Evidence of Paulo Coelho’s Spirituality in The Alchemist
The Alchemist is a very unique novel written by Paulo Coelho, a rather unique person. Among other things, this singularity may be attributed to a distinctive spirituality, which is an important facet of The Alchemist and Coelho’s life. The aspects of spirituality in The Alchemist are important to analyze because they comprise a major factor of this worldwide best-selling novel. Moreover, some of the values contained in this work contradict with the values of Coelho’s Catholic faith. Coelho also expressed some rather controversial interpretations of his faith outside of The Alchemist.
The Alchemist has been translated into at least 67 languages, and it is a best-selling novel, with over
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Coelho was raised in a Catholic family as a child, he left the faith as a young adult, and he returned to Catholicism later in life (Frye). In spite of this, the spirituality of The Alchemist is very different from that of Catholicism. Coelho included elements of both Islam and Catholicism in the novel and combined those ideas with divination and alchemy. Throughout the narrative, Santiago seemed to accept and embrace each of these different ideas of spirituality. Despite each of these spiritual influences, Santiago seemed to learn more in the story from the Soul of the World and the Language of the World, which are spiritual ideas based in New Age philosophy (MacInnis). Additionally, Coelho expressed the idea that all things are connected and have divine power within them, and this is basically Pantheism (MacInnis). This idea played out on page 152 of The Alchemist, where Coelho said, “The boy reached through to the Soul of the World, and saw that it was a part of the Soul of God. And he saw that the Soul of God was his own soul” (Coelho, 152). However, Coelho seems to have made an exception on page 10 that contrasts this Pantheistic philosophy. On this page, Santiago mentioned that he “couldn’t have found God in the seminary” (Coelho, 10). Even though, of course, the seminary is a part of the world, and therefore should also have the Soul of the World within it, according to Coelho’s philosophy (MacInnis). …show more content…
And one could also appreciate Coelho as an author without taking his spiritual views into account. Yet, neglecting to take into consideration the spirituality of Coelho’s novel or his life does not allow one to see the whole picture. This picture truly reveals Coelho as a man of contradictions and someone who will twist words to support his own beliefs. So, it would be naïve to read and accept his works without warily 0contemplating their contents. As 1 Thessalonians 5:21 says, “Test everything. Hold onto the good.” Therefore, one must analyze the spiritual aspects of the book and its author, including any contradictions present. When taking these and all other aspects into account, one can get a wider scope of what Coelho really presented to readers. This will then allow one to make an educated judgement of the work and determine if one can glean any good from it or
In The Alchemist Paulo Coelho presents a character, Santiago, torn between following tradition and his Personal Legend. Santiago tries to live true to his Personal Legend, which is a path pursued by those who strive to fulfill their purpose in life. Yet throughout the novel tradition, a motif, presents itself as a roadblock holding Santiago back from reaching his dreams. Coelho juxtaposes tradition against Personal Legend to illustrate its purely individual nature and the necessity of the acceptance of change to reach one’s dreams and goals.
“Only time will tell”. This common phrase states that the truth and true essence of everything will be revealed as time endures. Written in 700 B.C.E, Homer’s nostalgic epic poem, The Odyssey, has inspired many writers to follow. Nearly 30 centuries later, this classic indirectly influenced Paulo Coelho's writing of The Alchemist. Despite the myriad differences on the surface, The Odyssey and The Alchemist have many connecting parallels. The protagonist in each of the examples of the hero’s journey learned countless lessons along the way that can be taught to everyone. The most prominent of which are the dangers of fear, the importance of perseverance, and the seriousness of pursuing what you love.
Palmas, at this time, took the task of retelling a traditional religious tale with his own twist, and that twist allowed him to entertain as well as criticize his own material. Criticizing religious folklore with methods of “costumbrismo” was vital in teaching his Latin American audience to be able to find the humor and irony in what they absorb through literature, and that is especially important with religious text. In a time when social and political reform went hand in hand with Latin American writing, Palmas did not just want to entertain with this humorous and enthralling piece, he wanted his audience to learn to be able to challenge religion in literature, and finally and most importantly, within the government in order to form a more liberal, secular
Paulo Coelho’s The Alchemist is a story about a young shepherd who goes on a journey to the Great pyramids in Egypt in search of treasure to fulfil his personal legend. The boy meets people along the way who either help or hinder his ability to achieve his dreams. Through the contrasting views of The Crystal Merchant and the Englishman Santiago learns that many people pursue their personal legends only in their minds and that they all influenced Santiago’s personal legend; as a result of the characters’ outlook on life, Coelho conveys that everyone pursues their dreams either in life, or in their imagination, or through books.
The Alchemist helped him discover how to recognize signs of danger in the natural world and become one with the Soul of the world. Santiago in the end learns to communicate with the forces of nature and the Hand That Wrote All, a force that seems to represent God. “The existence of this world is simply a guarantee that there exists a world that is perfect. God created that world so that, through its visible objects, men could understand his spiritual teachings and the marvels of his wisdom.” (Coelho 133) Coelho uses this ever-present force of God as a constant reminder of how the Soul of the world will work in the favor of those in pursuit of their personal
Family is one of the most important institutions in society. Family influences different aspects of a person’s life, such as their religion, values, morals and behavior. Unfortunately, problems may arise when an individual’s belief system or behavior does not coincide with that of family standards. Consequently, individuals may be forced to repress their emotions or avoid acting in ways that that are not acceptable to the family. In the novel The Rain God, written by Arturo Islas, we are presented with a story about a matriarchal family that deals with various conflicts. One major internal conflict is repression. Throughout the novel the characters act in strange ways and many of the family members have internal “monsters” that represent the past that they are repressing. In his article, “The Historical Imagination in Arturo Islas’s The Rain God and Migrant Souls”, Antonio C. Marquez’s implicitly asserts a true idea that The Rain God is a story about repression. Marquez’s idea can be supported from an analysis of secondary sources and a reading of the primary text.
