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Auteur theory francois truufaut
Auteur theory francois truufaut
Auteur theory francois truufaut
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This week’s readings of the reviews of Spike Lee’s ‘Do the Right Thing’ and Marilyn Fabe’s “Political Cinema: Spike Lee’s ‘Do the Right Thing’, raised a number of questions regarding not only the moral issues the film addresses but also the intention of the artist. This dialectical opposition, which Pamela Reynolds suggests “challenges the audience to choose” (Reynolds, p.138) between the narrativized hostility shown between that of the hero and villain. More specifically Lee’s portrayal of violence vs passive opposition. This can be perceived through Lee’s technical employment of contradictory quotes from Martin Luther King, Jr and Malcom X at the conclusion of the film, which not only highlights this concern but also deluges further into themes of political opposition. Marylin Fabe discusses this where she states that Spike Lee’s film carries a “disturbing political message” (Fabe, p.191). Arguably, ‘Do the Right Thing’ acmes themes of racism (Black vs White); with underlining motifs of imperialism (colonisers’ vs colonised), psychoanalytic (power vs powerlessness) and even Marxist theory (ownership vs public space/consumption), with Clarence Page stating that Lee provides a “public service… (not trying) to provide all the answers, but raising the questions.” (Reid, P.144). In saying this we explore this concept of the role of the artist, with Georgopulos stating that the role of the artist is to create a consciousness within the audience by revealing a fraught set of truths about the human condition. Thusly, the reactions and responses to the films reveal Lee to be successful in conveying his intentions, which back in its zenith, explored this issue of racism in a way that had rarely been seen, and presented the ways in which t...
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...ormation of novel to film, sees Hitchcock’s responsibility as auteur. Suggesting Hitchcock as ‘creator’, attributes to Vertigo’s “perfection” (Wood, p.129) as Wood argues. Stylistic features known classically to Alfred Hitchcock movies is also what defines Hitchcock as a classic auteur, his style generates a cinematic effect which mixes effectively with his use of suspense. In returning to Cook’s discussion, she references Andrew Sarris, who argues that the “history of American cinema could be written in terms of its great directors,” (Cook, p. 411) showing the legitimacy of authorship in popular American cinema. Ultimately Cook goes on to address the changes in authorship from the 1950’s until today, featuring developments in authorship within Cinema. Overall, both Cook and Wood presented a balanced discussion on the legitimacy of Alfred Hitchcock’s auteur status.
Spike Lee was the director and producer of the 1989 movie “Do the right thing”. Do the right thing is a movie about a boy name Mookie (Spike Lee) that lives in a black and Puerto Rican neighborhood in Bedford-Stuyvesant, Brooklyn with his sister name Jade. He works at Sal’s Famous Pizzeria, which is owned by an Italian-American owner who has owned it for 25 years, name Salvatore “Sal” Frangione. Sal has two son, Pino and Vito, and his oldest son known as Pino is a racist and detests the place likes a sickness” and holds many racial scorn for all the blacks in that community. Do the right thing is an ordinary film that pro different cultural meaning behind it and deals with mostly with racism between Blacks and other groups;
In an attempt to enlighten audiences with a powerful message about the cancer that hate and violence can bring to a society; writer, director, Spike Lee brings Do the Right Thing to the screen. Fusing a powerful story with creative film making, Lee gives us an insider’s look at life on a blistering summer day in Brooklyn.
Do The Right Thing was Spike Lee’s first landmark film. Do The Right Thing is a movie that brings awareness to the racial tensions when people in a Brooklyn neighborhood of different racial and cultural backgrounds coexist, which ends in a tragedy. The film was a great success receiving many of awards and earned two Academy Award nominations for Best Original Screenplay and Best Supporti...
For my shot analysis I chose a shot from the Spike Lee Movie Do the Right Thing. This is the second shot following the climactic riot scene. It features Da’ Mayor and Mother Sister reacting to the hellacious events of the previous night. The block was just devastated by a melee that broke out because the police killed Radio Raheem after he and Sal got in an altercation that was triggered by the volume of Radio Raheem’s boom box. Though at a very superficial level the fight was about the loud stereo, the real significance of the fight had more to do with the culmination of anger and tension between the characters of the film caused by prejudice and ignorance. This paper will analyze this shot from a technical standpoint.
