Symbolism In Maya Angelou's Champions Of The World

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In “Champions of the World,” is the nineteenth chapter in I Know Why the Caged Bird sings, is written by Maya Angelou. In this chapter, she talks about a African American community in the late 1930s in Arkansas, that are gathered one night in a store to listen to a boxing match which consists of African American professional boxer Joe Louis and his opponent that night was Primo Carnera, a white boxer from Italy. This fight is more than a physical fight for the African community. Joe Louis is seen as a hero in the African community because he is the one that represents the African community; their fate depends on Joe Louis victory. There is segregation happening during this time and the Jim Crow laws which impacted this area. People were feeling …show more content…

For example, when Joe Louis won the boxing championship: “Champion of the world. A Black boy. Some Black mother’s son. He was the strongest man in the world” (107). Angelou uses logos in this quote to show the audience that Louis is a champion boxer and that he is a hero to the African society. The society is delighted to hear that Louis is declared champion. Also, segregation is seen as a symbol in this chapter. For example, when Angelou talks about slavery before the fight: “This might be the end of the world. If Joe lost we were back in slavery and beyond help” (106). This quote is also conveying logos because Louis is the person who represent the African American community and if her were to lose, its as if they lost everything and would go back as being slaves. This gives the audience facts about that society back in the late …show more content…

For example, when a person in the store talked using their type of language: “‘I ain’t worried ‘bout this fight. Joe’s gonna whip that cracker like it’s open season. He gone whip him till that white boy calls him Momma’” (105). This shows the reader how the society felt when the fight was taking place and the type of language the African AMericans used during their daily lives. Also, there is an appeal to ethos when Maya talks about God: “True that we were stupid and ugly and lazy and dirty and, unlucky and worst of all, that God Himself hated us and ordained us to be hewers of wood and drawers of water, forever and ever, world without end” (106). This shows credibility because this is how Maya Angelou felt as an African American. The style of diction that Maya Angelou conveys is to portray the way that African American people communicate threw one another and so the reader can have the sense of how the society was in the late

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