Self-annihilation in The Cask of Amontillado
It is now generally common that Poe’s writings draw on his personal problems. William Bittner, the author of Poe: A Biography even suggests that Montresor and Fortunato in the Cask of Amontillado "are two sides of the same man—Edgar Poe" (218). There exist countless interpretations of the story, resulting from Poe’s ability to puzzle his readers and make them rack their brains over the often-ambiguous lines. Disregarding the many explanations that already exist, I will try to point to passages in the story, which could be considered relevant in proving the theory that by killing Fortunato in so monstrous a fashion, Montresor has annihilated his own soul.
Since Poe uses an unreliable narrator, who does not go into detail when it comes to his motive for killing Fortunato, I found it rather difficult to try to reconstruct and arrive at the motivation for his crime. If we consider the theory of self-annihilation true, we need to start looking for some relevant explanation. We learn that Fortunato has done Montresor harm by a thousand injuries, crowned by an insult, which shall be punished with impunity. A man so proud will not let anyone offend his ancestry. Is that, however, the only motive he may have for murdering the man? He says: "You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter" (Poe), giving us a complete list of traits he lacks in his own character. Hence, Montresor is Fortunato’s mirror image. The characteristics that assemble in Fortunato are the ones that Montresor despises and wants to lock away and leave to die. One may wonder, whether these traits are not the very part of himself. In Retapping Poe’s “...
... middle of paper ...
...raves retribution, a murder transforms into a partial suicide. We are only humans and we cope with some of our issues with help of defense mechanisms. Repression resulting in self-annihilation is possible. I must admit that I have not reached a clear conclusion in the question of Montresor’s real motivation. However, I believe that leaving the door open for imagination to come in is what makes some stories last.
Works Cited
Poe, Edgar Allan. "The Cask of Amontillado". Poestories.com, an exploration of stories by Edgar Allan Poe. Web 23 Nov 2013
Bittner, William. "Poe: A Biography", Boston: Little, Brown, 1962., questia.com, Web. 23 Nov 2013
Charles A. Sweet, Jr., "Retapping Poe’s ‘Cask of Amontillado’", eapoe.org, Poe Studies, June 1975, Vol. VIII, No. 1, 8:10-12. Web. 23 Nov 2013
"What Is Schizophrenia?", National Institute of Mental Health. Web. 23 Nov 2013
Montresor, fifty years after it happened, is confessing to the murder of his foe, Fortunato. He justifies his actions by saying that Fortunato caused him a thous...
“The Cask of Amontillado” starts out with the narrator, later discovered to be Montresor, positioning himself as a victim of Fortunato. In the opening line, he states, “The thousand injuries of Fortunato I had borne as I best could” (714). Instantaneously one feels sympathetic towards a person that has withstood a thousand inflictions. Montresor goes on to tell a parable of sorts about vengeance, and “when the avenger fails to make himself felt as such to him who has done the wrong” (715) he has lost. In this instance Poe has set Montresor apart from being at the least an unsuspecting
No matter how well executed, a crime of this magnitude will leave scars on the conscience, thus marring it’s perfection. Conflicting psychological emotions and actions plague the journey causing inner conflict ranging between pity and revulsion by the time the narrator concludes. Notwithstanding the shortage of information on Montresor’s life in the ensuing fifty years since Fortunato’s death; it can be surmised from the events leading to the murder that Montresor does, in fact, have a conscience and that it builds upon itself as the action
With a premeditated motive to commit such an act, the culprit, Montressor, thinks, constructs and orchestrates a presumed murder against his insulter, Fortunado. “Poe begins by describing, in characteristically precise and logical detail, Montresor’s (and Poe’s) idea of perfect revenge. At the same time, he needed to end his story by telling how his revenge had affected him. When Fortunatosays, “For the love of god, Montresor!” and Montresor repeats, “Yes, for the love of God,” Poe is indicating that Montresor is already experiencing the closure he sought”(Delaney 39) Unbeknownst why he wants retribution, or what it is that his victim has done to compel Montressor to kill him. What is given is a recount of the night under discussion.
Poe, Edgar Allan. The Cask of Amontillado. Mankato, MN : The Creative Company, 2008. Print.
Poe, Edgar Allan. “ The Cask Of Amontillado.” Heritage Of American Literature .Ed. james E. Miller.Vol.2.Austin:Harcourt Brace Jovanovich,1991.20.Print.
A main theme presented in “The Cask of Amontillado” by Edgar Allan Poe is that Montresor shows obsession with the murder of fortunato. This is exemplified by Montresor’s precise planning, carefulness and slowness of speed in the process.
