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Donatello's Saint George Statue
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The person represented in the sculpture is Saint George, he is seen on a horse with a javelin and people in a tower looking from up above also a dragon can be seen at the bottom. For the Saint George sculpture it doesn’t say who made it on the guidebook. What I found through research I have concluded that the Saint George sculpture was made in the 15 century and I believe that the Saint George sculpture that I saw at the McNay is a copy of the famous architect Donatello sculpture of Saint George, Donatello Sculpture was made in 1410-1415. The Saint George sculpture at the McNay was founded to be in Germany. I would say that based on what I have gather from the time in the 15 century is where the Germans started to convert to Christianity but …show more content…
One of the shape that sticks out to me is Saint George head it is very circular in how it was created and so the shape you see is a circle. Another obvious thing that can be founded on the castle mostly you can see the rectangles on the building when you look at the windows and if you look closely at the horse you can see diamonds on the horse’s mantle. I would say that the sculpture is very light and that the sculpture is a source since it tell of a story through its actions. There is little color but most is dark color and there are the primary colors of red, orange and blue. Looking at the sculpture I can you tell you that the artist who made this was going for real texture when he created his piece. The sculpture space is of depth and perspective when you look at the sculpture the castle looks far away from where Saint George due to the fact that they placed the castle behind the horses tail which then they used the rocks to create the effect that the Saint George is further from the castle and is doing battle with the dragon. The sculpture has the effect of implied movement which means that from what I can see I can only assuming that in the sculpture I know he moving due to the fact that the artist put it clear when he made the sculpture in a moving way by having Saint George hold his lance sort of going down and the horse stepping on the rock as if he is moving to charge the dragon. From what I can tell the artist implied both unity and variety he uses unity through the rocks since they are very similar to each other to create the effect of unity and he uses variety with the horse and the castle and people they are all different but they bring the sculpture together. The
We find that, in conclusion, that these pieces are very similar in many ways. They are both originally created in the same style and time period. They are Hellenistic and dramatic, although in their own, individualistic way. Each sculpture was created in different mediums and have different stories. These are both very individualistic pieces of Greco/Roman sculpture that has influenced many artists throughout time and will
The Guanyin sculpture depicts a male, interpretable by his male chest, seating in a royal-ease pose. He has a crown, which has a person in the meditative position carved on it. That person could be Buddha. Underneath the crown, the hair looks as though it is nicely braided along the edges of the crown. The eyes are partially closed. There are two pieces of objects, perhaps used to depict jewelry, attached to
The Merode Altarpiece is a triptych painting that represents the Annunciation of the Virgin Mary. This work displays the main characteristics of the Northern Late Gothic period. There is so much detail in this work of art. Campin utilizes many symbols in this altarpiec. The setting of the painting is in a Flemish middle class house. The Annunciation theme is being depicted in the central panel. A scene of Saint Joseph at work as a carpenter occupies the right-hand panel. The portraits of the donors are depicted in the left hand panel. Campin failed to understand the scientific perspective. To illustrate, there is no focal point in the painting and the table looks tilted. Campin used no aerial perspective. To illustrate, the background is still very crisp when seen from a distance. The most important aspect of the painting is the symbolism. For example, the lilies represent Mary's purity, the candle represents the Holy Spirit, even the mouse traps represent trapping evil. Campin also made use of bright, rich colors. In the central panel, the drapery of the figures are filled with colors of red and white. Campin has also made a good use of illusion of the space by making the town seem to be far away by distance by making them appear blurry. Furthermore, Campin has created figures that are not in proper proportion. To illustrate, the figure’s head is small and the bodies are big and it seems that if they get will hit their head if they get up. They look very unrealistic. Although they are not in proportion, the figures seem to have very sharp edges. The figures also look very stiff and rigid. In Merode Altarpiece, the light is arbitrary and the figures do not cast any...