Racial tension and cultural barriers has been a constant within our county and the rest of the world for as long as time has been around. Being segregation, to racial riots and sometimes even worse events can occur which has been proven by history in the past. Director Spike Lee’s 1989 film “Do the Right Thing” is a movie set in New York City neighborhood that is filled with many different cultures and ethnic groups being an Italian pizza shop, an Asian general store, an African American housing and residents. Sociology places a main role within the film in which we see how every person goes about their day. Peace and conflict are at an ever increasing war with each other. Above this the film takes place on only one day which happens to be the hottest day of the summer. The observation that we the audience make out is the highest tension is between the Italians and the African Americans. Granted, there are some that get along but for the most part the conflict is there. Whereas the Asian family in the film is the side group in which they are not shown in many scenes throughout the film. Spike Lee does a phenomenal job in portraying the races the way he see it from his perspective. The neighborhood
The 1989 film Do the Right Thing explored the conflict of racial tension and unique camera elements. Directed and produced by Spike Lee, Do the Right Thing combined a series of low and high-angle shots while also incorporating close ups and slow motion. Through the use of panning, the audience was able to get a break from the action and reflect on the events of the film. Spike Lee’s collaboration of film components added humor and realistic emotions to the story. While the controversy of whether Mookie “did the right thing” will always be in favor of the viewer. Depending on how an audience member connects with the film will spark a variety of different emotions for that person. Do the Right Thing is a film that reflects both controversial ideals and unique film elements.
Clothing is an aspect of mise-en-scène in Do the Right Thing, (Spike Lee, 1989) that is sometimes overlooked by the average filmgoer, but each person’s clothing in the film is hand selected by Spike Lee, as most clothing decisions have a symbolic meaning. A Theater of Interruptions, by Sharon Willis, is a mise-en-scène analysis that makes articulate observations about the film as a whole and also mentions the significance of clothing throughout the film. This analysis goes into detail regarding symbols and slogans that are representative of the director’s ideals. Two articles of clothing that are worn by characters in the film are Clifton’s Larry Bird shirt and Mookie’s Jackie Robinson jersey. The athletes on the jerseys are metaphors for each of those characters’ situations in the film. Spike Lee’s Do the Right Thing, addresses societal racism through clothing, in the late 1980’s with a narrative that consists of racial tension on a blistering summer day.
Spike Lee is brand name when it comes to the film industry. When you try to ask any group of people their opinion about this man, you will probably receive numerous positive responses from the film community as well as the African American community. Do the Right Thing (Spike Lee, 1989) is a film that illustrates how racial conflict can become a reality while showing the repercussions that come with racial segregation. Spike Lee uses a number of tools to write and produce the film in order to ensure the message reaches his intended audience in the best way possible. The use of location, soundtrack, and dialogue is abundant in this film. Therefore, this film analysis paper is for Spike Lee’s Do the Right Thing (1989). It is a film in which racial segregation ignites riots in a neighborhood dominated by the black population. The heightened scene of this film analysis is where Spike Lee throws a trash can and it is from this that hell breaks loose and riots begin.
The Alfred Hitchcock film; Vertigo is a narrative film that is a perfect example of a Hollywood Classical Film. I will be examining the following characteristics of the film Vertigo: 1)individual characters who act as casual agents, the main characters in Vertigo, 2)desire to reach to goals, 3)conflicts, 4)appointments, 5)deadlines, 6)James Stewart’s focus shifts and 7)Kim Novak’s characters drives the action in the film. Most of the film is viewed in the 3rd person, except for the reaction shots (point of view shot) which are seen through the eyes of the main character.(1st person) The film has a strong closure and uses continuity editing(180 degree rule). The stylistic (technical) film form of Vertigo makes the film much more enjoyable. The stylistic film form includes camera movements, editing, sound, mise-en-scene and props.
