The Character of Shylock in Merchant of Venice Few characters created by Shakespeare embodies pure evil like the character of Shylock in The Merchant of Venice. Shylock is a usurer and a malevolent, blood-thirsty old man consumed with plotting the downfall of his enemies. He is a malignant, vengeful character, consumed with venomous malice1; a picture of callous, unmitigated villainy, deaf to every appeal of humanity2. Shylock is the antagonist opposite the naive, essentially good Antonio, the protagonist; who must defend himself against the "devil" Shylock. The evil he represents is one of the reasons Shakespeare chose to characterize Shylock as a Jew, as Jews of his time were seen as the children of the Devil, the crucifiers of Christ and stubborn rejecters of God's wisdom and Christianity. However, when Shakespeare created Shylock, he did not insert him in as a purely flat character, consumed only with the villainy of his plot. One of the great talents that Shakespeare possessed, remarks Shakespeare analyst Harrold R. Walley, was his ability to make each key character act like a real, rational person. Walley said of all of Shakespeare's characters, hero or villain, that "Their conduct is always presented as logical and justifiable from their point of view3." To maintain the literary integrity of the play, "Shakespeare is under the necessity of making clear why a man like Shylock should be wrought to such a pitch of vindictive hatred as to contemplate murder4." His evil must have some profound motivation, and that motivation is the evil done to him. Shylock is not an ogre, letting lose harm and disaster without reason. He was wronged first; the fact that his revenge far outweighs that initial evil is what makes him a villain. Beneath Shylock' villainy, the concept of evil for evil runs as a significant theme through the play. In order to understand the concept of evil for evil, one must examine the initial evil, aimed at Shylock, through Shylock's own eyes. Some may see the discrimination aimed at Shylock as justified, as he is a malicious usurer; certainly the Venetians thought so. However, the discrimination took its toll on Shylock, until he began to hate all Christians. Shylock saw himself as an outsider, alienated by his society. The evil he saw done to him took three major forms: hatred from Antonio, discrimination from Christian Venetians, and the marriage to a Christian of his daughter Jessica.
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Flannery O'Connor was a Southern writer especially noted for 32 incisive short stories before a tragic death at the age of 39.
Shakespeare introduces to us a character who is evil according to the moral judgement of the moment. He does not respect the social values and norms. For him social taboos such as incest and crimes such as murder cease to be wrong once they become instruments of power. He is Satan incarnated, cunning, greedy and destructive. He has no respect for those who observe social, norms, family ethics and political loyalty.
Wells Fargo, the American banking giant based in San Francisco, was the subject of a scandal in 2016 based on company-wide ethical problems. Wells Fargo’s unethical behavior and complete breakdown of ethical practices caused many people to suffer both within and outside of the company. Consumers were not properly informed about the types and the number of products being purchased on their behalf and were unfairly used to boost the value of the company, while employees were pushed to their moral limits to meet unrealistic sales goals.
Then there is the innocent and rich “Antonio” (Merchant), who is a Christian, and is a complete Anti-Semitec. Antonio’s character is wrong, he hates Jews, he loves being regarded as rich, and would do anything to make Shylock’s life a misery. Antonio hates Jews; this is proved in Act 1 Scene 3 where Antonio says, “The Hebrew will turn Christian, he grows kind”, this is blatant racism shown against the Jews. The story progresses, a new character is introduced, Portia.
In “Siddhartha” by Hermann Hesse, Siddhartha is put to the test to find inner enlightenment while trying to discover himself. He must work through the hardships and overcome loosing himself along the way.
As Wells Fargo convicted all the requirements of fraud they are involved to the business crime called fraud, they are liable to their fraud crime. There was a false statement which respectively conducted to the injury to the alleged victim as a result. Wells Fargo has been ordered to pay $185 million in fines, but that's a pittance compared with the $5.6 billion the bank earned in just the second quarter of this year. Meanwhile, the bank's victims weren't just nickel-and-dimed with overdraft and maintenance fees. Many of them took "significant hits" to their credit scores for not staying current on accounts they did not even know about. They will likely have difficulty securing home and car loans at reasonable rates for years to come, simply because their bank decided to defraud
In the story, the prisoners are often dehumanized by how they are treated while they wait for their hanging. The beginning of the story starts with the narrator describing what the prisoner cells looked like with it in poor condition:
Everyone who reads The Merchant of Venice must bear in mind that it is, like any other literary work, a creation of a skillful writer, rising a case that can be a subject for many interpretations and not necessarily revealing a specific view of its writer, however it aims to convey a certain moral to the readers. Therefore, the character of shylock, being stereotyped or not, with its controversy is a tool manipulated to convey a moral message: when people live in a society that is open to cultural diversity and that values the contributions of all society members – regardless of cultural and ethnic backgrounds, race, life styles, and beliefs – they will be one step closer to living in a civil society. Works Cited 1) Encyclopaedia Britannica, the definition of "Anti-Semitism". 2) E. E. Stoll, Shylock (an essay in Shakespeare Studies, 1927). 3) John Palmer, Comic Characters of Shakespeare, Shylock. 4) John Palmer, Comic Characters of Shakespeare, Shylock.
During the sixteenth-century there was a very prominent existence of anti-semitism. The English audience had a very clear prejudice towards the Jewish people because of the deep-rooted concept of anti-semitism. This mindset carried from everyday life to plays and productions of the time. This ill will towards the Jewish people spawned from political and religious disputes that were unresolved. The portrayal of Shylock as a villainous Jew is a logical move for the sixteenth-century playwrights because of this common belief. When walking into a production of The Merchant of Venice during this ear, one must keep in mind the predisposition towards the Jewish people as well as the cultural beliefs at that time.
The biggest role of blood in the play was becoming a stigma of guilt for characters including Macbeth and Lady Macbeth. This was first evident when Macbeth had just killed King Duncan. He enters with a bloody dagger in his hand
...leads to change. Marx certainly believed and documented this and based his theory of communism upon it. However, the gaps left in his theory have resulted in varying interpretation to what he originally envisioned. A society without class or state may very well have been achieved if his theory had given more direction as to the details for its establishment. Instead, Marx's theory has been twisted and rewritten to suit the interests of others. Perhaps the greatest problem with his theory "is that no one has tried it".
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In every great play, there must be a villain to assist in forming the base of the plot. Without a villain, no story or play will be successful or interesting. Shakespeare is well known for his use of different types of villains in his plays. “What constitutes a villain? -- You could probably write a whole thesis on that one. I'm going to adopt a rather loose working definition - villains are people who do bad stuff.” (Dooley) Dooley’s description of villains is a very accurate summary of the description of villains. They are, essentially, people who do things that are seen as morally wrong by readers. Many of the villains in Shakespeare’s plays come across as almost sociopathic. In Shakespeare’s plays Othello, Midsummer Night’s Dream, and Hamlet, the villains are Iago, Oberon, and Claudius, respectively.
At the end of The Merchant of Venice, Shylock has been both a victim and a villain. He is a victim of his religion, and a victim of his greed and overwhelming need for revenge. Shylock is definitely the most villainous character in the play, and only a few elements can show him as a victim overall, even then, his victimisation only seems to be a consequence of his own actions. His daughter running away, because of her treatment, and apparent lack of love. The taking of his assets, because he would show no mercy towards Antonio. The final conclusion must be that Shylock is unreasonable, spiteful, heinous, greedy - and a villain.