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Significance of symbolism in literature
Importance of Symbolism in literature
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Husband goes to work for long hours, leaves his wife at their new home alone, and this cycle occurs time and time again. While at this new home because she does not have a job the wife, in sad emotion, looks at all of the seasoned furniture that was a gift from her mother-in-law. In Sinclair Lewis’ Main Street excerpt, he uses the literary terms symbolism, imagery, and allusion to present his theme of husbands leaving their wife at home alone.
Symbolism is a distracter to the true meaning of something. For instance, “a window” may represent a melancholy feeling or it can also be a symbol of content with life. In Main Street, Lewis uses several symbols throughout the text to imitate the feeling of loneliness. Symbol’s he uses are “the office”, “the black walnut bed”, and “the window”. (Lines 7-53). “The office” in the context of the text means the want to escape. When Kennicott and his wife got home the first thing that was on his mind was getting back to work and if they were moving into a new house would not it be better for him to stay at home and unpack. That is why it makes sense that he wanted to escape but escaping from what I am not sure of. Maybe he is tired of being around his wife all the time or maybe their marriage is faltering and he has found someone else that is seeing. “The black
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For example, if someone said, “I do not like him” that would be an allusion because we do not know who “him” is and they are referring to a person the audience does not know. In Sinclair Lewis’ Main Street, he uses allusion such as places and people. The places he refers to are “St. Paul”, and “Seventh-Day Adventist Church”. The person he uses is “Good Lord”. From a Biblical perspective, we can tell that in his reference to the “Lord” he is referring to God. “St. Paul” is an allusion because it is a place the readers does not know about the same could be said about the “Seventh-Day Adventist
In the short story "Cornet at night" by Sinclair Ross, Tom goes to town and finds a cornet player named Phillip. Phillip is the man that Tom choose from the town to bring back to the farm to stook. In many ways, Phillip is the Jesus symbol in the story. Jesus is the religious symbol of Christianity and God appointed him to aid all the world's people. However, Jesus was banished and sentenced to death and ironically killed by the very people that he came here to save. In the same way so was Phillip.
When Mrs Hale and Mrs. Peters first walk into Minnie Wrights house, they see how lonely and unkept her house was. The men could not understand why a woman would keep her house in that condition, but the women determine how sad and depressed Mrs. Wright was. "'I might 'a' known she needed help! I tell you, it's queer, Mrs. Peters. We live close together, and we live far apart. We all go through the same things—it's all just a different kind of the same thing! If it weren't—why do you and I underst...
Under the orders of her husband, the narrator is moved to a house far from society in the country, where she is locked into an upstairs room. This environment serves not as an inspiration for mental health, but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper which is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
The house identifies the artist as the “stranger who returns to this place daily’’ (21). The house uses the same words like “desolate” (23) “ashamed” (24) and the phrase “Someone holding his breath underwater” (28) to describe the man. The house two is looking at all the flaws of the man. But since the house sees the same flaws in the man as the man does in the house, it shows that they are both reflections of each other and it is the artist who personifying the house to tell this story. Both the house and the artist are empty, awkward, and eerie.
Historically, women have been treated as second class citizens. The Napoleonic Code stated that women were controlled by their husbands and cannot freely do their own will without the authority of their husband. This paper shows how this is evident in the "Story of an Hour" by Kate Chopin and " A Rose for Emily" by William Faulkner. In both stories, the use of literary elements such as foreshadowing, symbolism, and significant meaning of the titles are essential in bringing the reader to an unexpected and ironic conclusion.
In the preface of The Great Divorce, Lewis writes, “This is a fantasy. It has of course… a moral. But the
I know that not everyone ever realizes this, but the moment when you realize how amazing it is to sit and read a book, to immerse yourself in a world other than your own, for the very first time is a truly magical moment. I remember when I was just starting kindergarten, and, having learned to read from my parents very early on, starting to read chapter books all by myself. While my brother and his friend were in the pool in the summer, I would take one of CS Lewis’s Chronicles of Narnia books from my brothers collection, which I remember as a vast, overwhelming utopia of books, but in reality was just a couple shelves with a few books in it, and sit and read. Did I understand Lewis’s deep Christian allegory and symbolism at the time? Of course not. But that didn’t keep me from loving a story about four children not much older than myself becoming kings and queens. I was a reader.