Spike Lee is a filmmaker who has generated numerous controversial films that unapologetically bring delicate social issuest o the media forefront. He honestly portrays life's societal obstacles. He challenges the public to cogitate on the world's glitches and disunion. Spike Lee created a name for himself with films such as Do the Right Thing (1989) and Malcolm X (1992), and with documentaries such as 4 Little Girls (1997) and When the Levees Broke (2006). Lee’s goal was to portray African Americans in a more accurate light. Even today Lee still produces films that directly address modern society's most significant historical movements and episodes. His productions analyze themes of race and discrimination. His work can be analyzed in academic studies such as Philosophy, African Studies, and literary concepts. I am interested in Spike Lee because his craft and career choice is somewhat similar to my future career endeavors. He not only exalted his skills to produce films but he broke barriers of stereotypical Hollywood movies. His works address issues in society such as political, racial, and environmental influences on African American culture. Given that society has evolved into a technology dependent culture; using this talent to visibly shed light to these concerns is an ability I hope to obtain one day.
The first social issue portrayed through the film is racial inequality. The audience witnesses the inequality in the film when justice is not properly served to the police officer who executed Oscar Grant. As shown through the film, the ind...
Often racial injustice goes unnoticed. Television tries to influence the mind of their viewers that blacks and whites get along by putting them on the screen to act as if interracial relationships has been accepted or existent. “At the movies these days, questions about racial injustice have been amicably resolved (Harper,1995). Demott stresses that the entertainment industry put forth much effort to persuade their audience that African Americans and Caucasians are interacting and forming friendships with one another that is ideal enough for them to die for one another. In the text, Demott states “A moment later he charges the black with being a racist--with not liking whites as much as the white man likes blacks--and the two talk frankly about their racial prejudices. Near the end of the film, the men have grown so close that each volunteer to die for the other” (Harper,1995). Film after film exposes a deeper connection amongst different races. In the text, Demott states “Day after day the nation 's corporate ministries of culture churn out images of racial harmony” (Harper, 1995). Time and time again movies and television shows bring forth characters to prove to the world that racial injustice has passed on and justice is now received. Though on-screen moments are noticed by many people in the world it does not mean that a writer/ director has done their
When a director achieves great success, as Hitchcock did, he is able to follow a formula, much like a genre does, for future success. Further, a successful director is able to do a genre movie but place his own personal touch on it; in doing so, he ignores the formula that has thus far brought the genre so much success. Knighted as the “Master of Suspense,” Hitchcock was well known for his witty dialogue and genius plot twists. But Hitchcock’s true mastery came through in his ability to enshroud one story within another.
Think about your favorite movie. When watching that movie, was there anything about the style of the movie that makes it your favorite? Have you ever thought about why that movie is just so darn good? The answer is because of the the Auteur. An Auteur is the artists behind the movie. They have and individual style and control over all elements of production, which make their movies exclusively unique. If you could put a finger on who the director of a movie is without even seeing the whole film, then the person that made the movie is most likely an auteur director. They have a unique stamp on each of their movies. This essay will be covering Martin Scorsese, you will soon find out that he is one of the best auteur directors in the film industry. This paper will include, but is not limited to two of his movies, Good Fellas, and The Wolf of Wall Street. We will also cover the details on what makes Martin Scorsese's movies unique, such as the common themes, recurring motifs, and filming practices found in their work. Then on
Do the Right Thing is a dramatic comedic film that was directed by Spike Lee. The movie was released in 1989. Lee served in three capacities for the film: writer, director and producer of the movie, Ernest Dickenson was the cinematographer and Barry Alexander Brown was the film’s editor. For this film, Lee garnered together some notable actors and actresses, including Ruby Dee and Ossie Davis, Rosie Perez, Samuel L. Jackson, John Tuturro and Martin Lawrence. The setting of the movie is in Bedford-Stuyvesant; which is a neighborhood in Brooklyn, New York. This particular neighborhood is made up of several ethnic groups that include African Americas, Italians, Koreans, and Puerto Ricans. The movie takes place on a particularly hot day during the summer time. The extreme heat causes tensions between the different races in the neighborhood. In this paper, I will attempt to show how mise-en-scène, camera work, editing, and sound are used to convey “explicit” and “implicit” meaning in one scene in Do the Right Thing.