Sydney Carton Juxtaposition

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Both authors present suffering as an inevitable, inherent part of life but one that can be transcended to achieve enlightenment as represented through the common motifs of darkness and light.
Written in the prime of the Gothic literary era, A Tale of Two Cities capitalises on the traditional association of the light with goodness and the dark with evil as a dramatic technique for foreshadowing and enhancing tension. Sydney Carton is introduced as a character of dubious morality and can therefore act as an extended metaphor for the warring lightness and darkness in both the characters and the wider plot of the novel. Carton is first seen independently as “he resorted to his pint of wine for consolation… and fell asleep on his arms, with...a …show more content…

Like the candle he is first associated with, Sydney is “kindled…into fire—a fire, however…quickening nothing, lighting nothing”. Whilst the motif of darkness remains as he “lights nothing”, an irrevocable change has occurred as the light now comes from inside Sydney rather than his surrounding as he becomes the personification of a “fire”. The oxymoron composed of the juxtaposition between being a “fire” and “lighting nothing” creates a dramatic irony as Sydney fails to see his developing usefulness that will ultimately bring salvation to the novel. The use of “fire”, an elemental, irrepressible force, able to gift life or death and cast light or shadow on an object is a common motif in Gothic and Romantic literature for uncontrollable emotion. Dickens will inverse this stereotype, signifying a distinct withdrawal from the typical Romantic hero often canonised in French Revolution literature, as Sydney will consciously sacrifice his emotions to become the redeeming character of the novel whilst still embodying a fire as he brings light to France, even if it reduces him to ashes and darkness

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