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Essay about mother characteristics
Essay about mother characteristics
Narrative story about your mother
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Moths that do not fly by day are not properly called moths- they do not give you the sense of dark autumn nights and flames flickering in lanterns, as their other vespertine brothers. They are hybrid creatures, neither bright like butterflies nor somber like the night-living moths. Anyways, the present insect I was watching seemed to be content with its life. It twirled in an intricate flight around the window I was looking through and caught my eye. The choreography the moth went through seemed harmlessly innocent, I thought. Such a small thing for a small creature to do.
It was an early September morning; mild and yet colder in comparison to the previous summer months. The same energy that fueled the drowsy students to trudge along the sidewalk sent the moth fluttering from side to side along the window. One could not help but watch it- the conscious feeling of pity buried itself inside me as I watched the moth. The possibilities of fun seemed so endless that morning and so various that a day in a moth's life seemed like a hard feat. Its zest in enjoying its meager opportunities appeared pathetic. It flew vigorously from one side to the other and back again. That was all it did, despite the width of the sky, the far-off
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And yet the power of the noise and movement was still there indifferent. Somehow, it felt opposed to the little hay-colored moth. It was useless to try to do anything. One could only watch the extraordinary attempts made by those little legs against an oncoming doom which, if chosen, could submerge masses of human beings; nothing, I knew, had a chance against death. Nevertheless, the legs fluttered once more. It was successful this time and finally righted itself. Suddenly, it began moving strangely. I lifted the pencil again, even though I knew it was useless. The unmistakable tolls of death were apparent on the now still moth. The insignificant creature now knew
By explaining in great detail about the flame and how the moth burned for two hours which gives the impression that day time shall never come. Dillard gets across to us the sudden flare of the moth as it first hits the flame, as if a “flame-faced virgin gone to god” as if it was a beautiful sight to see the moth burst up in flames.
Both couples in the car that very clear, cold night were out chasing parkers. They had just topped a hill when the headlights hit this seven foot tall creature with wings that were visible on its back. The body of it was like a slender, muscular man, and it was flesh-colored. Its face could not be seen, because its eyes simply hypnotized those that were looking at the Mothman.
Moth Man is alive he is seen where there is destruction he is living and waiting out in the mountains of West Virginia for the next tragedy to happen(Cryptid). The first sighting was with a young couple while driving near the abandoned TNT plant near Point Pleasant, West Virginia. Spotting the very large winged man moving toward them they speed off. The couple was followed down Highway 62 to Point Pleasant city limits. The Mothman moved extremely fast behind them reaching high speeds during the chase. Some people don’t believe stories just like these one because they hold little solid facts. The stories do hold truth though because we can base it off facts that the couple had no reason to lie and were honestly scared. The MothMan is real and he is somewhere ready to be found.
One day as I was walking along through the tall blades of grass, I came upon a massive figure. I thought to myself, oh just another one of these uninteresting creatures, but this one, this one was different. This one was clad with long flowing hair, and other features that did not fit my ordinary image of these marvelous creatures. I quickly realized it was going to place itself on the ground, and I was in its way. I quickly sprung to safety as the massive creature collapsed where I was previously stationed. How rude, I thought, It ruined the perfect flow of the grass. But I did not ponder too much on it as it was commonplace for these large creatures to land here. By the tree. Next to the water.
The short story “The Moths,” written by Helena Maria Viramontes, tells a story between a granddaughter and a grandmother who both share a symbolic connection between each other. The story is in a first person narrative, told by the author, and her experience taking care of her ill grandmother while facing gender and religious oppression in her own home. The author is very distant from her own family mainly because she does not meet the expectations that her parents have embedded for her. There is a motif of rebirth throughout the story told by the author by symbolizing the significance of the gray moths. The vivid imagery of moths in Helena Maria Viramontes’ short story “The Moths” symbolizes the connection between life and death.
The speaker in “Five A.M.” looks to nature as a source of beauty during his early morning walk, and after clearing his mind and processing his thoughts along the journey, he begins his return home feeling as though he is ready to begin the “uphill curve” (ln. 14) in order to process his daily struggles. However, while the speaker in “Five Flights Up,” shares the same struggles as her fellow speaker, she does little to involve herself in nature other than to observe it from the safety of her place of residence. Although suffering as a result of her struggles, the speaker does little to want to help herself out of her situation, instead choosing to believe that she cannot hardly bare recovery or to lift the shroud of night that has fallen over her. Both speakers face a journey ahead of them whether it be “the uphill curve where a thicket spills with birds every spring” (ln. 14-15) or the five flights of stares ahead of them, yet it is in their attitude where these two individuals differ. Through the appreciation of his early morning surroundings, the speaker in “Five A.M.” finds solitude and self-fulfillment, whereas the speaker in “Five Flights Up” has still failed to realize her own role in that of her recovery from this dark time in her life and how nature can serve a beneficial role in relieving her of her
... “The Death of the Moth” makes comparisons about the life and struggles of a delicate insignificant moth to the similar struggles faced by all human life. Although the moth is a very simple. primal form of life, only concerned with breathing and
The moths help illustrate a sense of spirituality in this short story. Abuelita, the grandmother, uses old remedies which stem from a religious/spiritual nature to cure physical illnesses such as scarlet fever and other infirmities. Her granddaughter is very disrespectful and doubtful of the medicines which her grandmother used, but they always work. The granddaughter tells us that "Abuelita made a balm out of dried moth wings . . . [to] shape my hands back to size" (Viramontes 1239). In this way the granddaughter begins to accept the spiritual belief and hope.
