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The Shining is a 1980 horror film directed by Stanley Kubrick. The Shining starts with the Torrance family moving from their apartment in Boulder, Colorado, to the Overlook Hotel, located in the isolated Southern Rocky Mountains of Colorado. Jack Torrance, the father has accepted a position as the winter caretaker of the hotel in its off-season. His wife, Wendy Torrance and son, Danny Torrance move into the hotel with him. As the film unfolds the hotel becomes a place of tension and menace. It is revealed that Danny has supernatural psychic abilities and can see the ghosts of the hotel and so does Jack. Jack's sanity begins to deteriorate due to the influence of the supernatural forces that inhabit the hotel, thus placing his wife and son in …show more content…
69). The disintegration of the family has a tremendous impact on each individual as it pushes all members of the family to the brink. In the climax of each film, both George Lutz and Jack Torrance utilize axes to breakdown the bathroom doors in an attempt to get to their families. Both Kathy Lutz and Wendy Torrance, put the safety of their children before themselves in an attempt to defend themselves and deter the father from hurting the family. Kathy is successful whereas Wendy fails, and Danny must fend for himself. In each film we see the iconic scenes where in the Shining, blood gushes out of the elevator doors, in the Amityville horror, the walls and the stairs ooze with blood and George falls through the floor in a pool of blood. In the Amityville Horror, many scenes consist of people becoming sick, they are physically unable to walk, sweating and vomiting after being in the house. This sickness can be seen as a physical manifestation of the anxieties, and fear about change and the occupation of a new home and new opportunities and the desire to not ruin them. According to Barbara Creed, the horror film “abounds in images of abjection, foremost of which is the corpse, whole and mutilated, followed by an array of bodily wastes such as blood, vomit, saliva, sweat, tears and putrefying flesh” (p.10). …show more content…
In contrast, the Torrance’s fall victims to the hotel, Jack dies and only Wendy and Danny manage to escape. In the Amityville Horror, the family escapes due to their strong relationship within each other. In the Shining, the tumultuous relationship and dysfunctional family dynamics already existed before the move to the Overlook hotel. It was only at the hotel that these tensions between the family was worsened and thus, this unstable foundation gave way to the oppressive nature and force of the Overlook hotel. The ending of each film is dependent on the pre-existing relationship of the family before their move into the house or the hotel. The relationship between George and Kathy and the children in the Amityville horror start off amicably and relatively good. The relationship is only deteriorated by the time spent in the house. The stability and strong foundation of their relationship allow the survival of the family. In contrast, the Torrance’s are introduced as an unstable couple, with a miserable family life. The foundation of their family is unstable and tumultuous, abusive and violent. This is only exacerbated by their move into the Overlook hotel. Thus, the lack of a strong relationship and connection in the Torrance family only lead to its disintegration by the end of the
All stories have the same blueprint structure with the same type of ending whether it be good triumphs over evil, rags to riches, the voyage and the return, tragedy, or rebirth. The thing that sets these stories apart is the message they intend to in our minds. “ The power of a story to shift and show itself to anew is part of what attracts people to it, at different ages, in different moods, with different concerns” (Auxier 7). These messages are given by the characters in the story that all have their own reasoning but in the end have one meaning behind it. Some messages give specified personal messages rather than a broad stated such as the stories The Wizard of Oz and The Great Gatsby. Blinded by the ignorance of desires, the characters
I have an idea that The Haunting of Hill House is a novel about dark and haunted estate that is looking for living ghosts, women in particular, that are banished by society. The house is a symbol of patriarchal power. It can be noticed through the symbolic reading of the opening and closing paragraph of the novel: Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone (Jackson, 1- 182). Eleanor is socially unrecognized woman who would a perfect candidate
The Shining is a 1977 horror novel by Stephen King that is based on events at the Overlook Hotel where the Torrance family is snowed in for the winter which leads to some unfortunate events. Maus I: a Survivor’s Tale: My Father Bleeds History is a 1986 graphic novel by Art Spiegelman about the story of his father during the Holocaust. Both of these novels are good stories that are filled with episodes and events that are demonstrated differently. Although the plots of The Shining and Maus 1 bear some minor similarities, the difference between them are more clear, which includes whether the plot is linear and sequential, and the use of stream of consciousness, foreshadowing, and flashbacks. The novel Maus I is story within a story so it goes back and forth from the present and the past, which means the plot is not completely linear and sequential. In the other hand, the novel The Shining is more linear and sequential than Maus I. Both of the novels contains flashbacks and has foreshadowing but The Shining has more foreshadowing than Maus I but less flashbacks. The Shining clearly includes stream of consciousness while in Maus I it is not.
What is horror? Webster's Collegiate Dictionary gives the primary definition of horror as "a painful and intense fear, dread, or dismay." It stands to reason then that "horror fiction" is fiction that elicits those emotions in the reader. An example of a horror film is "The Shining", directed by Stanley Kubrick. Stanley Kubrick was a well-known director, producer, writer and cinematographer. His films comprised of unique, qualitative scenes that are still memorable but one iconic film in his collection of work is The Shining. Many would disagree and say that The Shining was not his best work and he could have done better yet, there are still those who would say otherwise. This film was not meant to be a “scary pop-up” terror film but instead, it turned into a spectacular psychological, horor film in which Kubrick deeply thought about each scene and every line.
The Shining is about a white middle class dysfunctional family that suffers from natural and supernatural stresses in an isolated Rocky mountain hotel. .The father, a former teacher turned writer, is portrayed as a habitual drinker, wife- and child-abuser, with a kind of evil streak The mother is shown as a battered woman. The film suggests that due to the abuse at the hands of his father and the passivity of his mother, the child of this family developed psychological problems. He had imaginary friends and began to see frightening images.
