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The role of women in media
The role of women in media
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Strategic Use of Dialogue in Euripides' Medea
Euripides employs the technique of dialogue between two solo actors on stage throughout Medea to dramatize the core values underlying these conversations. In particular, through the conversations that Medea holds with three different males, she shows herself to be a person of great intellect. Females were rarely valued for their intelligence because the Athenians had a "complacent pride in the superiority of the Greek masculinity" (page 641 ). Men and women were considered to have very different roles in society with men being the far superior species. Thus, Euripides uses Medea's [Note the specific claim/thesis conversations with Kreon, Aigeus, and Jason to showcase her intelligence and overcome that ends intro (underlined) the common misconceptions held by the Greeks concerning male superiority.
The dialogue between Medea and Kreon (In 269-353), the King of Corinth, marks the first time that Medea interacts alone onstage with a male figure. In her monologue just previous to this conversation, Medea laments the plight of woman for the lack of control they have over their lives. Now Medea is face to face with Kreon, and the words that Kreon speaks to Medea further increase her dilemma. Kreon tells Medea that she along with her children has been banished from Corinth and must leave immediately.
Medea's first response to Kreon reflects her inner turmoil. She is "utterly lost" and she has no close family or friends upon whom she can rely. However, Medea quickly chooses : .not to wallow in self-pity. Instead, she boldly asks Kreon what grounds he has to banish her. From this moment, Medea is careful to assess the reasons for which Kreon is fearful of her pres...
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...s for revenge. Similar to the conversation Medea had with Kreon, she takes on the role of a weak woman, but then uses this appearance to manipulate the sympathies of Jason. Euripides shows that when women are not treated as equals or held with esteem, they have the ability to manipulate the men who hold them in this debased position.
Through the use of dialogue between solo actors on stage, Euripides heightens the
drama for the audience, then persuades the audience to view men and women equally. In fact, he forces the audience to this view by placing Medea alone on stage with these men. [Note how conclusion does . Throughout the play, the audience sees Medea standing side by side with Kreon, Aigeus, more than summarize the essay and Jason. This is a visual picture that defies the Greek stereotype, and exemplifies the equality between men and women.
Shirley Barlow centralizes her article, Stereotype and Reversal in Euripedes’ Medea, on the idea that Medea goes back and forth between the normal social stereotypes of a Greek man and woman. Medea holds very heroic qualities, qualities of which are supposed to belong to a man. Barlow makes a point in the article that even though Medea is exposed to the same environment and circumstances, the way in which she thinks and carries out action is completely different than that of a normal Greek woman. While trying to convince the reader of Medea’s unusual heroic characteristics, Barlow points out that she Medea also holds the feelings of a mother who has love for her children. Barlow
The story of Othello begins in Venice when Roderigo and Iago having a discussion. Before the discussion with Iago, Roderigo finds that Desdemona has already been married off, to a Othello, a moor, none the less. Iago is enraged by this news, he decides that he now has more than one reason to hate Othello. Othello has not only taken the woman that Iago so desperately longs for, but he had just recently surpassed him over for the position of lieutenant for Michael Cassio, who is not as experienced as Iago. Iago and Roderigo go to the house of Brabantio, the father of Desdemona, to tell him that his dearly beloved daughter has been kidnapped and has married a moor. They tell him to go and check on his daughter to see if she is in the house, when Brabantio goes to check his daughter's room he indeed realizes that she is missing and he quickly sends out some of his officers to find Othello. These events show that Iago will take any chance that he can to take a stab at Othello, no matter what the risks may be, if the king...
For as long as humans have roamed the Earth, misogyny has been an everyday part of life. Some countries have handled it better than others, but misogyny faces every community. In Euripides tragedy Medea, the main character Medea struggles with the misogynistic views constantly facing the society in which she resides. Euripides uses Medea to convey misogyny.
One can hardly deny that in Euripides’ plays women are often portrayed as weak, uncertain, and torn between what they must do and what they can bring themselves to do. Other women appear to be the root of grave evils, or simply perpetrators of heinous crimes. In a day when analysis of characters and plot had yet to be invented, it is easy to see why he might have been thought to be very much against women. However, when looking back with current understanding of what Euripides was doing at the time, armed with knowledge of plot devices and Socratic philosophy, this argument simply does not hold up. In fact, a very strong argument can be made to the opposite, that Euripides was in fact very much in support of women’s rights, and thought they were treated unfairly.
According to the National Center on Elder Abuse, more than half a million cases of elder abuse are reported yearly. They estimate that only 1 in 14 cases of elder abuse reaches the authorities and for every 1 case of elder abuse reported, about 5 remain unknown. It is also noted that white female elders are abused at a higher rate than males and that the ...
