Summary: The Heart Is Not A Metaphor By Robert Gober

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Crocell Dong Research paper English 101 A-27 Ariel Goldberg Twisted Crib, Twisted Childhood -Robert Gober The Crib 1986 In Robert Gober’s exhibition “The Heart Is Not a Metaphor” at MoMA, his works are full of the childhood experiences. A piece such as "happy family" this old road of old topic and the content of his own expressive suppression. Standing in front of Gober’s twisted-crib sculptures, I ask myself: What is my regret? Do I have any memories that haunt me at night? Fuzzy I saw the ceiling, my mother’s face and the edge of crib. I think most people have those images in their dreams too. In the exhibition hall, every crib is simple; white, and abnormal in someway. The cribs have the same basic form, but the most impressive one is 45 degree incline to the other side called the “Crib 1986.” This unusual shape certainly gave me a depressing feeling. The crib always relates with a newborn baby, everything should be pure, clean and warm. But this one, I’m pretty sure that no one will sleep well in that alien crib. So, I couldn’t help considering that what kind of childhood does Gober has …show more content…

Girls need to remember to keep their clothes clean, they are easily frightened. Boys, on the other hand, are rough, tough, and mischievous. They are proud of themselves, take risks (sometimes against their will), want to be grown up(Schor 170). The difference between girls and boys are so obvious that could not be questioned. A boy show behaviour and interests more characteristic of girls will be called sissy freak by others childrens.From theoretical gender perspectives, gender is not just the difference in biologicalsex, but also a function of social expectations and culture interpretation. But why should we think it is so? And who made this

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