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The development of silent film
The development of silent film
The development of silent film
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“There once was a time in this business when I had the eyes of the whole world! But that wasn't good enough for them, oh no! They had to have the ears of the whole world too. So they opened their big mouths and out came talk. Talk! TALK!” (Sunset Boulevard). The film Sunset Boulevard directed by Billy Wilder focuses on a struggling screen writer who is hired to rewrite a silent film star’s script leading to a dysfunctional and fatal relationship. Sunset Boulevard is heavily influenced by the history of cinema starting from the 1930s to 1950 when the film was released. Sunset Boulevard was released in 1950; five years after WWII. Five years after WWII, the cold war began as well as McCarthyism. Joseph R. McCarthy was a senator for Wisconsin …show more content…
Sound was first introduced into film by the film The Jazz Singer (1927). The transition for silent films to talkies was an experimental period in film history considering that, “[m]ost of the early talkies were successful at the box-office, but many of them were of poor quality - dialogue-dominated play adaptations, with stilted acting (from inexperienced performers) and an unmoving camera or microphone” (Kirk). When film was transitioning into sound a lot of silent film aspects disappeared. Many of the early talkies lacked in visuals because most of the filmmakers' attention was on sound. Another aspect of silent film making that was lost were the stars. Some stars transitioned into talkies; while others did not transition. The character Norma Desmond in Sunset Boulevard reflects the struggle many of the silent film actors and actresses faced because of talkies. There are many reasons as to why some silent film actors didn’t transition into talkies. Some reasons actors did not transition include: audiences did not like actor’s voices, actors did not like making talkies, and some actors could not speak english. In Sunset Boulevard, there are many silent film stars who did not transfer into talkies such as, Buster Keaton and Gloria Swanson. Sunset Boulevard has had a huge impact on other filmmakers. Many filmmakers still use many of the quotes from Sunset Boulevard today. Sunset Boulevard is a film that represents one of the biggest milestones in film history, silence to sound. Sunset Boulevard also is a great example of the style; film
Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...
By adapting the standard Hollywood ‘road’ movie narrative (east to west), incorporating modern music as non-diegetic sound and utilizing shocking scenes – both socially and in terms of ignoring every written and unwritten filming law - Dennis Hopper’s Easy Rider stands as a testament to the changes going on in the US during the late 1960s and creates a certain distance to the previous way of seeing America.
From the silent era, I chose the movie, The Great Train Robbery, which was directed by Edwin S. Porter. It is a great example of a film that introduced new camera techniques, composite editing, and on-location shooting. As for the sound era, the movie I chose is Á bout de soufflé, also titled Breathless, which was directed by Jean-Luc Godard and was known for its visual style using its jump cuts. It also was the earliest and most influential examples of French New Wave
...e visual examples, plus the situation and Norma’s now completely insane attitude, show very well that Sunset Boulevard is, in fact, a Film Noir.
Voytilla, Stuart. Myth and the Movies: Discovering the Myth Structure of 50 Unforgettable Films. Ventura Boulevard: Michael Wiese Productions, 1999.
Relying on the conventions of the silent film era, The Philadelphia Story uses “the expository intertitles to convey crucial information” relevant to the...
The noir style is showcased in Sunset Boulevard with its use of visually dark and uncomfortable settings and camera work, as well as its use of the traditional film noir characters. In addition, the overall tone and themes expressed in it tightly correspond to what many film noirs addressed. What made this film unique was its harsh criticism of the film industry itself, which some of Wilder’s peers saw as biting the hand that fed him. There is frequent commentary on the superficial state of Hollywood and its indifference to suffering, which is still a topic avoided by many in the film business today. However, Sunset Blvd. set a precedent for future film noirs, and is an inspiration for those who do not quite believe what they are being shown by Hollywood.
