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How does family affect your identity essay
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Never Marry a Mexican is a short story by Sandra Cisneros. The story is about a girl named a girl named Clemencia who runs by the words of her mother, her mother always told her “never marry a mexican”. Clemencia never wants to get married anymore, “marriage had failed [her]”, instead Clemencia likes her men “borrowed” now. But the question is: is it really because she has everlasting feeling of lust or does she want to seek revenge?
Her mother was a Mexican born in the United States, and her dad was from Mexico City, a true Mexican as they say. Her parents were from different cultures, her mom used newspaper as a placemat, whereas her dad was used to eating in silverware. Her mom had married young and never had adjusted into her dad’s lifestyle. Her mom when her dad was sick was having an affair with a white man, I think this was a point in Clemencia 's life where she really starting losing faith in her dreams of marriage, her mother had shattered her dreams, Clemencia “believed too
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When Drew rejects Clemencia, she moves on to his son, controlling and sleeping with him, staying in power. I think by controlling her son, she wants to show Drew that she controls him. Drew was the only thing that she wanted, in fact she wanted to be with him but he said he wouldn’t leave his wife. One thing to note is that she sleeps with those, whose affair when comes out in the open could hurt someone and those that are Mexican, she doesn’t consider them to be “potential lovers”. Drew’s affair would hurt his wife, and Drew’s son’s affair would hurt Drew. Clemencia becomes like “La Malinche” who is always “guilty of betray” (Wyatt). She may not be directly betraying anyone but she is the reason for the betrayal. She wants others to feel what she felt when her mother betrayed her for someone from a different
In the essay of Mr.Gary Soto, we learn about his experiences about falling in love with someone of a different race. Ever since he was young, he would be lectured that marrying a Mexican women would be the best option for his life. Gary’s grandmother would always proclaim: “... the virtues of marrying a Mexican girl: first, she could cook,second, she acted like a woman, not a man, in her husband’s home” (pp.219). Being conditioned into the notion that all Mexican woman have been trained to be proper women, Mr. Soto set out on finding his brown eyed girl; however, what love had quite a different plan. This paper will cover three different themes Gary’s essay: The tone, the mindset of the character’s mindsets, and the overall message of the
A History of Marriage by Stephanie Coontz speaks of the recent idealization of marriage based solely on love. Coontz doesn’t defame love, but touches on the many profound aspects that have created and bonded marriages through time. While love is still a large aspect Coontz wants us to see that a marriage needs more solid and less fickle aspects than just love.
The author of Mexican Lives, Judith Adler Hellman, grapples with the United States’ economic relationship with their neighbors to the south, Mexico. It also considers, through many interviews, the affairs of one nation. It is a work held to high esteem by many critics, who view this work as an essential part in truly understanding and capturing Mexico’s history. In Mexican Lives, Hellman presents us with a cast from all walks of life. This enables a reader to get more than one perspective, which tends to be bias. It also gives a more inclusive view of the nation of Mexico as a whole. Dealing with rebel activity, free trade, assassinations and their transition into the modern age, it justly captures a Mexico in its true light.
“We all use stereotypes all the time, without knowing it. We have met the enemy of equality, and the enemy is us,” quoted by Annie Murphy Paul, a journalist. Human beings typically have varied mindsets as they grow up with different cultural values as well as social environment. Author Gary Soto’s “Like Mexican” compares his Mexican life with his wife’s Japanese background, while author Deborah Tannen’s “Gender in the Classroom” contrasts the “gender-related styles” of male and female students. From the two perspectives Soto’s and Tannen’s experiences’ give a universal, stereotypical point how different gender tendencies, conversational styles, and cultural background can result in a miscommunication of one’s behavior.
At the beginning of the story, the protagonist, Cleofilas, had an illusion that all romances are like the ones she has seen on television. However, she soon realizes that her relationship with Juan Pedro was nothing like what she had dreamed it would be. Cisneros wants to emphasize the idea that when men bring home the primary source of income in the family, they feel they have power over their wives. Cisneros uses Juan Pedro in the story to portray this idea. For instance, Cleofilas often tells herself that if she had any brains in her, she would realize that Juan Pedro wakes up before the rooster to earn his living to pay for the food in her belly and a roof over her head (Cisneros, 1991, p.249). Cisneros wants to make a point that when men feel that they have power over their wives, women begin to feel a sense of low self-worth.
Cleofilas grew up in a male dominant household of six brother and father, and without a mother, she no woman figure to guide her, give advice on life, or how to love a man. Cleofilas turned to telenovelas for a woman’s guidance on love and appearance, and she began to imagine her ideal life through the television series. Once Cleofilas was married she moved away into a home with her husband, were she pictured everything to be like the couples on the telenovelas, but she soon starts to realize life isn 't exactly like how they view it in the telenovelas. In the story Sandra make the statement ‘From what see can tell, from the times during her first year when still a newlywed she is invited and accompanies her husband, sits mute besides their conversations, waits and sips a beer until it grows warm, twists a paper napkin into a knot, then another into a fan, one into a rose, nods her head, smiles, yawns, politely grins, laughs at the appropriate moments, leans against her husband’s sleeve, tugs at his elbow, and finally becomes good at predicting where the talk will lead, from this Cleofilas
They face many issues such as economic instability, depression, loneliness, fear of being alone and feeling betrayed. Children feel depressed in cases like this because even at a young age they know that things are not okay. They also suffer from fear and being betrayed, they suffer fear because they 're scared of what is going to happen to their family since they 're so used to having their family together. Many times children who face this situations feel like they’ve been betrayed because they don’t know why their mother or father have gone away and not came back. The psychologist mentions that it’s very normal for children to feel this way and conduct a different behaviour than usual because just like everyone else they don’t seem to understand
Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth chapter, namely the domestic abuse scene, functions as a pivotal point in the Mother Tongue as it helps her to define herself.
