Significance of the title All the Pretty Horses
The title of Cormac McCarthy's novel, All the Pretty Horses, reflects the significance and variance of roles that horses play in this coming-of-age story, as they relate to John Grady. The horse, which was the social foundation of Western American culture until the mid-20th century, is described as an economical and practical asset to the boys. However, McCarthy also describes horses' abstract qualities using idyllic and impassioned diction, depicting them as animals of a highly advanced spiritual nature, similar to humans in some ways. John Grady has an intimate relationship with all horses and understands the world of horses extraordinarily well. On his journey, he learns that the world of men is very different from that of horses and is forced to rethink the relationship between humans and horses. John discovers that his preconceived notions about men and human society are false; he finds that they do not live in a romantic world as he had supposed. Therefore, the title McCarthy has chosen is ironic and epitomizes the change that John experiences. McCarthy uses the title to represent John's initial perspective on the world, which is refuted through John's later experiences.
John's life, like all of Western American society during the timeframe of the story, revolved around horses, and until he runs away, he knows more about horses than he does about men. These creatures represent strength, untamed fervor, and most importantly, freedom of spirit. The veneration that the vaqueros have for horses is apparent in the tales Luis tells the boys. "The old man only said that it was pointless to speak of there being no horses in the world for God would not permit such a thing" (111). ...
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...e in Mexico disillusions him and forces him to believe otherwise, that the real world is not so simple, carefree, or innocent. John learns that the romanticism that he ascribes to horses cannot be applied to men. John reveres horses and experiences the praise of these animals in the folklore of the day. His relationship with horses exists on many levels‹they are his transportation, his friends, and his spiritual companions. Furthermore, McCarthy describes horses with emotional diction creating almost a motif of passion whenever horses are described. John's unusual understanding of the fervent spirit of horses leads him to believe that men are the same. However, on his bleak and disappointing journey he learns that men do not have the same passion of spirit as horses. Instead, they are unpredictable, violent creatures, and their world is certainly not always pretty.
All the Pretty Horses involves many interesting characters in its story. Most of the characters are believable in this story. Many are flat and static with a few being round and dynamic. The characters are complex, with their own histories and personalities driving their actions. There are many minor characters in the story that do not really have any purpose than helping to move the plot along. There aren’t many characters with considerable roles. The protagonist is John Grady Cole and the antagonists are the captain, Jimmy Blevins, and Alejandra’s aunt. The main character is John Grady Cole, a round and dynamic character. He is revealed in the beginning of the story. He is a 16 year old boy and can be described as quiet, serious,
"Terrain as Narrative Lens in All the Pretty Horses." 2012 Brennan Prize Winning Essay // // University of Notre Dame. University of Notre Dame, 2012. Web. 02 May 2016. . Mexican wilderness comes to reflect John Grady Cole’s internal processes in its role as a vast tract of fenceless space, a canvas upon which McCarthy renders his main character’s experiences as they shape his identity. Meanwhile, the tightness of a Texan terrain scarred and lotted by barbed wire boundaries recognizes the restlessness that drives John Grady’s transience. The effect is a realization of the rapport between
...Mexico teaches him that the world is completely different. The real world is filled with hardship and disappointment, not his idea of simple innocence. John also learns that the romanticism he finds in horses only exist in horses and cannot be applied to people like you and me. His relationship with the horses exists on so many levels: he uses them for friendship, comfort, transportation, and as spiritual mentors. Also, McCarthy describes the horses passionately. John's distinct relationship with the horses causes him to believe humans are like that. Yet, on his journey he learns that men do not have the same passion as horses but instead are violent creatures that make the world ugly, not pretty because of all the heartbreak, and death he has to go through on his long journey.
John Grady’s transformation from a broken family as well as abandoned by his father was unexpected. Growing up around friends who were also abandoned and no mentor or role model made his transition difficult. His love and passion for horses is strong as it was one of the few family traditions he held onto his entire life. His views on emotions and depth of relationships changed once he met Alejandra. In addition, his view on blood as a metaphorical description, to the true life force of all beings is another lesson he learned during his transformation into a young adult. In All The Pretty Horses, McCarthy uses both motifs to spread his theme throughout the novel and portray John Grady’s metamorphosis dramatically from the beginning to the end.
Hemingway presents takes the several literary styles to present this short story. Hemingway’s use of Foreshadowing, Pathos, Imagery and Personification allows the reader to enter the true context of the frustration and struggle that the couples face. Although written in the 1920’s it the presents a modern day conflict of communication that millions of couples face. At first glance the beautiful landscape of the Barcelonian hillside in which Jig refers to frequently throughout the text appears to have taken the form of White Elephants. The Americans’ response to Jigs’ observation was less than enthusiastic as he provides a brief comment and continues on with his cerveza. This was but the first of the many verbal jousts to come between Jig and the American. The metaphorical inferences in those verbal confrontations slowly uncover the couple’s dilemma and why they may be on the waiting for the train to Madrid.
