Similarities Between Death Of A Salesman And The Great Gatsby

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“The Death of A Salesman” by Arthur Miller and “The Great Gatsby” by Francis Scott Fitzgerald are both tragic illustrations of inevitable failures of capitalistic ambition. Though the play and the novel were both produced during times of economic prosperity, one in the Jazz Age of the Roaring 20s and the other in “the Affluent Society” during the post-World War II boom, both relentlessly denounce the vanity in material pursuits. The two pieces demonstrate differently, however, the two distinct stages of achieving ambitions. Although both writers focus on the disasters that can ensue when pursuing the American Dream, the torture of solitude that follows, and the complexity between illusion and reality, Miller primarily criticizes the first stage …show more content…

Bernard’s success as an attorney is a clear demonstration of the cold fact that the American Dream is universally cruel and impartial, due to its lack of tolerance of emotions. Bernard summarizes the Dream for Willy that “it’s better for a man just to walk away.” (page 68) Yet Willy’s mere inability to “walk away” from his role as a father strips him of the freedom that he would otherwise have for himself. The American Dream only offers Willy two choices—maintenance of his personal moral values such as parental duties or ruthless punishment for incapacity, and he chooses the latter. A successful American Dream in this case is depicted as an improbable result that requires not only dedications, but also courage to relinquish moral duties. Further, Biff’s revelations about the failures of the American Dream further expose the deceptive appearance of capitalism. In stealing a fountain pen, Biff realizes that “all I want is out there, waiting for me the minute I say I know who I am.” The pen is a metaphor for the senseless jobs for people at the bottom of the social hierarchy such as Willy. It represents the incompatibility between people’s work and …show more content…

According to Willy’s neighbor, Charley, for instance, capitalism has produced an unhealthy amount of competition based entirely on sales rather than friendship. He directly exposes that “the only thing you got in this world is what you can sell.” (page 70) Miller portrays a disheartening business world devoid of trust, genuine relationships, and humanness. Also, Willy’s experience of becoming obsolete after “naming Howard” leads him to take Charley’s comment literally and conclude that he would “end up worth more dead than alive.” As he produces few values materially, Willy realizes his path to loneliness and gradually becomes worthless. Miller again illustrates Willy’s solitude in the seed-planting scene. Willy protests about his abysmal situation as he complains that “nothing’s planted. I don’t have a thing in the ground.” (page 90) The seeds are a symbol for Willy’s expectations of the future for his sons and himself, and the garden symbolizes the American capitalistic society, which has brought Willy no sense of accomplishment either as a salesman or as a father. Willy’s quest for capitalism has not only denied his light of future, but also instilled in him an inevitable solitude. Similarly, Gatsby has no real friends. His immense wealth eliminates the possibilities of genuine friends. A sharp contrast between the massive parties thrown in his

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