The artwork starts outside the barn. The left bottom of the painting holds a brown and white pig walking towards the barn in front of the resting dog lying just inside the barn’s open double doors. The pig’s ears are brown while its engorged nipples suggest it had piglets. As the pig strolls in front of the barn it encounters the remains of animal bones while patches of green grass and dirt highlight the way to the barn. On the opposite side of the pig, stands a reddish brown horse. The horse 's mane and tail are black. Its hind legs are white. The tip of the horse’s nose is white. The horse wears a saddle, bridle, halter, bit and reins. Its left hind leg rises as if ready to bolt. In the bottom right hand corner below the horse reads, “G.H. Durrie 1853.” While the area in front of the barn appears sparse, it is the barn and what occurs inside that is where the action
A sense of royal dignity, composure, and stability are created by the facial expression, the fixed pose, and the rectangular throne and high base from which the proportioned and frontal figure emerges. Cracks in the face, neck, and torso indicate ancient damage sustained by the sculpture.
What I see in this piece is peacefulness. Stokes of the paintbrush are perfect to make it look whole. With the sun shinning down making the colors pop out even more. The olive trees glowing in the suns light with the mountains behind it. It is a piece I could look at for a long time with out getting bored. The colors of the piece just make it look so complete. With the lines of the
When beginning my sketch, I took a moment to analyze the work of art and found that the statue illuminated a sense of serenity. Like most viewers my initial reaction was to explore the statue from head to toe as I sought out the different elements and principles of art. The statue was close to life-size and just about my height, so looking straightforward we were eye to eye. I noticed the softness gathered about the facial structure, but all the same time the depth and complexity that was engulfed around the muscularity of the body. The rigorous symmetry was accounte...
Many humans have been interested in different forms of art throughout all of history. Countless people have spent endless hours researching, studying, and learning about different pieces of art. Although each piece of art is unique to in own appearance, time, and meaning, many similarities can be found. Stonehenge and the Great Pyramid are two historical works of art that can be studied via comparison. Looking at the two pieces, many differences and similarities can be observed.
As I walked into the first gallery, I saw a wood sculpture that stood in the center of the room. This carving depicted “the crucified Christ, flanked by the Virgin Mary and St. John the Evangelist with Angels holding instruments of the Passion”. It was painted oak and very appealing to the eye. It stood approximately 15 feet in the air. The origin of this sculpture is unknown, but it was found in a Belgium church. This kind of sculpture usually stood at the entrance or at the center of the alter in the church facing the congregation. This image of the suffering Christ relates to the Christian ideas of suffering and Christ’s salvation of all mankind.
This piece is acrylic, oilstick, and spray paint on wood panel that is 186.1 centimeters in height and 125.1 centimeters in width. This piece features a human-like figure in the center that is mostly half red and half black. This figure has a gray head with one yellow eye and one light gray eye and above its head is a black halo. The background consists of patches of various colors such as light blue, black, dark red, light green, beige, turquoise, pink, and yellow. On the bottle left corner there is a figure drawn that looks like a fish and has a strip of mustard yellow painted through it. Also towards the bottom right of the artwork, there is some drawn on letters that almost look like words but are messily painted over with a desert sand color. This piece is my favorite because I find it aesthetically pleasing. There is a lot going on in this piece that makes looking at it genuinely interesting. The colors that Basquiat choses for the background go very well together and overall compliment the figure in the center. I like how incredibly expressive this piece is and it makes me want to buy a canvas and start painting that I desire. I also like how the human-like figure is drawn. One could see what looks like an outlined ribcage on the figure, which makes me believe that the head is actually a skull. Upon further research I learned that Basquiat was
Both pieces to me seem to represent godlike features. For example, in the palette the king is shown as larger than his enemies and in the stele the king is standing over the people and is much higher than them. As rulers, they are both depicted as strong and heroic and as humans, they are depicted as
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
There are several elements in this painting which may be difficult to interpret but may have meaning, such as; the headdress on the ground, the horse on the flag, the two men in different style and colored clothing, the smoke that appears much darker, and the two men pointing away from the scene, the wind direction being portrayed differently.
B. Shape – The most obvious shape is the round sun in the upper left of the painting. The bottom of the sun is going into the horizon to represent sunset. The house is represented by a triangle front on top of a cube to give the impression of depth. An oval shape represents the figure’s face.
This sculpture seems to epitomize the ideal male human form. All of the body parts seem perfectly proportioned and the muscles are beautifully defined as if the image were of an athlete. The image is youthful with a calm demeanor. The right missing forearm looks as if it used to be resting at his side, while the left elbow was probably at a 90 degree angle, with the hand holding something. The slight bend in the left leg gives the impression of movement, as if the image was frozen while walking. The counterpoised stance adds an air of nobility to the "man".