingly that the person is not worth living. His laws are based on rationality, due to the fact that his laws are set for securing the community, which he is doing for the “living”. Furthermore Creon defends his understanding of Justice by using Zeus as