In Clint Eastwood’s film, The Outlaw Josey Wales, horses are extremely prevalent. Whether it’s Josey’s horse or the Union soldiers’ horses, they are seen everywhere throughout the film. Horses are not frequent in the film just because it is an old western film; they are frequent in the film because they hold a great amount of symbolism. The most prominent horse in the film is clearly Josey’s horse, and it symbolizes a lot of things. Typically, a horse symbolizes ideas such as the spirit, freedom, or power. In the film, however, Josey’s horse represents a different idea: Josey’s heroic, animalistic and instinctive nature. When he puts horse down, when he rides to Ten Bears on horse, when he rides out of forest and kills the union soldiers on his horse
Confucianism is a philosophy and way of life formed in China by Confucius, an early Chinese philosopher. It began as a simple concept with ideals of personal virtue, simple filial piety, and basic gender distinctions and social inequalities. But, over time with the emergence of Neo-Confucianism it began to transform into a way of life that was degrading towards women with certain hostilities towards rivaling religions. In its early period, from around 500 B.C.E to the Common Era, Confucianism changed in that it became the leading belief system and a major part of Chinese tradition. From the transition into the Common Era to the end of the Classical time period, Confucianism was altered because of a loss of popularity following the collapse of the Han dynasty and the corruption in the governing political system. In its ending period, the post-classical era, Confucianism underwent perhaps its biggest adjustments with the emergence of Neo-Confucianism. The ideas and virtues presented in the “rebirth of Confucian philosophies” of intolerance of foreign religions and extreme filial piety...
Throughout the book, Robert develops a bond with the animals as he lacks connections with the everyday people in his life. Robert’s natural instinct to save but failure to do so is portrayed with horses: “I’m going to break ranks and save ...
Confucianism started off as a one man show, trying to make a difference in politics and in general, teaching people about morals and good human conduct. As history progressed, through changes of dynasties and different emperors, many new and different feelings about Confucianism emerged. But Confucius never changed what he believed in, no matter how many times his beliefs were rejected. He fought for what he new was right, and in the end didn’t achieve what he wanted to. But to everyone else, he was a brave man, a man who never gave up and a man whose legend is worth remembering.
In ‘horse,’ the speaker describes a horse being betrayed and then killed in a small town in Texas. The first two stanzas described the horse thundering towards outstretched hands being attracted to a field of corn but instead it is attacked by a group of white teenage boys who leave it mutilated. The sheriff of the town does not do anything because he believes that it is in their nature to do so. In the last stanzas the Mexican owner puts the horse out of his misery and someone tries to pay him for the damage. His people are disappointed because they believe that money could not make up for the death of the horse but, they do nothing about it. It would seem the horse in the poem is meant to represent the Mexican culture and how it is being eradicated by the dominant white society in the United States.
In the closing stages of World War II, the soviet troops, moved quickly to Korea. When the US heard about this progress they were shocked and also moved to Korea, to prevent the soviet from making all of Korean into a satellite state. Dean rusk (United states secretary of state) decided and created the 38th parallel line that would divide the Republic of Korea (ROK) which was controlled by the US and Democratic people’s Republic of Korea (DPRK), that w...
Dorothy Johnson in “A Man Called Horse” writes about a young man who was born and raised in Boston. He lives in a gracious home under his grandmothers and grandfather’s loving care. For some reason, he is discontent. He leaves home to try to find out the reason for his discontent. Upon leaving he undergoes a change in status and opinion of himself and others. He begins a wealthy young man arrogant and spoiled, becomes a captive of Crow Indians- docile and humble, and emerges a man equal to all.
In fact, according to Mikki H. Phan, the average person who plays video games states that they began to play video games at approximately seven years old. Phan also states that nearly 75 percent of all people who play video games play violent video games and that three of the top five most purchased video game series in 2010 were action video game series, which may contain violent content. Furthermore, according to the American Academy of Pediatrics, nearly 78 percent of boys in fourth grade through twelfth grade own video games that are rated “mature,” which may contain intense violence (1496). Due to the vast popularity of violent video games and the revenue that the sale of violent video games provides for the video game industry, a ban on the sale of violent video games to teenagers would be devastating to the video game
Hester, Paul’s rocking horse and the whispering of the house represent greed, selfishness, and love. They also reveal the character’s real feelings and thoughts of neglect, detachment, greed and selfishness. These symbols convey a theme and make the characters in the short story. The Rocking-Horse Winner is a tragic story where Paul dies trying to gain his mother’s love and compassion. The mother was just interested in the money he was winning in the derbies. The story conveys a major them of materialism and shapes the characters through the symbols.
Historically, the Korean War played a tremendous role in both North and South Korean societies. The Korean War was simply a victim of the rivalry between the Communism and the Capitalism. North Korea followed the communist beliefs, while the South Korea was backed up by the United States and its allies. The result of this war was deleterious, over 5 million people were killed from both sides. (Stueck, 1997). After experiencing a huge amount of loss both economically and socially, the Korean peninsula still remains divided. In other words, Korean people have experienced extreme tragedy for nothing in return. Visibly, the two Korean states have now a miniature intention to get into Militarized Interstate Disputes (MID). Accordingly, a realist