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The yellow wallpaper and postpartum depression
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Analysis the yellow wallpaper
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Looking Deep into the Feminist Activist In the short story, “The Yellow Wallpaper”, Charlotte brings up the fact that her husband is a doctor and he says that she has nervous depression and that she needs to be on rest cure. During her rest cure she isn’t allowed to write or have any interaction with her child or anyone else. Charlotte ends up writing in secrecy to make sure her husband and sister-in-law won’t find out she’s avoiding her treatment. In the article by Robin Miskolcze, he writes that her family encourages her to see a doctor because her depression was taking control. Dr. Mitchell insists that she be put on bed rest where she isn’t allowed to read or feed herself and must spend time away from others. A month later she is allowed
Misogynistic Confinement Yellow Wallpaper depicts the nervous breakdown of a young woman and is an example as well as a protest of the patriarchal gender based treatments of mental illness women of the nineteenth century were subjected to. The narrator begins the story by recounting how she speculates there may be something wrong with the mansion they will be living in for three months. According to her, the price of rent was way too cheap and she even goes on to describe it as “queer”. However, she is quickly laughed at and dismissed by her husband, who as she puts it “is practical in the extreme.” As the story continues, the reader learns that the narrator is thought to be sick by her husband John, yet she is not as convinced as him.
While on vacation for the summer, the narrator of "The Yellow Wallpaper" is, at the most, depressed at the beginning of their visit to a colonial mansion. Her husband John, however, thinks there is nothing wrong with her except temporary nervous depression (pg 391) and has her confined to a bedroom upstairs. I believe John loves her very much and is trying to help her get well, but he won’t believe there is an illness unless he can read about it or see something physical with his own eyes. "He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures." (pg 391) During the time of this writing it was the norm that men dominated women. Women were to be seen but not heard. They were not to argue with men, so she was forced to do as he said. Her husband has forbidden her to "work" until she is well again. (pg 392) She is held prisoner in her bedroom and has nothing to do to keep her mind active except stare at the wallpaper, although she did sneak in writing in her journal when possible.
The Scarlet Letter can easily be seen as an early feminist piece of work. Nathaniel Hawthorne created a story that exemplifies Hester as a strong female character living with her choices, whether they were good or bad, and also as the protagonist. He also presents the daughter of Hester, Pearl, as an intelligent female, especially for her age. He goes on to prove man as imperfect through both the characters of Dimmesdale and of Chillingworth. With the situation that all the characters face, Hawthorne establishes the female as the triumphant one, accomplishing something that, during Nathaniel Hawthorne’s time, authors did not attempt.
The setting of Charlotte Perkins Gilman’s story “The Yellow Wallpaper” is crucial to the reader’s understanding of the narrator 's experiences. Even though the narrator is aware of some illness affecting her, she instinctively insists is caused from lack of artistic expression, but other outstanding factors are portrayed through Gilman’s writing which contribute to the psychosis of our narrator. To consider these aspects Susan , author of “The Feminist Criticism, ‘The Yellow Wallpaper,’ and the Politics of Color in America,” criticizes the degree where Gilman’s story transforms contemporary feminism and social practices.
Charlotte Perkins Gilman, the author of the short story The Yellow Wall-Paper, wrote a story with a focus on mental illness; while doing so she began a feminist revolution in the late 19th century. The narrator, Jane, is attempting to break free from society’s patriarchal ideals and begins to carve a path for women of the future. While the narrator of the story may not have fully escaped, her efforts mark an act of martyrdom for women’s rights and freedom during this era.