On a drive on Highway 50, through Nevada to see a real ghost town, Agnes finds a little girl named Rebecca who has been separated by her family who was looking Leister 's gold. The capper of the whole thing is that Agnes saw the whole thing in a dream, but she gets to the Goldberg Hotel and Saloon, she realizes the whole thing was real, especially the inside of her room. She soon finds out that the entire hotel is haunted by all kinds of spirits from past guests; which only serves to make Agnes 's vacation that much more interesting. She wants to find out what happened to the family. She knows with every fiber of her being that it was not just a dream, and that a little girl really did go missing in the night before Agnes showed up. Will they be able to find the missing kid or will a killer (called “The Cutter”) ruin their
Many people today have read Stephen King’s horror novel The Shining and enjoyed his use of literary devices, but what about the techniques that transferred into Stanley Kubrick’s film? First, The Shining is about an already dysfunctional family, that move into a hotel because the father, Jack Torrence, has gotten a job as the caretaker of the hotel. Before taking the job, Jack is informed that the previous caretaker got “cabin fever” and killed his entire family. His son, Danny Torrence, is psychic and telepathic and begins to see and be bothered by the spirits living in the hotel. These spirits eventually possess Jack and he too tries to kill his family, which also includes his wife, Wendy Torrence.
The Haunting of Hill House is a gothic horror novel written by Shirley Jackson. Supernatural occurrences take place within the house revolving around Eleanor. Eleanor is a thirty-two-year-old woman who never once has felt the sense of inclusion. Eleanor seems to never recall the feeling of delight in her adult years due to the fact that she was a caretaker for her now deceased Mother; who took away most of her freedom by being incredibly restrictive. Dr. Montague, a doctor that specializes in analysis of the supernatural rents Hill House, a supposedly haunted house. During the renting period, Dr. Montague begins an experiment inviting individuals who have had involvement in abnormal events
In Shirley Jackson's novel "The Haunting of Hill House", there are numerous traces of the representation of the uncanny which was suggested by Sigmund Freud. In the story, the Hill House itself is an uncanny figure to the central protagonist, Eleanor, as it features as her mother which has an ambivalent nature as the meaning of the German word of `uncanny' itself. Moreover, the house also acts as a mirror reflecting her own image so that she can see herself by looking at the house, thus the house is actually an allegory of Eleanor's psychological condition and she is literally consumed by it in the end as the boundary between her and the house collapses. Besides, another protagonist, Theodora, is a double of Eleanor as she figures her opposite side which is her denied self and self-destructiveness while she also expresses the repressed feelings of Eleanor. These examples match with the concept of the uncanny which stresses on the uncanny effect of the `Doubling' and `Infantile complexes' . (Alison 32)
A human blossoms to succeed in life, they blossom to come to one point where we may look upon life and remember all the times we owned, one blossoms to be someone, great, and one strives to accomplish this with their ability. In further Frankenstein want to succeed. To look upon one’s life without any regrets is a hard assignment to accomplish. The characters mentioned are all different but yet the same in purpose: trying to succeed. The main character of Frankenstein and Death of a Salesman seize similar qualities; wanting to succeed in life, have the same relationship with another key figure in the plot line, and possessing the qualities of a tragic hero.
This Hollywood classic starred Gloria Swanson as a washed up silent screen actress with a younger paramour played by William Holden. His character could be compared to that Of Barbara Stanwyck in Double indemnity because of the age difference between him and Gloria Swanson. The themes are easily showcased with the older person and younger paramour being dissatisfied with the relationship and finding some relief in the hope of a relationship with a person more their age. The winter, summer affairs in these two movies are handled differently, but each with death as the conclusion and the solution to very complicated relationships. What is also easily seen are the film noir lighting and scene structures, often smoky with just the two main characters in them. This adds to the dynamic of the relationships and the importance of them to the totality of the story. The staircase scene at the end is very dramatic with Gloria Swanson looking straight into the camera where her insanity is clearly evident. The others standing still in the scene adds to the sense that life has passed her by without her knowing but she still lives in a world that allows her to block out what has just happened with the murder of William Holden. The makeup and wardrobe suggests that she has prepared for her final shot, but she is actually pretty much disheveled in her appearance, again adding to the insanity. Hedda Nussbaum is doing the commentary of her descent down the stairs which is well done, making the definite connection of her descent from stardom to
In his classic horror film, The Shining, Stanley Kubrick utilizes many different elements of editing to create unique and terrifying scenes. Kubrick relies on editing to assist in the overall terrifying and horrifying feel created in the movie. Editing in the movie creates many different effects, but the most notable effects created add to the continuity of the film as well as the sense of fear and terror.
a dull grey colour as if it had lost the will to live and stopped
...ze and hotel were a maze for Jack, Wendy, and Danny. It will always be a wild journey in and out, and “The Shining” will always provide something new to mystify viewers. The movie will not quell the fears that Kubrick pulled out of the audience, but viewers are left to ponder and reflect on their meaning. And the Overlook Hotel is an embodiment of immortality and all the fears and unknowns associated with it.
A common complaint about many film critics is that they tend to fall over themselves in praising anything with subtitles, regardless of quality. For most critics it seems there is a simple equation in analyzing foreign pictures: subtitles=great moviemaking that is not exploitative. When the borderline hardcore French film Romance (1999) was released critics were effusive with their lauding of a film that deals (arguably) with sex in a realistic manner. Even respected guys like Roger Ebert confessed to "not really enjoy[ing] it, and yet I recommend it." Apparently Ebert was not aware of the fact the movie uses filmmaking techniques similar to hardcore porno (the editors cleverly cut away from scenes before the "money shot" can occur) and follows the trajectory of many pornographic films in which a nubile young lass goes from man to man in an effort to find orgasm.