Have you ever met someone so clever, determined, and cruel to leave a man to die over an insult? Montresor is the perfect example of these character traits. In “The Cask of Amontillado”, by Edgar Allan Poe, Montresor uses all of these character traits to get revenge on Fortunado for insulting his family name. Montresor’s clever planning, determination for revenge, and cruel murder are the perfect combination for his unequaled revenge.
As the story begins, Fortunato believes he and Montresor are friends or at the very least friendly. However, Montresor is secretly plotting Fortunato’s murder. Montresor believes that Fortunato has given a “thousand injuries” and it is not until he “insults” Montresor that Montresor springs into action. Unfortunately, it is never explained if these injuries and insults really happened or if they are a delusion. Montresor makes an unreliable narrator and one gets the feeling he suffers from a psychological disorder, such as delusional paranoid personality disorder. This disorder causes the victim to become obsessed with a delusion “involving a phenomenon that the person’s culture could conceivably regard as plausible.” They often believe “they have been injured by friends or strangers, and they tend to see other persons as enemies.” Montresor gives the impression he and Fortunato have known each other for an extended amount of time. Montresor knows more about Fortunato than Fortunato knows about Montresor; possibly because Fortunato is constantly drunk.
Accordingly, Poe is well responsive to this psychological trait of the human brain. Likewise, Poe employs the perception of perversity and remorse in “The Cask of Amontillado.” The reason of burying Fortunato is not only vengeance, but also a robust reaction that is described in “The Black Cat”. There is a passionate yearning in Montresor to hurt Fortunato even if he has not made any harm to him. Although Montresor asserts that he has been injured several times by Fortunato, he cannot defy calling him “respected, admired, beloved,” admitting his “good nature,” and also calling him “noble” (Little 212). These expressions confirmed that Fortunato is a good quality person and the expression “injuries” used in the first phase of the story is simply a hyperbole that Montresor’s psyche has fabricated. Furthermore, wickedness does not come unaccompanied, but it carries itself a sense of remorse. Even if Montresor reflects himself as the diplomat of his family for deafening down rivals, he suffers remorse while walling up Fortunato. Consequently, Poe’s clasp of unreasonableness and culpability of the human mind is
In "Cask of Amontillado", Montresor is the narrator. "The thousand of injuries of Fortunato he has borne as he best could; but when he ventures upon insult, Montresor vows revenge" (Poe 528). As the story unfolds, "Montresor's idea of perfect revenge" is "characteristically precise and logical in detail" as to how he commits his crime (Delaney 1).
Because Montresor narrates the story in the first person, the reader is able to perceive his thoughts and understand his motivations and justifications for his ruthless murder in a manner which a third person point of view would not allow. Montresor’s personal narration of the events of the story does not justify his crime in the audience’s eyes, but it does offer a unique opportunity for the audience to view a murder from the perspective of a madman killer. It is Poe’s usage of this unique angle that causes the story to be so captivating and gruesomely fascinating. As the story opens, Montresor explains why it is necessary that he “not only punish but punish with impunity” to avenge for Fortunado’s insult to him. This justification for his crime is a piece of information that the audience is able to learn only because they are permitted inside the mind of the protagonist. In the final scene, when Montresor is carrying out his murder pl...
In Edgar Allan Poe’s “The Cask of Amontillado,” Montresor sets out on a vengeful mission that will end Fortunato’s life in an untimely fate. Montresor appeals to Fortunato’s love for wine to tempt the unsuspecting fellow to his impending doom. While Montresor tricks the foolish Fortunato frightfully, it is ultimately Fortunato’s pride that leads to his demise in the crypt. Poe uses several literary devices to foreshadow this murderous exploit of Montresor. Through the use of irony, symbolism, and imagery, the story entices readers to delve into the relationships and differences between Montresor and Fortunato.
The first indirect factor that could contribute to Montresor’s vengeful act, and thus the story’s theme of revenge, is the character of Montresor. Montresor tends to harbor feelings of resentment and has a hard time not taking things out of context (Womack). He also plans the murder of Fortunato in advance and devises it in such a way that he will not be caught. In killing Fortunato, Montreso...
Poe starts out with a man, by the name of Montresor, wanting revenge on another man, named Fortunato. Most of the story takes place deep in the Montresor family catacombs. As Montresor lures Fortunato into the catacombs, he chains Fortunato up to a small hole in a wall, bricks it over, and leaves Fortunato to die. Even through the traits of anger, hatred, and revenge, as the story progresses on, Montresor, the main character in “The Cask of Amontillado”, starts to show signs of feeling guilty for wanting to murder Fortunato.