Bliss, Ann V. "Household Horror: Domestic Masculinity in Poe's 'The Black Cat.'." Explicator 67.2 (Winter 2009): 96-99. Rpt. in Short Story Criticism. Ed. Jelena O. Krstovic. Vol. 138. Detroit: Gale, 2010. Literature Resources from Gale. Web. 24 Feb. 2011
The domestic sphere was an area of great importance to literature of the 19th century—especially for women writers. As such, aspects of domesticity continued to appear throughout this period in a wide arrange of literature. In Ruth Hall, for instance, the mother struggles with her profession compromising her ability to maintain an atmosphere of domesticity. Similarly, Incidents in the Life of a Slave Girl covers a slave’s desire for a home and for safety, covering roughly the same sentiment from a wildly different perspective. While their circumstances are dissimilar, both Ruth from Ruth Hall and Linda from Incidents in the Life of a Slave Girl desire a return to the realms of domesticity that they left behind.
For centuries now, males have dominated society, their homes, and their wives. Always being recognized as the supreme head of the household, inevitably leaving females to be viewed as inferior and most times in a state of infantile dependency. The authors’ use this concept to their advantage in “The Yellow Wallpaper” and “Woman Hollering Creek” by illustrating a homogeneous view of male supremacy over their wives. In the Yellow Wallpaper, the woman is enforced to act in accordance with the demands her husband implements for her. John illustrates patriarchal authority over her by controlling her actions, treatment, and environment despite how she feels. When she communicates her desire to stay in another room with a better energy, she claims:
In “The Yellow Wall-paper by Charlotte Perkins Gilman, the unnamed female protagonist is going through a rough time in her life. (For now on, this paper will refer to this unnamed character as the “the narrator in ‘Wall-paper,’” short for “The Yellow Wall-paper. The narrator is confined to room to a room with strange wall-paper. This odd wall-paper seems to symbolize the complexity and confusion in her life. In “The Story of an Hour” by Kate Chopin, the protagonist, Mrs. Mallard must also deal with conflict as she must deal with the death of her spouse. At first there is grief, but then there is the recognition that she will be free. The institute of marriage ties the two heroines of these two short stories together. Like typical young women of the late 19th century, they were married, and during the course of their lives, they were expected to stay married. Unlike today where divorce is commonplace, marriage was a very holy bond and divorce was taboo. This tight bond of marriage caused tension in these two characters.
Immediately, the narrator stereotypes the couple by saying “they looked unmistakably married” (1). The couple symbolizes a relationship. Because marriage is the deepest human relationship, Brush chose a married couple to underscore her message and strengthen the story. The husband’s words weaken their relationship. When the man rejects his wife’s gift with “punishing…quick, curt, and unkind” (19) words, he is being selfish. Selfishness is a matter of taking, just as love is a matter of giving. He has taken her emotional energy, and she is left “crying quietly and heartbrokenly” (21). Using unkind words, the husband drains his wife of emotional strength and damages their relationship.
The home of someone has always been a huge impact in peoples' life's and specially in authors; in the book Home: American Writers Remember Rooms of Their Own, Sharon Sloan discusses how eighteen American writers evoke rooms from their past, bringing back their history and the ideals and realities of families, memories and the importance of a home. Making the readers realize how fundamental is to have family
Symbolism is a type of literary device authors use to add special effect and meaning to their stories. According to The American Heritage Dictionary, symbolism is “The practice of representing things by means of symbols or of attributing symbolic meanings or significance to objects, events, or relationships (“symbolism”).” Objects, people, actions, and words often are used to symbolize a deeper meaning throughout the text of a story. As one reads a story, they must realize that each sentence they are reading could have a double meaning; this means that further thought is often necessary, on the part of the reader, to better understand the whole effect the author was trying to portray. Tennessee Williams wrote The Glass Menagerie in a somewhat complex and confusing manor; if the reader does not read into the meaning of the symbols that are scattered throughout the text, the story is misunderstood.
Parks highlights this through his interpretation of marriage and relationships within “Bedtimes”. To conclude, Parks’ clever use of a range of specific literary styles help project to us the marriage of Thomas and Mary. With structure, we follow the long week through Monday to Friday in a diary styled cry for help, which builds tension yet ends anticlimactically as “yet another week has gone by”. Through metaphor, the idea of “the wall” helps create a subjective barrier for the characters that they at times choose to ignore. With use of simplistic language, Parks further presents the marriage as boring and tired, whilst adding to the fact that beneath the surface, the marriage is complicated. It is through these techniques that help us make meaning of the narrative and make us too wonder where it all went