Sunset Boulevard (Wilder 1950) explores the intermingling of public and private realms, puncturing the illusion of the former and unveiling the grim and often disturbing reality of the latter. By delving into the personal delusions of its characters and showing the devastation caused by disrupting those fantasies, the film provides not only a commentary on the industry of which it is a product but also a shared anxiety about the corrupting influence of external perception. Narrated by a dead man, centering on a recluse tortured by her own former stardom, and concerning a once-promising director who refuses to believe his greatest star could ever be forgotten, the work dissects a multitude of illusory folds to reveal an ultimately undesirable truth. Its fundamental conflict lies in the compartmentalization that allows the downtrodden to hope and carry on. Sunset Boulevard carefully considers the intricate honeycombs of dishonesty and deception that constitute a human life, then dissolves the barriers and watches the emotions, lies, and self-contradictions slurry together and react in often volatile and destructive ways.
Sunset Boulevard directed by Billy Wilder in 1950 is based on how Norma Desmond, a huge Hollywood star, deals with her fall from fame. The film explores the fantasy world in which Norma is living in and the complex relationship between her and small time writer Joe Gillis, which leads to his death. Sunset Boulevard is seen as lifting the ‘face’ of the Hollywood Studio System to reveal the truth behind the organisation. During the time the film was released in the 1950s and 60s, audiences started to see the demise of Hollywood as cinema going began to decline and the fierce competition of television almost proved too much for the well established system. Throughout this essay I will discuss how Sunset Boulevard represents the Hollywood Studio System, as well as exploring post war literature giving reasons as to why the system began to crumble.
In this essay the following will be discussed; the change from the age of classical Hollywood film making to the new Hollywood era, the influence of European film making in American films from Martin Scorsese and how the film Taxi Driver shows the innovative and fresh techniques of this ‘New Hollywood Cinema’.
During the mid and late 1970’s, the mood of American films shifted sharply. People needed to get away from such negative memories as the Vietnam War, long gas lines, the resignation of President Nixon, and ...
The film, Fruitvale Station, is based upon a true story of a young, unarmed African American male, Oscar, who was shot by a Caucasian BART police officer. The film displays the final twenty-fours of Oscar Grant’s lives going through his struggles, triumphs, and eager search to change his life around. There will be an analysis of the sociological aspects displayed throughout the movie that show racism, prejudice, and discrimination.
In recent times, such stereotyped categorizations of films are becoming inapplicable. ‘Blockbusters’ with celebrity-studded casts may have plots in which characters explore the depths of the human psyche, or avant-garde film techniques. Titles like ‘American Beauty’ (1999), ‘Fight Club’ (1999) and ‘Kill Bill 2’ (2004) come readily into mind. Hollywood perhaps could be gradually losing its stigma as a money-hungry machine churning out predictable, unintelligent flicks for mass consumption. While whether this image of Hollywood is justified remains open to debate, earlier films in the 60’s and 70’s like ‘Bonnie and Clyde’ (1967) and ‘Taxi Driver’ (1976) already revealed signs of depth and avant-garde film techniques. These films were successful as not only did they appeal to the mass audience, but they managed to communicate alternate messages to select groups who understood subtleties within them.
Hollywood is an interesting entity, it provides the world with entertainment that is exciting, emotional, unique and so much more. At the same time, however, it’s hard not to see Hollywood as a money grubbing industry, full of sleazy deals, awful movies and it has even produced films completely diluted of originality. One style of filmmaking that often gets this label of unoriginality is remakes, which “While genre films, cycles, and sequels… have found their legitimate place in film theory and criticism, the same cannot be said for the remake, which at least since the fifties, has been treated as a less than respectable Hollywood commercial practice.”
Roger Ebert describes the city, Los Angeles, in the film as, "The skies are always dark with airborne filth in this Los Angeles of the future. It usually rains. The infrastructure looks a lot like now, except older and more crowded." He believes the film has "one of the most extraordinary worlds ever created..." and gives it the honor of joining his greatest movies collection.