How do we choose the music that we listen to? We could be affected by the music itself, the lyrics could touch us on a personal level, or we may have a predisposition to a certain genre of music due to the geographic area we live in. Our background and upbringing can even play a role in our musical choices. However we come to that ultimate decision, how many of us actually pay close attention to the language used in the songs that we like? Could it be that some of our favorite artists or compositions actually contain language that can be considered sexist or harmful?
Many people associate sexist language with the music genre of rap and hip/hop, but the truth is that sexist language invades every style of music. While it is true that the lyrics to rap songs contain the most obvious derogatory terms towards women, research has found that popular pop music also includes language that can demoralize women or make women seem inferior to men. Women are often referred to as objects and even as possessions by artists, implying that even in this day and age females are still second-class compared to males. Some artists compare women to cars, others use their words to enforce their male dominance. Regardless of how popular an artist or song is promoting sexist lyrics shows that as a whole the public does not have a problem with demoralizing women. Numerous male musicians even use this sort of language as a marketing tactic, knowing that their lyrics will cause a controversy that could inevitably boost album sales.
In 2010 Dr. Cynthia Frisby published an article in Media Report to Women about a research study that she conducted to find any correlation between music genre, artist gender, and artist ethnicity. Common slang terms used to de...
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... women. There are labels on music today that warn of explicit and violent lyrics, but there are none that advise listeners against language that debases women and that could possibly harm a person’s self-image. Every person has the right to speak their mind however they see fit, but if they can ban an album for condoning murder or rebellion against authority why can they not at least warn the public of music that offends an entire gender? Censorship of these words will not stop them from being spoken or written; only education about why and how they are used and how harmful they can be can bring about a change.
Works Cited
Frisby, Cynthia M. "Sticks 'n' Stones May Break My Bones, But Words They Hurt Like Hell: Derogatory Words in Popular Songs." Media Report to Women 38.4 (2010): 12-18. Film & Television Literature Index with Full Text. EBSCO. Web. 15 Feb. 2011.
In modern day society, popular culture has gained equal status to world issues and politics. Music, movies, and literature have started cultural revolutions and challenged the straight-forward thinking many individuals have accepted in the past. But while popular culture can advance new ideas and create movements, it also has the ability to challenge advancements society has made. Imani Perry’s essay, The Venus Hip Hop and the Pink Ghetto, focuses on hip hop and its negative impact on women and body image.
Censorship in music is a very controversial subject in today’s society. What is considered a form of artistic expression to some is also considered vulgar and inappropriate to others. But who ultimately gets to decide what is considered vulgar and what is not? Who decides who hears what in the music industry? The RIAA is responsible for applying the Parental Advisory stamp on every album that is released in the United States. The FCC is responsible for making sure that no vulgarities or controversial comments are aired on radio or television. But why is some content edited and other content not? I will try and explain these questions in our article.
Popular music in the United States throughout the decades have always consisted of different genres of music and during the late 70’s and early 80’s, many of the popular bands consisted of only male artists and members. In an era dominated by male artists, Fleetwood Mac featured their lead female singer Stevie Nicks, who went on to transcend the gender expectations of the time and pursue a solo career in the midst of heavy adversity. Fleetwood Mac’s lead singer, Stevie Nicks, is a prime example of the evolution female artists have endured as they struggled to gain equal footing in this male dominated industry. This essay will examine the different factors contributing to Stevie Nicks’s popularity, along with her breaking these normative masculine roles and the way she combined different genres and personal
Women in popular music have created a tremendous history in the wake of feminism. They have made their presence visible by identifying themselves as feminists. Being a woman was hard during that stage. Women were not allowed to do many things due to gender inequality such as the right to vote and to own a property. Therefore, from that moment onwards, women decided to stand up and make some changes. During the early stage of feminism, women developed their skills in popular music to create awareness. They associate popular music with feminism. Although there were racial issues between the black and white during that time, both sides continued to establish in different ways, through different genres of music. Black women focused on ‘black genres’ such as blues, jazz, and gospel, whereas white women performed in musical theatres. Female artists such as Lilian Hardin, Sister Rosetta Tharpe, and Nina Simone were among the notable exceptions of female instrumentalists during feminism. In this essay, I will assess feminism focusing on the second-wave.
Winfield, Betty Houchin, and Sandra Davidson. Bleep! Censoring rock and rap music. Westport, Conn: Greenwood Press, 1999.