Religion plays an integral role in The Chronicle of a Death Foretold by Gabriel Garcia. It is generally considered by most readers that the initial chapters don’t consist of the religious and spiritual makeup of the townspeople but in fact, religion is subliminally present even earlier, within the title of the novel itself. The word "Death" is integrally and inextricably linked with religious matter. After all, birth and the inevitably of death are the two most important and debatable points in religion.
There are many obstacles in everyday life, but none as detrimental to ones future as fear. Fear can cause people to not only avoid achieving their goals in life but it also forces them to think about it throughout every day. Paulo Coelho’s The Alchemist shows that those who wallow in fear will never achieve their personal legend, and those who conquer fear will achieve anything they strive for. Paulo Coelho’s The Alchemist is a commonly analyzed and criticized piece of literature. One of these articles is Rejendra Kumar Dash’s “Alchemy of the Soul: A Comparative Study of Hermann Hesse’s Siddhartha and Paulo Coelho’s The Alchemist”. Dash’s article is a literary criticism of the different parts of the character’s journey in The Alchemist. He talks about, in his article, how the theme in The Alchemist is found through analyzing the different parts of Santiago’s journey and what those parts mean. Another one of these articles is Lily Hasanah’s “Decision Making in Paulo Coelho’s The Alchemist”. Hasanah’s article is a literary criticism of the main character in The Alchemist, Santiago. She searches for the theme in The Alchemist through analyzing the decisions, and the outcomes of those decisions, made by Santiago. Paulo Coelho provides access to his theme, for the most part, though the actions and adventures of the main character, Santiago. Although this is the method of delivery he had in mind, Dash and Hasanah view the delivery of his theme differently.
The Alchemist conveyed the up-most truthful meaning of santiago’s personal legend by teaching him the soul of the earth. This stage helped santiago and the Alchemist are talking doing what your personal legend is and also doing exactly what your personal legend desires are when they speak in terms of listening to one’s heart. “Whenever your heart is, that is where you’ll find your treasure. Santiago takes initiative on his dreams and pursue them regardless of love affairs and the hurt that comes along with it. The stage encouraged and also motivated santiago to find his treasure and make a better life for fatima and
Curious, courageous, young, adventurous: these are all words to describe Santiago, the protagonist in the novel The Alchemist. In this novel, Paulo Coelho develops Santiago’s character as a young boy who goes on an adventure to find his life’s purpose. Through the hero’s journey, Paulo Coelho insists that both internal and external struggles often cannot stop people from achieving their goals, ultimately encouraging people to fulfill self discovery and understand who they truly are.
"If someone isn’t what others want them to be, the others become angry. Everyone seems to have a clear ideals of how other people should lead their lives, but none about their own.” That is one of many deep quotes that makes the reader truly think about life in The Alchemist, written by Paulo Coelho. The book is about a young boy named Santiago, who loves travel and adventure, but he does not have the money to do so. He was raised to be a priest, but decides that he would rather be a shepherd, so that he can travel. Santiago’s father gives him two spanish coins, and tells him that he will learn one day that no place is as beautiful as the one he lives in. It seems like Santiago’s father believes in him, but not the way Santiago wants him to.
The Theme of “The Alchemist,” by Paulo Coelho is, always follow your dreams and listen to your heart. At the start of the novel Santiago does not know what he should do when he is confronted by his dream. But by the end of the novel Santiago completely trusts his heart to guide him though life. Santiago’s story shows him learning and living out the theme of the novel.
In the second section of The Alchemist by Paulo Coelho, my favorite part was the fact that Santiago was realizing that he had the wrong dream in mind. This can be expressed through the quote, “ He had worked for an entire year to make a dream come true, and that dream, minute by minute, was becoming less important. Maybe that wasn’t really his dream.” Santiago got mixed up along the way and thought that he should be saving for more sheep, when he realized that what he really wanted was a trip to the pyramids. My least favorite part of this section was that the merchant had really little faith in Santiago's ideas to increase business. His religious beliefs get in the way and he keeps saying, “ Maktub” which means it is written. The merchant
The supernatural has long been a confounding and controversial topic. As a metaphysical science, and something that is nearly impossible to quantify, it has often been criticized for its prevalence in today’s rational society. Criticism and social commentary of the supernatural, particularly religion, has not been restricted to theologians and philosophers as it may have been in the past. The scope of the supernatural has expanded into the literary field as well, particularly within the Gothic motifs. Religion has long been a natural partner with the gothic due to their shared importance that they place upon the supernatural. The Gothic motif of literature has always been interested in the human psyche, and religion has untold effects on the psyche. Through the prism of The Virgin Suicides, it is possible to make a correlation between the daughters’ suicides and the prominence of Catholicism within the Lisbon
As the Portuguese poet, Fernando Pessoa, said on his book “The book of disquiet” “Literature is the most agreeable way of ignoring life.” (116), literature has a lot of purposes in our lives, but to escape from reality the most interesting and beautiful way to use it. From myths to novels, authors have delighted us with stories that transport us to a whole other reality and act as an “hallucinogen” for people like us, simple mortals.