Stoppards presentation of Thomasina in Arcadia
Tom Stoppard uses Thomasina as his main character in the play. Her story is being told from the past and the whole plot of the play is leading up to her death. The play shows the journey of Thomasina growing up, to the eve of her seventeenth birthday where she would became a woman and have been married off to someone that her mother thought was worthy. Stoppard uses the present scenes well to introduce additional information that Hannah, Valentine and Bernard have found out about Thomasina’s life which has not yet happened in story in the past. The way that Stoppard links the formula that Thomansina was studying was very effective as it showed the true difference between the past and the present. As Valentine comments to Hannah “it’s Thomasina’s, I just pushed her equations through the computer a few million times further than she managed to do with her pencil”.
Thomasina’s relationship with Septimus is a major part of the play as this is the most interesting and intriguing relationship of the play. Septimus is the only man who Thomasina has had a real relationship with in her childhood and that is because he is her tutor and they spend many hours together. Thomasina did not have a close relationship with her absentee father or her brother who is away at boarding school for most of the year. Thomasina really respects Septimus due to his intelligence and fellow love of science, a love that they both share. She also is attracted to him as he is a bit of a charmer as he had an affair with a married woman, a Mrs Chater who is a guest in Thomasina’s home. This was seen as a scandal in those days. Thomasina also wants him to teach her about love. He had already explained to her the m...
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... in fashionable things such as waltzes which are a sign of maturity and that she is growing into a woman.
Stoppard keeps us in suspense throughout the play as he describes all the events leading up to Thomasina’s death and even though we know what is going to happen he links her death with the main issues of the modern day scenes which are all about Bernard and Hannah trying to solve their own particular theories. Hannah’s wants to identify Thomasina’s hermit, who tried to solve Thomasina’s equations and Bernard’s quest is to find evidence to prove that Lord Byron did in fact kill Ezra Chater in a duel. Neither Hannah nor Bernard realise Thomasina’s importance even though it is her drawings and writings that solve both their theories. Stoppard lets the audience know by showing the events that led up to her death. Thomasina is the key to the whole play.
... to those viewing the performance. The audience must focus their attention of the happenings and the words being portrayed on stage or screen or they will easily miss the double meaning Stoppard intended in each scene of the play. The human motivation is inseparably connected with the theme of life and death that runs through the play, for it is as the two are about to die that they observe that maybe they could have made a different decision, one that would let them remain alive and free they only missed their opportunity to make that choice. Stoppard wanted his play to express more meaning and different messages to his audience but he desired for them to search the play and pay close attention to the different meanings present so they could gain the most possible from the play and those who did not understand would walk away not understanding how much they missed.
In the first part of the play Egeus has asked the Duke of Athens, Theseus, to rule in favor of his parental rights to have his daughter Hermia marry the suitor he has chosen, Demetrius, or for her to be punished. Lysander, who is desperately in love with Hermia, pleads with Egeus and Theseus for the maiden’s hand, but Theseus’, who obviously believes that women do not have a choice in the matter of their own marriage, sides with Egeus, and tells Hermia she must either consent to marrying Demetrius, be killed, or enter a nunnery. In order to escape from the tragic dilemma facing Hermia, Lysander devises a plan for him and his love to meet the next evening and run-off to Lysander’s aunt’s home and be wed, and Hermia agrees to the plan. It is at this point in the story that the plot becomes intriguing, as the reader becomes somewhat emotionally “attached’’ to the young lovers and sympathetic of their plight. However, when the couple enters the forest, en route to Lysander’s aunt’s, it is other mischievous characters that take the story into a whole new realm of humorous entertainment...
Every time the family comes to a confrontation someone retreats to the past and reflects on life as it was back then, not dealing with life as it is for them today. Tom, assuming the macho role of the man of the house, babies and shelters Laura from the outside world. His mother reminds him that he is to feel a responsibility for his sister. He carries this burden throughout the play. His mother knows if it were not for his sisters needs he would have been long gone. Laura must pickup on some of this, she is so sensitive she must sense Toms feeling of being trapped. Tom dreams of going away to learn of the world, Laura is aware of this and she is frightened of what may become of them if he were to leave.
As in the case of Demetrius, infatuation causes Helena to be selfish, thinking only of her own relationship betterment with Demetrius, thus Helena betrays Hermia and Lysander?s secret in the hopes that Demetrius will be grateful to her and that she could meet him. Helena, too, is infatuated with Demetrius, who ?dotes, devoutly dotes, dotes in idolatry? on Demetrius. The repetition of the word ?dotes? emphasizes on the extent of Helena?s besotted state. Helena fails to consider Hermia and Lysander?s feelings and the consequences of her actions, only contemplating on how to have Demetrius? ?sight thither and back again?.
The pointedness of the play is created through a distinct plot path. The observer is lead through the story, seeing first how greatly Amanda Wingfield influences her children. Secondly, the play-goer notes how Tom Wingfield desperately struggles and writhes emotionally in his role of provider- he wants more than just to be at home, taking care of his all-too-reminiscent mother and emotionally stunted sister. Tom wants to get out from under his mother’s wing; his distinct ambitions prevent him from being comfortable with his station in life. Lastly, Laura struggles inside herself; doing battle against her shyness, Laura begins to unfurl a bit with Jim, but collapses once again after Jim announces his engagement and leaves her, again. Each character struggles and thrashes against their places in life, but none of them achieve true freedom. This plot attests to the fact that true change and freedom can only come through the saving power of God Almighty and Jesus Christ, and by letting go of the past.
