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Shakespeare's Titus Andronicus - A Powerful Tragedy
Titus Andronicus is a play marked by acts of horrific violence and littered with death and the destruction of others. Each violent act, however, serves to explain and sometimes encourage the motives of the play's memorable characters and impart a very tightly knotted plot. The structure of the play employs well-defined heroes and villains. Revenge is their key motivating factor. All of these elements combine to form a cohesive plot and contribute to the overall success of the story.
Shakespeare's sources for the play are quite clear. He makes it no secret that the rape of Lavinia is analogous to the rape of Philomela in Ovid's Metamorphosis. In this tale, The daughter of the King of Athens, Procne, marries the King of Thrace, Tereus, and the two of them have a son, Itys. After a number of years, Procne desperately wishes to see her sister, Philomela, and sends Tereus back to Athens to bring her to Thrace. When Tereus sees Philomela, he becomes obsessed with her and carries her into the forest, rapes her and cuts out her tongue to prevent her from telling anyone. Upon returning to Thrace, he informs his wife that Philomela is dead. In the meantime, Philomela weaves her story into a cloth and sends it to Procne. Procne becomes so enraged by this knowledge that she and Philomela plot and kill Itys, cook his flesh and serve it to Tereus. He discovers their ploy and tries to kill them, but Philomela is changed into a nightingale, Procne a swallow and Tereus a hoopoe (Bullough, vi. 48-58).
This exhibits a very distinct parallel. Demetrius and Chiron used the same measures to prevent Lavinia from disclosing their deeds, though Shakespeare (always improving on his sources) to...
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... to become wrapped up in his evil schemes. Also, like Richard III, the character of Aaron the Moor has a great deal of staying power, and we continue to see characters like him four-hundred years later.
Titus Andronicus is very successful as a tragedy. Second guessing of the character's actions is held to a minimum because most of the tragedy is imposed by the other characters' revenge tactics. The notable characters are easily distinguishable because of their very distinct personalities. Titus and Aaron are a prime example of this type of opposition. The solid plot, memorable characters and striking depiction of violence combine to make Titus Andronicus one of Shakespeare's best works.
Works Cited
Bullough, Geoffrey. Narrative and Dramatic Sources of Shakespeare , 8 vols. (1964-75)
Waith, Eugene M. ed. Titus Andronicus. Oxford: Clarendon Press. 1984.
There are many tragedies to be found in literature, but only a few are like Shakespeare’s Romeo and Juliet. It is a story of forbidden love in which a young couple are torn apart by their families’ feud in Renaissance Italy; the play’s tragic ending has both main characters die. Many aspects of this play have sparked a heated debate: is Romeo and Juliet a tragedy or is it simply tragic? Some critics claim that the play lacks elements that are necessary for a tragedy. Yet Aristotle explicitly states the essential components of a tragedy in his Poetics, and Romeo and Juliet meets those requirements. Romeo and Juliet can be considered an Aristotelian tragedy because of Romeo’s impetuousness, Juliet’s loyalty to Romeo, and the play’s peripeteia.
... work is timeless. The permanence of this play is owed to a clever intermingling of opposing belief systems. Shakespeare took the ancient contrasting themes of revenge and Christianity, he tossed in hypocrisy, and he mixed them up with the judgmental fingers of Tamora and Aaron. Although the legalistic demands of the Andronicus family are met with a storm of indictments of hypocrisy by the non-religious Tamora and Aaron, there is one unifying factor. All can agree on the importance of the first born son.
Openness - People who like to learn new things and appreciate new encounters typically score high in openness. Openness incorporates
To humans, life appears to be a dynamic, unpredictable environment to which diversity they react and behave in a certain particular way best suiting to their respective preferences introducing the notion of personality; Psychologists, over time, after various studies, have come along with a series of standardized characteristics that tend to be the mostly manifested while examining personalities and finally came up with the popularly known as The Big Five Theory. On this paper I will get into a description of myself according this theory’s 5 aspects which are Openness, Conscientiousness, Extroversion, agreeableness and Neuroticism;
After Allport, came along two psychologists, Raymond Cattell and Hans Eysenck, who each formulated their own theories regarding traits. Their theories have been the subjects of considerable research in the world of psychology. Cattell seemed to focus on far too many traits, while Eysenck seemed to focus on too few. As a result, psychologists have combined the two theories to make one satisfactory theory (Cherry), called “The Big Five Factors” (Myers). They are: conscientiousness, agreeableness, neuroticism, openness, and extraversion. These five factors merge to create the human personality (Cherry). Where people fall into these factors s...
Personality is defined as a person's differences to another in regards to their patterns of behavior, thinking, and emotional responses (American Psychological Association). The Big Five Personality Traits are Openness, Conscientiousness, Extraversion, Agreeableness, and Neuroticism, or OCEAN for short. Openness is essentially correlated to exploring new things. The people that have high levels of this trait are generally more apt to do things like try different types of food, be more creative, and have the ability to tackle challenging problems. People who are low on this trait generally have a dislike for change, tend to not enjoy trying new things, and are generally more traditional in a sense..
