Stifled Women in Yellow Wallpaper, Rappaccini's Daughter, and Beloved

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Stifled Women in The Yellow Wallpaper, Rappaccini's Daughter, and Beloved

A connection can be drawn among the stories listed above regarding women who live as prisoners. Beatrice, of Rappaccini's Daughter, is confined to a garden because of her father's love of science, and she becomes the pawn to several men's egos. The woman of The Yellow Wallpaper is trapped by her own family's idea of how she should conduct herself, because her mood and habit of writing are not "normal" to them. Sethe, of Beloved, carries the burden of her past and also the past of all slaves. She is unwelcome in her community and a prisoner in her own home, where she is forced to confront these memories of slavery. All three of these women are viewed by society as crazy, evil, or both. The "prisons" in which these women live are constructed by their family, their history, or even themselves.

Beatrice's prison is probably the most obvious. Her father caused her to be poisonous and dependant upon a poisonous flower. As a result, she was confined to the garden. There are other, less apparent entanglements which Beatrice encountered. To the outside world, she was often misunderstood. Giovanni, who was her only real link to the outside world, was constantly in a state of confusion regarding Beatrice. He knew not whether she is an angel or a demon. In the end, he was convinced that she was purely evil, and much to her dismay, he betrays her. Due to her father's abnormal use of her as an experiment, these misunderstandings by the outside world were inevitable for Beatrice. Luedtke states, "Is Beatrice poisonous, sexual, or demonic? Or pure, spiritual, and angelic. She is both. It is for Giovanni to solve the riddle."(177) However, Giovanni w...

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