Euripedes tugs and pulls at our emotions from every angle throughout The Medea. He compels us to feel sympathy for the characters abused by Medea, yet still feel sympathy for Medea as well. These conflicting feelings build a sense of confusion and anxiety about the unfolding plot. In the beginning, the Nurse reveals the recent background events that have caused Medea so much torment: "She herself helped Jason in every way" (13) and now he "has taken a royal wife to his bed" (18). Right away we are angry with Jason for breaking his wedding vows, and we are building up sympathy for Medea as the Nurse describes her acts of suffering. When we first see Medea, she speaks passionately to the women of Corinth and convinces them to side with her. She evokes their sympathy by drawing further attention to her suffering and speaking in terms that bring them all to common ground. Aegeus becomes Medea’s first victim when he, unknowingly, provides the final building block in her plan for revenge against Jason. We sympathize for Aegeus in his ignorance. Medea now has confidence in her plan, so she reveals it to the women of Corinth. She is going to send her children to Jason’s bride with a poisoned dress that will make her die in agony. We are still compelled to sympathize with Medea at this point because she has justified her reasons for seeking revenge. However, the princess is oblivious to Medea’s plot; she will accept the gift for its beauty then meet an unexpected, agonized death. The image of pain and agony elicits our sympathy as well. Medea presents her most perverse speech when she explains how she will kill her own children then flee Corinth. Alone, these acts provoke pure disgust, but Euripides has developed Medea’s character as a coercive force; we still sympathize with her for her plight, yet we also hate her for her decisions. The women of Corinth try to persuade her away from this morbid choice, but their arguments are ineffective. Euripides employs stichomythia in the exchange between the women and Medea to show Medea breaking down boundaries between self and other, which prevent sympathy (811-819). Euripedes focuses on suffering, ignorance, and rhetoric to leave us torn in our sympathy for every character.
Aristotle, a philosopher, scientist, spiritualist and passionate critic of the arts, spent many years studying human nature and its relevance to the stage. His rules of tragedy in fact made a deep imprint on the writing of tragic works, while he influenced the structure of theatre, with his analysis of human nature. Euripides 'Medea', a Greek tragedy written with partial adherence to the Aristotelian rules, explores the continuation of the ancient Greek tales surrounding the mythology of Medea, Princess of Colchis, and granddaughter of Helios, the sun god, with heartlessness to rival the infamous Circe. While the structure of this play undoubtedly perpetuates many of the Aristotelian rules, there are some dramatic structures which challenge its standing with relevance to Aristotle's guidelines, and the judgment of Medea as a dramatic success within the tragic genre.
In Greek society, the role of women was considered to be insignificant compared to the Greek men. The women had very few rights, no room to voice personal opinions, and a very bleak future with few options for a better life. According to Moses Hades, professor of Greek studies, women in ancient Greek plays are known to be the main characters and take the role of the villain, victim, or the heroine. In Euripides’ play Medea, Medea, the main character, plays all these roles. She represents the heroine by helping her husband secure the Golden Fleece prior to their marriage, and then portrays the victim by being betrayed by her husband, and finally the villain by murdering her loved ones. Therefore, Euripides follows the standard format for a Greek tragedy.
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
The National Research Council reports abuse as: an intentional action of any physical act that cause pain or injury, inflicting emotional distress/psychological harm, sexual harassment, financial exploitation and neglect (Bonnie & Wallace, 2003, pg.35). As elders are aging, they become more vulnerable to mistreatment due to arise health condition, such as cognitive impairment and physical decline. Due to the lack of data collecting agency and the absence of National US report, it is a continuum debate over the accuracy and statistics of elder abuse incidents. National Academy of science reported that only 1 out of 14 abuse cases are classified for a further investigation and only 1 out 24 cases gets reported. According to the “Census Bureau”, as of 2010 people 65 year ˃ has ↑ to a 13%...
Medea’s illegitimate marriage and the betrayal of Jason drive Medea to extreme revenge. Medea chooses to act with her immortal self and commit inhumane acts of murder rather than rationalize the outcomes of her actions. Medea see’s this option as her only resort as she has been banished and has nowhere to go, “stripped of her place”. To create sympathy for Medea, Euripides plays down Medea’s supernatural powers until the end of the play. Throughout the play Medea represents all characteristics found in individual women put together, including; love, passion, betrayal and revenge. Medea’s portrayal of human flaws creates empathetic emotions from the audience. The audience commiserates with Medea’s human flaws as they recognize them in themselves. Medea plays the major role in this play as she demonstrates many behavioral and psychological patterns unlike any of the other Greek women in the play; this draws the audience’s attention to Medea for sympathy and respect.
This mutual suffering between Medea and the Chorus raises issues such as the treatment of women at the time when this play was written. When Medea married Jason, she married herself to him for life. She was expected to be totally obedient and to accept whatever her husband willed. For her to look upon another man other than her husband would have been totally unacceptable. Whereas Jason marries another woman while he...
... takes matters into her own hands and doesn’t wait for a man to handle things for her. Also, her internal conflict that is visible throughout the entire play signify that she actually thinks for herself, and is strong enough to need to make serious decisions on her own, regardless of her gender. All of this goes back on the traditional Greek society, and helps make Medea into a play that is ahead of its time. With Euripides challenging the notion of misogyny, he creates Medea to show how powerful and dangerous a woman can be in a story, even though it was never heard of in the modern eras.
Medea is a tragedy of a woman who feels that her husband has betrayed her with another woman and the jealousy that consumes her. She is the protagonist who arouses sympathy and admiration because of how her desperate situation is. I thought I was going to feel sorry for Medea, but that quickly changed as soon as I saw her true colors. I understand that her emotions were all over the place. First, she was angry, then cold and conniving. The lower she sinks the more terrible revenge she wants to reap on Jason.
Medea was a very diverse character who possesses several characteristics which were unlike the average woman during her time. As a result of these characteristics she was treated differently by members of the society. Media was a different woman for several reasons; she possessed super natural powers , she was manipulative, vindictive, and she was driven by revenge. The life that Medea lived and the situations she encountered, (one could say) were partly responsible for these characteristics and her actions.