The Big Five is currently the most accepted personality model in the scientific community. The Big Five emerged from the work of multiple independent scientists/researchers starting in the 1950s who using different techniques obtained similar results. Those results were that there are five distinct personality traits/dimensions. Here are your results on each dimension:
(1997). McRae et al. (1997) attempted to find if the Five-Factor Model was a universal constant in all cultures. They also attempted to see if cultural views would change how the five traits were viewed. The researchers collected data from 6 different translations of the Revised NEO Personality Inventory, this inventory looks for universal trait dimensions in a variety of languages. These 6 translations were then compared to the American counterpart. It was found that while some cultures did differ slightly in their view of the five traits found in the Five-Factor Model in comparison to Americans, the traits were still universal. All six translations found the big five traits of extraversion, agreeableness, conscientiousness, neuroticism and opens to experience to be
To begin, the Big-Five traits of the Five Factor Model of Personality are each unique in their own way and offer hints or clues into an individual’s personality. The Big-Five traits can be easily remembered by using the acronym O.C.E.A.N. O represents the trait openness, C represents conscientiousness, E represents extraversion, A represents agreeableness, and last, but not least, N represents neuroticism. Openness is a trait that is characterized by a multitude of positive components. For example, individuals who score high in the trait openness often tend to be imaginative, creative, intelligent, broad-minded, and curious. They are likely to be more motivated, and they enjoy pursuing diverse and new experiences. Individuals high in openness are also more likely to be proactive meaning they actively seek more challenging and complex opportunities (Choi, Colbert, & Oh, 2015). Low scorers of openness are more practical, conventional, narrow-minded, and tend to avoid new experiences. The next trait, Conscientiousness, is a trait which is characterized by more efficient elements. For instance, individuals who score high in
Laertes is a mirror to Hamlet. Shakespeare has made them similar in many aspects to provide a greater base for comparison when avenging their respective father's deaths. Hamlet and Laertes love Ophelia. Hamlet wishes Ophelia to be his wife, Laertes loves Ophelia as a sister. Hamlet is a scholar at Wittenberg, and Laertes at France. Both are admired for their swordsmenship. Both men loved and respected their fathers, and display deviousness when plotting to avenge their father's deaths.
Julie Taymor’s film adaptation of Shakespeare’s Titus Andronicus has many theatrical elements that aid in creating an interpretation of the written play. One of the most prominent elements that Taymor uses is color. Taymor uses color to develop Shakespeare’s characters. Many times throughout the film, color is used to represent a character’s mood or their hidden agenda during a scene. We also see color used to represent good versus evil. The three colors that are most widely used during the movie to show symbolism and imagery are black, white, and red. While there are some references to color in the written text of Titus Andronicus, Taymor’s use of color allows the viewers to see a more clear representation of mood, tone, and character. The colors may be used in costume or in setting. Regardless of how they are used each color plays a large role in distinguishing the tone that is being set for a scene or character.
William Shakespeare is a famous writer who wrote many plays. Most people would concur he is the greatest writer of all time. His plays fall under the categories of histories, comedies, and tragedies. Troilus and Cressida is a tragedy, but many would say it is not because Troilus does not die. Instead a noble fighter named Hector dies. Betrayal, love, and love causing betrayal is expressed in Troilus and Cressida when Cressida betrays Troilus by not railing against the Greeks, Troilus falling in love with Cressida, and in a way, Paris betraying the Trojans because he would not give up Helen which made the Trojans continue fighting.
In the play, Hamlet, William Shakespeare explores the theme of revenge. Throughout the work, Hamlet acquires a moral dilemma; he cannot decide how to carry out revenge without condemning himself. Thus, although the play promotes the idea of revenge at the beginning, the cultivation of dialogue, relationships, and complications provide evidence of the detrimental consequences and limitations of the theme.
The five traits that make up the Big Five Theory are Extraversion, Neuroticism, Agreeableness, Conscientiousness, and Openness to Experience. Extraversion is linked to the habit of experiencing positive emotions. The category of extraversion includes assertiveness, talkativeness and sociability. Neuroticism is linked to the habit of experiencing negative emotions. Extraversion includes feelings of anxiety, self-consciousness, and irritability. Having low self-esteem would give you a high score in Extraversion in a personality test. Agreeableness is one’s care towards another, their concern for their needs, wishes, and rights. If a person is high in Agreeableness they would be polite and compassionate, if they are low in Agreeableness they would be unsympathetic and possibly aggressive. If a person is Agreeable, they cherish a good understanding of others emotions and what people seek out to do in their lives. Conscientiousness is the ability to conform to rules and self-efficiency. Conscientious people are self-disciplined, keep things in order, and don’t get distracted and keep themselves on track with their goals. Openness includes traits such as imagination, intellectual engagement, and aesthetic interest (Deyoung, 2010). Open people are appreciative of adventure, emotion, curiosity, unusual ideas, art and
I have been reading a lot about the Big Five Model of personality traits. It is a popular outlook on the 5 main traits human beings possess. These Traits are: Extroversion, Neuroticism, Agreeableness, Conscientiousness, and openness. This is a long standing debate of whether who we are and how we act is a result of inner personalities are because of “genes” and “nature” or a result of situations and events in life or “nurture”.