The main character in the play is Titus Andronicus while the antagonists are Tamora, Aaron and Saturninus. Titus is a roman hero because he has aided in defeating the Goths. On the other hand, he has lost his own sons through conflicts. In the play, he has a strong urge of revenge. Saturninus, late emperor of Rome’s son, does not obey the authority. Bassiunus is Lavinnia’s lover. Tamora is the Goth’s queen with a strong urge to revenge because her son, Alarbus, was executed. Aaron is a moor who has been given evil personification. Marcus, Titus’s brother, always defends the rights of the people. Titus’s sons include: Lucius, Quintus, Martius and Murtius. Publius is Marcus Andronicus son. Sons of Tamora are Alarbus, Larbus, Demetrious and Chiron. Lavinnia is a vey innocent girl who suffers from unpleasant offenses.
Stoppard was a long established playwright by this time; hence classical references will be more understood and even expected in a play about a classicist. With its star writer and subject matter, the audience of the play is therefore going to be made up of a number of certain types, from scholars, poets, and members of society that frequently use the theatres. However, Stoppard does take time to eloquently explain certain principles and scholarly cruxes to a layman audience. The fact that he is a popular playwright would have also attracted the audience to attend the play. To open this play to an audience that is more interested in the writer than the subject, as well as non-classicists, Stoppard uses characters of Houseman’s life to be ignorant to the audience, so they can ask questions for them; such as, in Jacksons dual role as Loved One of Houseman and mouthpiece of the audience.
Because of the life that Christine leads, the role of mother and daughter are switched and Rayona often finds herself watching out for her mom. When Ray comes home from school, she would often learn that her mother had gone out to party. Times like this meant that Rayona had to care for herself. It is not uncommon for one to stay out late; but when it is the parent who is doing so, one must question the responsibility of the person. When Christine leaves the hospital, Rayona shows up and helps prevent a potential disaster. She realizes what her mother plans to do, and that her mom will not crash the car with her on board. While Christine is not very reliable, she has no wish to hurt Rayona either; Ray's prediction was correct. As a child, Rayona must fulfill more obligations than a normal teen. Over the time that leads to her abandonment, Rayona begins to feel displaced from her mother. Christine's increasing self concern causes Rayona to feel her mom is ignoring her, when that is not true at all.
These pages begin with the mortal illness of Octavian’s twenty-nine year old mother, Cassiopeia, from smallpox. Octavian (age 16), is with her until the so-called scientists (or self-styled philosophers), of the Novanglian College of Lucidity chase him away to undertake “cures” that are extremely painful and make the illness much worse. She dies and an autopsy is begun. At this point Octavian forces his way into the room. He fights with one of those men cutting his mother’s body until he understands this is a fight he cannot win. At this point Octavian realizes his “nothingness” and leaves the room. He now knows he is a helpless slave. He feels his helpless condition is worse than death. That night he runs away from his owners.
When Zora Hurston wrote this novel, she wanted to explain how a young women search for her own identity. This young woman would go through three relationships that took her to the end of the journey of a secure sense of independence. She wanted to find her own voice while in a relationship, but she also witnessed hate, pain, and love through the journey. When Logan Killicks came she witnessed the hate because he never connected physically or emotionally to her. Jody Starks, to what she assumed, as the ticket to freedom. What she did not know was the relationship came with control and pain. When she finally meets Tea Cake she was in love, but had to choose life over love in the end.
To conclude, the author portrays Blanche’s deteriorating mental state throughout the play and by the end it has disappeared, she is in such a mental state that doctors take her away. Even at this stage she is still completely un-aware of her surroundings and the state she is in herself.
The play is about a young woman, Catherine who had been taking care of her father during his last years of life. Anne Heche plays Catherine. Prior to this play, I have never seen Anne Heche in any acting performance. I have to say she did an outstanding job in her portrayal of Catherine. She did a fantastic job of immediately drawing you into Catherine’s world. She aptly portrays the characteristics of a girl who never got a chance to grow up and the slight madness of the genius she inherited from her father. One can easily feel sad for her because after all she gave up all her dreams to take care of her ailing father. Anne Heche plays Catherine so well that it easy for you to fall in love with Catherine and desire only good things for her.
To begin with, this play is filled with comedy but also conflicts between characters. Helena is the kind of woman who has no self-esteem. This is because she does everything to be loved back by a man that doesn’t love her and that is Demetrius. Helena represents a character of a woman that is desperate of having love. In other words, Helena is different from Hermia because she’s an insecure woman full of jealousy. Helena tries to do everything to get Lysander away from her old best friend Hermia. She thinks that love can be found by letting the one you love do anything to you. Consequently, Hermia believes that lo...
The play, because of the absurdities contained in it, provide for the comic element and the protagonists engage in senseless pursuits without giving any rational thought to why they have been assigned to the task or what may be the outcome. To these absurd games, where they pose questions and provide answers to it themselves, sometimes as more questions, Stoppard brings a sense of inevitable. This inevitable is the death for which the men are destined.
All and all, any relationship you get into can greatly affect your life. No matter if it is with a person or an activity. Lucrezia is a very caring wife, who sometimes gets frustrated by her husband’s mental illness. Septimus is a veteran who is facing many of his problems. He is very dependent on Lucrezia and the reader can understand how he dominates her. On the other hand, Clarissa is seen as a hard worker to many of her friends and family, which is very accurate. However, Clarissa is dominated by her husband, because she us unsure if she made the right choice, and by her party planning ability. These dominations focus on how these can affect your everyday life. Love and activities take part in a person’s everyday life. Lucrezia and Clarissa both care about what they do everyday, and that is know because they put up with the men and drama in their life.