Starry Night: Vincent Van Gogh

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Art is more than mere brushstrokes on a canvas or stone chiseled into a subject. The variety of colors, jagged shapes, and the time invested into every piece makes art a matter of expression. This freedom given since the beginning of sketches on cave walls, has built momentum for movements and exlemptoray artists around the globe for centuries. Not all have gone down in history for all to admire, except for Vincent Van Gogh whose fame began in the late 1800s. Born in a Dutch home in the Netherlands, Van Gogh showed no interest in the idea of becoming an artist, excelling in other subjects, like languages, while enrolled in two boarding schools. By 1869, he became an art dealer, ditching his studies for income in Paris. Consequently, Vincent …show more content…

The sky is aquamarine, the water is royal blue, the ground is mauve. The town is blue and purple. The gas is yellow and the reflections are russet gold descending down to green-bronze. On the aquamarine field of the sky the Great Bear is a sparkling green and pink, whose discreet paleness contrasts with the brutal gold of the gas. Two colourful figurines of lovers in the foreground,’” (Shabi). Starry Night Over the Rhone also showed depth and detail by the specific rugged brushstrokes, giving a texture to the lulling ocean and calm sky. The overall mood of the painting is contentness with a hint of love, portrayed by the “lovers,” on the oceanside. But, shortly after this period, Vincent Van Gogh was increasingly struggling with his emotional well-being, including a long battle with bipolar disorder and psychotic episodes. Luckily, a vast majority of Van Gogh’s paintings were completed before his own emotions and mental instability became too …show more content…

Toulouse-Lautrec’s painting La Goulue arriving at the Moulin Rouge shows aspects of that art movement, with the subject showing dark outlines to pronounce the features and shape of the woman. Also, the other people included in the portrait include a heavy outline of their bodies even though, the clothes they are depicted to be wearing are dark. This is the same as Starry Night Over the Rhone (accent markkkkk), the two lovers on the water’s edge have a dark black or brown outline allowing the features and shapes of each person to be seen easier as the main subject in the painting has a dark scheme. However, the brush strokes by each artists are different. Van Gogh’s short strokes gave the entire painting a texture, making the subject matter appear as if the river is moving. Toulouse-Lautrec’s did not use the same technique while painting, so he did not achieve the motion appearance but, he did create a texture to the clothing and gave depth to the woman in the middle and the woman on the far

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