Intertwined in allusions to women of Mexican history and folklore, making it clear that women across the centuries have suffered the same alienation and victimization, Cisneros presents a woman who struggles to prevail over romantic notions of domestic bliss by leaving her husband. In the story Woman Hollering Creek, Sandra Cisneros discusses the issues of living life as a married woman through a character named Cleófilas; a character who is married to a man who abuses her physically and mentally. Cisneros reveals the way the culture puts a difference between a male and a female, men above women. In Woman Hollering Creek, we see a young Mexican woman, who suddenly moves across the border and gets married. The protagonist, Cleófilas’ character is based on a family of a six brothers and a dad and without a mom, and the story reveals around her inner feelings and secrets.
Cleofilas, must endure the hard labor of her husband’s temper and if she doesn’t take on both gender roles for example: housework, caring for her children, and the outside duties of the home, she suffers the consequences of her husband and the beatings. Juan Pedro, Cleofilas husband is just like society in this situation, he doesn’t think twice about laying a hand on his wife. Whereas, in Cleofilas situation, society doesn’t want to get involved and will place the incident “under the rug” they don’t want to be asked questions, by the husband or the
Ruben Martinez was fascinated with the tragedy of three brothers who were killed when the truck carrying them and 23 other undocumented migrants across the Mexico – United States border turned over in a high-speed chase with the U.S. Border Patrol. “Crossing Over: A Mexican Family on the Migrant Trail” is a story about crossing and life in the United States.
In an audio Interview, done by Don Swain, Cisneros explains how she got the title of the story." The Creek" she says "is a real place" she explains how she wanted the title to be in Spanish but she wasn't allowed to; the reason, she explained, was because she was a Mexican woman. "The creek called La Gretna is a reminiscent of popular folktale about La Lorona, a nameless tragic woman drowned herself and her children"(Mullen 1).Cisneros creates the character from a background which explains why she doesn't know what the reality of life is; she comes from a family of a six brothers and a dad and without a mom, a male dominated family. Jeff Thomas, from the article" What is Called Heaven" says: "The union of gender, and gender based ideologies, is essential to the strong, feminine characters of the later stories of Woman Hollering Creek."(l) What Thomas means is that Cisnores focuses more on gender problems, discriminations and the conflicts in this story rather than love story and the lifestyle. Although Cleofilas finds a way to learn her womanly attributes, through television series .she imagines her ideal life through television series which she watches religiously. Cisneros created a great example. In the third world countries, communication outside of a city or country is very hard, so Cisneros used the telenovelas as the only tool for Cleofilas to see how life can sometimes be. She doesn't know being beaten by her husband is not a normal thing. She is living in the suburbs with her husband with neighbors who in their own way, are trapped as well. Cisneros also shows how life can be for Cleofilas when a mom is not present to guide heir, again, Cleofilas's only guide are the television series.
Cisneros left home to became a writer. As Latina, we have a taboo that we do not left home except when we get married. Living home before getting married is something wrong in our culture. For her was too hard because she was the only girl in the family. She was the first one to do it in the family; that is why she says she broke the taboo. Her father didn’t want her to left the house, but she putted in her two feet and left. however, his father not even want her to became a writer. Finally, she went to a prestigious university; therefore because of this taboo we cannot complete our dreams, but she made it.
...es one forgot she existed.” The daughters she raises are “perfect… any man will be happy with them because they’ve been raised to suffer.” As for marriage, they must do as their family says, not out of love. This means they can’t pick anyone they want to marry, the family does. Most Latin American families want their lady to marry a wealthy man. They know that wealthy man is aggressive, so Angela or her sisters would be perfect since they are raised to deal with harsh situations. So when Angela Vicario is told by her parents that she must marry Bayardo San Román, a wealthy and somewhat mysterious stranger who knows from the instant he sees Angela, that she is the woman he must have. She has no choice but to consent, particularly since her family is of modest means.
In the Book women are looked upon as objects by men whether they are boyfriends, friends fathers or husbands. The girls in the novel grow up with the mentality that looks and appearance are the most important things to a woman. Cisneros also shows how Latino women are expected to be loyal to their husbands, and that a husband should have complete control of the relationship. Yet on the other hand, Cisneros describes the character Esperanza as being different. Even though she is born and raised in the same culture as the women around her, she is not happy with it, and knows that someday she will break free from its ties, because she is mentally strong and has a talent for telling stories. She comes back through her stories by showing the women that they can be independent and live their own lives. In a way this is Cinceros' way of coming back and giving back to the women in her community.