In the beginning of “The Death of the Moth” Woolf describes ”a pleasant morning, mid-September, mild, benignant” (193), the usual autumn day, with regular work on the field, rooks on the tree tops that looked like “a vast net with thousands of black knots” (194). The picture is calm, but rooks, symbol of death, bring dark color to it. Gradually, with the development of the events, when death starts winning over moth’s struggle to live, the image changes, “work in the fields had stopped” (195). Like in the slow-motion picture, everything becomes stiff. Woolf uses words “still”, “indifferent”, “impersonal” to increase a sense of despair. Author uses such an imagery to empower the hopelessness of the moment and to make the reader feel the futility of the life and death struggle.
She describes the September morning as “mild, benignant, yet with a keener breath than the summer months.” She then goes on to describe the field outside her window, using word choice that is quite the opposite of words that would be used to describe a depressing story. She depicts the exact opposite of death, and creates a feeling of joy, happiness, and life to the world outside her room. After this, she goes into great detail about the “festivities” of the rooks among the treetops, and how they “soared round the treetops until it looked as if a vast net with thousands of black knots in it had been cast up into the air”. There is so much going on around her that “it was difficult to keep the eyes strictly turned upon the book.” Descriptions like these are no way to describe a seemingly depressing story about a moth, but by using these, joyful descriptions, Woolf connects everything happening outside to a single strand of energy. These images set a lively tone for the world around her, and now allow her to further introduce the moth into the story.
As we read Virginia Woolf’s somber yet fascinating short story The Death of the Moth, it is quickly realized this is about her personal struggle with depression. The moth itself is the very symbol of her hope to not diminish in this interesting life. Woolf intricately compares the moth’s futile attempts to what seems to be minute problems, but are quite possibly some of the most challenging moments in her life. Woolf mentions such a small detail, “As often as he crossed the pane, I could fancy that a thread of vital light became visible” (Woolf, 2).
In the stage being the first stanza of the poem Child and Insect the reader meets a little boy who is excited and euphoric because he has managed to catch a grasshopper. The rhythm of the poem is very fast and lively. An evidence for that is the onomatopoeia “clockwork fizz” which describes the insect’s movements as sudden and quick, comparing its legs to the hands of a clock too. It also illustrates its desperate attempts to escape the small palm of the boy described by the opening line of the first stanza “He cannot hold his hand huge enough.” Furthermore, not only the grasshopper’s movements are swift but the boy’s motions as well, shown by the run on line “He races back, how quick he is, look”. This line further emphasizes the rhythm of the poem and the energetic mood it creates. The run on line could also be interpreted as a representation of the child’s speech which is cut and uneven because of his cheerfulness and need for a breath. Moreover, the word choices of the author particularly words such as “snatched”, “quick”, “look”, “sudden” help to reinf...
She figured out why this moth must be flying in the daytime unlike the rest of his kind. This had to be because he was dying. Once she realized that the moth is dying it becomes this battle between life and death. She could have interpreted the moth’s fight with death in many ways. She observed the moth and realized there was nothing she should do.
The fly can also be seen as an interruption in the narrator's process of dying. The fly can be heard buzzing above the "Stillness in the Room." The fly also comes between the speaker and the light in the last stanza of the poem, which is another disturbance in the speaker's dying process. The fly can also be seen in an ironic light. The speaker, like all of us, is expecting death to be an important, grandiose experience in our lives. Her own death, however, is interrupted by something as insignificant as a fly. The insignificant quality of the fly could represent the commonplace nature of death and the relative irrelevance of the death of one person. The fly is unimportant, an...
First, the Moth demonstrates ambition throughout The Moth and the Star. James Thurber’s The Moth and the Star, begins when the main protagonist, the Moth, become possessed by the dream of reaching a star. His parents and society, however, wish for him a different fate: to receive his singe marks from a street lamp. The guardians of the Moth try to deviate their son from his dream by telling him, “‘Stars aren't the thing to hang around,’ she said; ‘lamps are the thing to hang around.’ ‘You get somewhere that way,’ said the moth's father. ‘You don't get anywhere chasing stars’” (Para. 1). As depicted by this quotes, the society which the Moth lives in, has a mechanical way of thinking; that is, no one performs an action outside of the s...