As David Machin stated in 2010, “lyrics are not only about artists telling stories but also communicating discourses about their identity.” (Machin D, 2010: 78) indeed, the lyrics of a song play an important role in connecting with people and providing people with reflexive identities, when people listen to the music, the linguistic meaning offers the audience with better representation of the music and creates more emotional connection between the singers and the audiences. Also, as different music genre has different representational characteristics, the lyrics also differ from each other within different genre, meanwhile, the composition of lyrics also changes along with the development of the social movement, as Kaufmann discussed, “the recording industry has been blamed for causing morally or socially unacceptable behavior, thereby placing it in an uncomfortably defensive position.” (Kaufmann, W B, 1986: 225) Thus regulation of music lyrics gradually becomes problematic to the music creation and the necessity of the music regulation or the censorship seems to be increasingly important to the music industry. As a matter of fact, the history of music censorship has already emerged in early times, and developed from the self-regulation into government-regulated regulation these years. This essay will mainly discuss the historical root of the lyric censorship from early ages, explain why the censorship is needed in this industry and finally analyze the censored issue in Cee Lo Green’s song, Forget You (also known as Fuck You) which was released in 2010.
In today's society, all types of music artists are expressing their views, opinions and feelings in their songs about what they see and what they know. This is on of the great things about this country, the freedom to express yourself. It is not fair, nor is it constitutional that music should be censored in anyway. It is not only rap music trying to be censored it is in all types of music. They are taking away their rights and it isn't fair. As reported in the New York Times. "Wall-Mart CD standards are Changing Pop Music", Wal-Mart and other large department stores sell CD's by your favorite artists which are not what your favorite artists originally created. Some retailers refuse to carry CDs with "Parental Advisory Stickers", a few also go as far as to make it known to labels and artists that if the CD comes to their shelves with a "dirty" word, a "controversial" cover, or an "explicit" lyric it will not be allowed on the shelves.
Hip-hop and rap music are commonly criticized for its anti-feminist lyrics and degrading exploitation of women in music and music videos. (Sharpley-Whiting ) Many feminists have taken action against the music industry, which produces these messages in the music they release. However, in the hip-hop genre there are plenty of successful female rappers promoting feminist views, artist such as Queen Latifah and Mary J. Blige have made the choice to condemn the derogatory culture towards women. (Oliver, 382–384)
The most popular new music to emerge from the ‘80’s was rap music. It first developed in the mid ‘70’s in New York City, and soon in other urban areas, primarily amongst African-American teen-agers. It became very popular with the urban public that it soon began to spread throughout the United States and much of the world. It replaced rock music as the creative force in music of the ‘80’s and ‘90’s. However, as popular as it was then and it is now, the lyrics of many rap songs have caused controversy. Many believe and have charged that these lyrics promote racism and violence and show contempt for women.
Another amusing example was in June 1965, radio stations across the country ban the Rolling Stones "(I Can't Get No) Satisfaction" because they believe the lyrics are too sexually suggestive.
Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to climb at unprecedented rates, so too does its influence on the perception of women. In the vast majority of hip-hop songs, the depiction of women as sexual objects, the extreme violence directed towards them and the overall negative influence these lyrics have on the average adolescent's perception of women make rap the absolute epitome of female exploitation.
Thrash, Rodney. "Women Say Rap Videos Demean, Not Define." St. Petersburg Times 14 June 2005. 29 November 2009 .
In order for this problem to adjust over time, much work will be necessary. I believe that our country as a whole should focus not so much on the content of the lyrics, but who the musical artists themselves are. Just because lyrics are profound doesn’t mean that the artist believes in them, they could be relating to previous acts that have occurred in their lives, or speaking freely on the problems our society is faced with. It would be beneficial for our country if a sensor council or committee was founded to screen all songs and albums before they’re released, in order to identify them with a warning label or not
As one moves past the initial onslaught of rhythmic beats that calypso has to offer, it is difficult to miss the way in which it reverberates with negative and demoralizing images of women to their male counterparts. Whether it is within the lyrics of Sparrow’s “Drunk and Disorderly” or Square One’s “My Ding-a Ling”, an ample number of verses are often dedicated to making lewd comments about the female body and the suggestive body language described through thinly veiled rhymes and puns, can be offensive depending on the listener. The half naked models being displayed on the various album covers of calypso, soca and rap mix tapes further reinforces these negative connotations. This bandwagon has been jumped upon by many, including the rap genre in the last two decades, wanting to capitalize on a marketing strategy that generally purports to flag consumer attention, playing on their sense of eroticism. The sections titled “Music, Sex, Sexism” and “Woman Rising” within Peter Manuel’s text: Caribbean Currents, dive into the many issues surrounding gender within music as well as female portrayal specifically in calypso. Observations can be made simply by reading through the textual comparisons. Many aspects of this subject area allude to the fact that the issue of gender portrayal in music can be construed differently depending on who the critical listener happens to be. With the increased awareness and heightened sensitivity to the way in which females are portrayed in popular media, it is important to reflect on the impact these lyrics have on male-female relationships within the communities who most often enjoy this music genre.
The negative perception of women throughout popular culture in the form of music has greatly impacted the portrayal of women on today’s society. This study involves on examination of sexist ideologies in dancehall lyrics that portray women in stereotypical and negative manner. This particular king of music explored in the study is dancehall music, a popular genre in Jamaican culture today. The primarily focus is on the effect of popular songs have on women in society, as well as how song lyrics can cause objectification of women and how are the roles of men and women reflected.