She valued self-expression in which inspired her story, The Yellow Wallpaper, it is said to be a “…painful episode in Gilman’s own life,” (Spark Notes). It is important to take into account the background of the author. Gilman, was once a married woman with a newborn child. Gilman suffered from “…severe and continuous nervous breakdowns tending to melancholia—and beyond,” (258). In her, Why I Wrote “The Yellow Wallpaper”, Gilman, goes into depth about her experience with the rest cure invented by, Weir Mitchell. Gilman claims she, “…went home and obeyed [the treatment] for some three months, and [she] came so near the border line of utter mental ruin…” (258). With this being said Gilman, writes her short story to aid women in similar situations and even to prevent women from falling into the same demise. Our main character, Jane moves into an ancestral hall for the summer under the care of her physician who is also her husband. Jane is diagnosed with “…temporary nervous depression [and] a slight hysterical tendency…” (Gilman 648) although she realizes there is more to her illness than temporary nervous, her husband time after time ignores her wishes claiming to know best for her. Throughout the story despite her husband’s orders for limited mental activity, Jane writes in a journal and keeps written accounts of her time in the
In Charlotte Bronte’s’, The Yellow Wallpaper the narrator is healthy until her husband, John moves her into a new house where she is confined and is in solitude. The Yellow Wallpaper makes Charlotte Bronte go mad, mentally and physically. Charlotte’s husband, John believes since she is sickly he should confine her in an attic with a cure called The Rest Cure which means the patient can not do anything but sit around their room all day. I chose this story because of the intense amount of detail in the room as well as with Bronte’s rapidly changing personality.
In 1892, the “rest cure” was a common practice to treat women with a nervous illness (Stiles). By diagnosing his wife with a nervous depression, the physician-husband would most likely believed that bed rest was the only reasonable treatment. However, as the story progresses we see the narrator plunge deeper into madness and she becomes ever more obsessed with the yellow wallpaper.
Throughout time and literature, the male supremacy and oppression of women have been the topic of many literary debates and creative writings. Feminist theorists are and have always been on a perpetual literary high; women writers such as Sandra Gilbert and Susan Gubar in 1979 and Charlotte Perkins Gilman in 1892 wrote about the oppression of women and the liberation that they were adamant about receiving. This spark for freedom in a patriarchal society drove Charlotte Perkins Gilman to write her infamous short story “The Yellow Wall-Paper.” In writing this story, Gilman depicts an oppressed woman taken from society and condemned to an oppressive treatment that paralyses her as a human; the distributer of this treatment is the capitalist patriarchy.
Jane in Charlotte Perkins Gilman’s “The Yellow Wallpaper” was “touched” as some say long before she was prescribed, and administered the “rest cure” by her husband for her then unknown ailment now called postpartum depression. The boredom and isolation of this cure only allowed her mind to venture farther down a dark and winding corridor of insanity.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
After one failed marriage with a child, Charlotte did not believe that there was much left for her. Charlotte took her emotions and construed them into a positive thing, her writing. Just like the woman in the story, “The Yellow Wall-paper”, Charlotte was sick. The doctors prescribed the “rest cure” for Charlotte. This prescription meant that she had to stay in bed for weeks on end, and had to limit her intellectual activities (Gilman 831). Charlotte was also instructed to live as much of a domestic life as she could. The doctors and her husband wanted her to stay home to cook, clean, and tend to their child. Staying in your own house, in your own bed for that long of a time would drive any person the slightest bit of crazy. During this time is when Charlotte Perkins Gilman wrote, “The Yellow Wall-paper”.
The Movement for Women's Rights Inside "The Yellow Wallpaper" by Charlotte Perkins Gilman. Women have been mistreated, enchained and dominated by men for most of the human history. Until the second half of the twentieth century, there was great inequality between the social and economic conditions of men and women (Pearson Education). The battle for women's emancipation, however, had started in 1848 by the first women's rights convention, which was led by some remarkable and brave women (Pearson Education).
Over the years, the roles of women have drastically changed. They have been trapped, dominated, and enslaved by their marriage. Women have slowly evolved into individuals that have rights and can stand on their own. They myth that women are only meant to be housewives has been changed. However, this change did not happen overnight, it took years to happen. The patriarchal society ruled in every household in earlier times and I believe had a major effect on the wives of the families. “The Story of an Hour”, “The Yellow Wallpaper”, and Trifles all show how women felt obligated to stay with their husbands despite the fact they were unhappy with them
Feminist and socialist issues are imperative for progressive thinking and actions in today’s society. These issues were particularly new and diverse within the 19th and 20th century, when men were more in control of woman and women were required to fulfill specific roles. Most notably, writer, Charlotte Perkins Gilman became very active on these issues personally and incorporated them in her stories. One story in particular is The Yellow Wallpaper, where she brilliantly associates real life depictions alongside fiction to illustrate a misguided, repressed woman who has been overpowered physically and emotionally most notably with her medical diagnosis of the “rest cure” conferred by her husband.